
Work in Progress with Derrick Velasquez
Artist Derrick Velasquez, who is represented by Robischon Gallery and runs Yes Ma’am and Friend of a Friend, is a key pillar in Denver's gallery and DIY scenes.
August 25, 2021
Artist Derrick Velasquez, who is represented by Robischon Gallery and runs Yes Ma’am and Friend of a Friend, is a key pillar in Denver's gallery and DIY scenes.
Joshua Ware • August 25, 2021
Nora Wendl applies diverse talents to equally diverse examinations of place, of being a woman moving through the world, and the “poetics of inhabiting things.” Her recent cycles of work examine the Farnsworth House in Illinois—an iconic glass and steel International-Style house.
Maggie Grimason • March 26, 2020
Lynch makes hand-built, smoke-fired vessels, some as large as five feet tall, others small enough to fit in the hand. Her color palette is minimal and plays the whiteness of the clay against the deep graphite blacks achieved by saggar firing, a process that sometimes also deposits hues of blue and brown. Her work is simple to describe but is not necessarily easy to talk about...
Sarah Bradley • December 01, 2019
Erin Mickelson’s book-based artwork plays with translation, in every sense of the word. In LIMINAL betwixt/between, her series of work displayed in form & concept’s Superscript show in 2018, text is translated to sound, sound to image, and image fed into an algorithm, chopped up, and assembled into new images. Her collaborating artists are Twitter bots and long-dead authors, and her process a visible part of the product. In everything she makes, there’s a degree of absurdity and flux: how many times can you translate something and still call it the same thing?
Robin Babb • October 01, 2019
The tone of my studio visit with Santa Fe artist Ted Larsen was set early when he declared that he would likely be both circumspect and like a blowtorch when talking about his thoughts on his studio practice, life, and work. Now fifty-five, the trained painter has been showing his art since before he graduated college. By the time he was twenty-two, he had already exhibited at the Philadelphia Museum of Art, making big strides early on in a career that has now spanned decades.
Clayton Porter • August 28, 2019
Dorielle Caimi’s paintings have been described as absurd, humorous, truthful, and empowered. Those adjectives adequately describe Dorielle the painter, too, though I would add that she is extremely funny, smart as a whip, and masterful in her execution and rendering of the female figure. Both articulate and open in speaking about her work, Dorielle effectively integrates her emotional and physical experiences into her studio practice. Balancing expressive and brutally honest portrayals of the female form with jarring pop-surrealist color, animal characters, and cartoonish elements, she offers viewers something vibrant and complex.
Kate Wood • July 26, 2019
Visiting Stuart Arends’s studio was no quick jaunt. We drove one and a half hours from Santa Fe to Willard, New Mexico, past the town, further down the highway, and just before a specified mile marker where we were to rendez-vous with the artist at an unmarked wire gate...
Clayton Porter • June 26, 2019
Paula Wilson and Mike Lagg live in Carrizozo, New Mexico, a town of about nine hundred residents, located north of White Sands. Paula, who arrived there ten years ago by way of Chicago and New York, and Mike, who settled in the area over thirty years ago, are mainstays of the art community in the region...
Angie Rizzo • May 24, 2019
Grace Rosario Perkins describes a drawing she had made years ago, taking Black Flag’s Family Man album and replacing Raymond Pettibon’s violent imagery with a repeated series of pencil drawings of women. She then filled out the liner notes with her mother’s name...
Maggie Grimason • April 26, 2019
Harmony Hammond is lying on the floor beneath one of her paintings, craning her neck within inches of the canvas. “I’m doing edges,” she tells me. I first heard of Hammond when I came across the catalogue for Out West, a 1999 show...
Jenn Shapland • March 27, 2019
the micro- and the macrocosmic. Having recently opened the show Drawing, Reading, and Counting at Arthur Roger Gallery in New Orleans (May 7 – June 18, 2016), the Texas-born, Santa […]
Clayton Porter and Lauren Tresp • June 01, 2016
"Before, I was taught to paint in a traditional, old-school style in Oklahoma. But Santa Fe wasn’t into that. There was lots of activism back then. It was the four hundred year mark of Columbus in the Americas, and there was a certain kind of American Indian Movement (AIM) echo in response. That was my first eye-opener..."
Alicia Inez Guzmán • November 27, 2018
Aaron Honyumptewa imbues his katsina carvings with the traditional ethos of the Hopi people combined with an undercurrent of...
Clayton Porter • October 30, 2018
In Karsten Creightney’s painting studio at Sanitary Tortilla Factory in downtown Albuquerque, there is a massive pile of paper scraps: richly colored vintage advertisements, newspaper clippings, blown-out images torn to bits, an array of textures, colors, and weights. This is the stuff of dreams...
Nancy Zastudil • October 01, 2018
It’s not hard to understand why Brandon Maldonado’s paintings are in high demand...
Chelsea Weathers • August 28, 2018
Early in her artistic career, Daisy Quezada came across a real-life scene with all the power of an omen. She and her mother had ventured to their old house in Jalisco, Mexico, which was long abandoned.
Jordan Eddy • July 30, 2018
As Raychael Stine guided us to her studio on the fringes of the University of New Mexico campus, where she has been an Assistant Professor of Painting and Drawing for the past five years, I realized that all my questions were actually the same question: Why dogs?
Chelsea Weathers • June 29, 2018
“This rock formation is forty million years old.” Shane Tolbert is guiding me through a narrow passage whose walls contain countless miniscule pebbles and stones—remnants of a mudslide caused by a rush of prehistoric water that cut through the area around the Colorado...
Chelsea Weathers and Clayton Porter • June 01, 2018
Spending a morning with Gloria Graham in her drawing studio is like being in the world's most inspiring chemistry class. She speaks with sheer awe about the structures and movements of molecular particles, telling personal anecdotes about carbon and silicon, acting out the effects...
Jenn Shapland • May 01, 2018
In Colette Hosmer’s living room, a bookcase contains shelves full of jars of turtle bones, porcupine quills, dead insects, and other sundry specimens the artist has collected from the natural world. Having long informed her sculpture practice, these specimens now inspire a...
Clayton Porter and Lauren Tresp • April 01, 2018
Debra Baxter has just chucked something across her studio. A five-pointed throwing star sticks firmly into the opposite wall. She’s about to throw another, but first she shows it to me. It’s elegant lace made of metal. The tips have been sharpened. Baxter’s work occupies several unlikely but generative intersections: between the fierce...
Jenn Shapland • February 01, 2018
Earl McBride works across a variety of moods, methods, and vibrations—predominantly in the realm of abstract painting. Throughout, his layered markmaking against clean white or softly patinaed panels creates compositions that buzz with tension. In more vigorous pieces, pigment and line are suspended, about to collide in a frenzy...
Clayton Porter and Lauren Tresp • November 01, 2016
Michael Bergt has been in deep dialogue with art history over the course of his more than thirty-year career. Working across drawing, sculpture, and primarily egg tempera painting, Bergt has engaged art’s long history of grappling with representational and abstract sensibilities...
Clayton Porter and Lauren Tresp • December 01, 2017
Jill O’Bryan spends her winters in New York and her summers perched high in the desert on a remote mesa outside of Las Vegas, New Mexico. She has been trekking back and forth, from coastal city grid to off-grid entirely, for twenty years, and for twenty years has sought a personal, physical relationship with the desert, its big skies...
Clayton Porter and Lauren Tresp • November 01, 2017
Christian Michael Filardo takes photographs constantly. A hand holds a switchblade near a blurry-socked leg; a drone floats in a twilit sky above a cholla cactus; soap suds cover the windows of a car. A tattooed arm, melted candles, broken glass, leafy houseplants, tainted concrete, dirt, cats, the back of a shaved head. An omnipresent flash ...
Chelsea Weathers and Clayton Porter • October 01, 2017
Franco Andreshas a thing for textures, surfaces, and sensory information. Throughout his sculptural assemblages, wax, fur, feathers, soil, or charred wood create finishes both sumptuous and visceral. The artist’s [...]
Clayton Porter and Lauren Tresp • December 01, 2016
Susan York’s career has evolved over several decades and, in many ways, constitutes an ongoing investigation into materials, process, and site specificity. For the past several years, York has worked with graphite in two and three dimensions...
Chelsea Weathers and Clayton Porter • September 01, 2017
Paula Castillo is a priestess of postmodern metallurgy, recombining the scrap and detritus of Industry into abstract sculptures that quietly reckon with earth and man. A metallurgist only in a poetic, alchemical [...]
Clayton Porter and Lauren Tresp • February 01, 2017
The lifeblood of Tom Joyce’s work is iron, from the molecular to the colossal. Iron, by mass, is the most common element on Earth, and it plays a role in the cosmos, our blood, industry, weaponry, perhaps even our memory. Joyce is quick to point out the material’s associative dexterity, [...]
Clayton Porter and Lauren Tresp • August 01, 2017
Studio Visit: Nicola López uses printmaking, drawing, collage, and large-scale installation to create work that explores the physical and psychological experience of the contemporary city [...]
Clayton Porter and Lauren Tresp • July 01, 2017
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