Tableland Vertigo: Surveying Circles of the Llano Estacado
Crop circles on the High Plains? Julian Francolino meditates on questions of alienness and human intervention in agriculture and art in Eastern New Mexico and West Texas.
September 04, 2026
Crop circles on the High Plains? Julian Francolino meditates on questions of alienness and human intervention in agriculture and art in Eastern New Mexico and West Texas.
Julian Francolino • September 04, 2026
In Historia Sintética at Dallas Contemporary, Francisco Moreno blends history and fantasy to shape a surreal new reality.
Emma S. Ahmad • September 04, 2026
Field ReportTexasVol. 14 Alien
Located on the high plains of West Texas, Lubbock is a creative hotbed in the middle of the cotton fields, with a vibrant art scene that draws big crowds to downtown and devotees to the fringes.
Natalie Hegert • September 04, 2026
Chantal Lesley uses self-portraiture and the Andean concept of pachakuti to explore identity, belonging, and transformation across borders.
Emma S. Ahmad • September 04, 2026
JR Roykovich renders the veil thinner by embedding historically loaded artifacts in spectral installations.
Emma S. Ahmad • September 04, 2026
They were fast friends who started a frame shop in El Paso. Five years later, their "extra risky" move has paid off for the local creative community.
Graciela Blandon • August 18, 2026
As the Rubin Center for the Visual Arts's first homegrown director, Andres Payan Estrada understands the opportunities and challenges of borderlands arts.
Graciela Blandon • August 04, 2026
Curator Edgar Picazo Merino introduces Sutura, a fall art experience in El Paso and Ciudad Juárez that aims to stitch up a bloody borderlands metaphor.
Jordan Eddy • July 28, 2026
From flipping houses to crashing cars, How To Talk Dirty and Influence People presents a forty-year survey of playful and provocative artworks by Mary Ellen Carroll.
Max Tolleson • July 23, 2026
Is Nic Nicosia's work utterly surreal? Deeply autobiographical? His Dallas retrospective plumbs an oeuvre brimming with play and pain.
Madison Ford • July 21, 2026
At the Amarillo Museum of Art, Stations Words | Bars Cars brings together the works of Ed Ruscha and Ron Cooper, who met and became friends during an intensely creative time in California.
Amarillo Museum of Art • July 14, 2026
Run the Code explores technological obsolescence, interactivity, and the limits of software as an artmaking tool, revealing a data-driven approach to conceptual art.
Courtney Thomas • June 18, 2026
Young borderlands artists often face a choice: leave or turn art into a hobby. A nascent El Paso group is shooting for a "second chance."
Graciela Blandon • June 16, 2026
At the El Paso Museum of Art, a slate of binational projects blurs everyday logistics with ever-intensifying border politics.
Graciela Blandon • June 09, 2026
Chase a Crooked Shadow, a blockbuster group show in Dallas, yanks a cinematic trope from the nostalgic fog into an equally murky present.
Emma S. Ahmad • June 02, 2026
With disarming, familiar objects like coloring books and furniture, Sable Elyse Smith’s Clockwork at The Contemporary Austin exposes how race and the carceral system shape identity.
Justin Duyao • May 05, 2026
Wagon tracks of the doomed Donner Party, detritus of present-day migration, football stadiums as future ruins—Sean J. Patrick Carney traces archeological strategies invoking the Southwest’s complicated past, present, and futures.
Sean J Patrick Carney • March 20, 2026
The “largest art installation in the world” covers the land in Texas once shared by bison, Comanche, and their horses. As a memorial, it represents but does little to repair.
Natalie Hegert • March 20, 2026
InterviewTexasVol. 13 The Road
Artist and activist Nansi Guevara on how art can help protect the Rio Grande Delta from colonial encroachment in Brownsville, Texas.
Rica Maestas • March 20, 2026
Denton-based new media artist Julie Libersat transforms everyday roadside objects into installations that challenge how we navigate public space, belonging, and access.
Emma S. Ahmad • March 20, 2026
Inspired by recurring trips to an almost-ghost town in Texas, Hannah Spector makes haunting multimedia installations.
Emma S. Ahmad • March 20, 2026
Iran-born, Texas-based artist Vahid Valikhani photographs American roadsides, revealing friction in liminal zones.
Joshua Ware • March 20, 2026
Houston-based artist Verónica Gaona sculpts car parts, twisting and denting patriarchal notions of the American gestalt.
Joshua Ware • March 20, 2026
At Ballroom Marfa, five Latinx artists scramble Marfa's mythologies with humor and ferocity. They leave behind a mural, and a challenge.
Madison Garay • March 20, 2026
Texas's first modern art museum, the McNay brings together 23,000 works, a landmark Spanish Colonial estate, and deep community roots in the heart of San Antonio.
McNay Art Museum • March 20, 2026
How can art plumb the depths of an aquifer? Abby Flanagan’s exhibition design in To Move Through Stone activates the peripheries to visualize the intangible flows of an ecological system.
Emily Lee • March 12, 2026
A series of still life photographs by late San Antonio artist Chuck Ramirez capture the essence of a Texas community and subculture.
Emma S. Ahmad • October 23, 2025
Experience Sandy Skoglund's Natural Havoc at Rule Gallery's Marfa location, October 10–November 29. Rare outtakes, sculptures, and drawings reveal her iconic creative process.
Rule Gallery • October 08, 2025
After five brain surgeries, Dallas-based Alicia Parham paints neurologically informed, otherworldly compositions in resilience.
Emma S. Ahmad • September 25, 2025
Studio VisitTexasVol. 12 Obsession
After years of building maze-like monuments to queer love, Texas-based painter Eli Ruhala is at a crossroads his practice.
Harrison Blake • September 05, 2025
Copyright © 2026 Southwest Contemporary