Language in Times of Miscommunication at SMoCA Issues a Call That Asks for a Response
Language in Times of Miscommunication presents work by eighteen artists illuminating the mercurial interplay between opinion, fact, and fiction.
Language in Times of Miscommunication presents work by eighteen artists illuminating the mercurial interplay between opinion, fact, and fiction. By Erin Joyce
This Blanton Museum of Art exhibition highlights how day jobs feed art practices by providing artists with materials, production methods, and ideas. By Thao Votang
Sam Grabowska’s psychotherapeutic virtual installation Intake, on view at Denver’s Understudy gallery empowers participants to choreograph uncomfortable intimacies and thereby find solace. By Gina Pugliese
Many Wests: Artists Shape an American Idea explores the erasure of Black, LGBTQ+, Indigenous American, Asian American and Latinx culture through contemporary art. By Bianca Velasquez
Abstraction in Albuquerque: Six Artists at the Inpost Artspace—more than a half-decade in the making—materialized after a co-curator spotted a 1991 poster inside of a now closed warehouse. By Steve Jansen
Matthew Sketch’s FAM(ily) exhibition at UMOCA comprises a series of untitled mixed-media pieces that explore the relationship between light and land. By Parker Scott Mortensen
At SITE Santa Fe, Mexican artist Pedro Reyes proves that sometimes sculptors can both make activist statements and focus on sculptural fundamentals, with stunning results. By Janet Abrams
Breakthroughs: A Celebration of RedLine at 15 at Denver’s Museum of Contemporary Art showcases the forward leaps of eighteen artist alumni from RedLine Contemporary Art Center’s residency program. By Gina Pugliese
Perplexities acknowledges complexity and the unaccountable and meets it with one kind of certainty: deeply considered and well executed art. By Hills Snyder
Ambitious as always, Desert X delivered on its promise to diversify its pool of participating artists—at the expense of conceptual coherence. By Justin Duyao
Textile artist Paolo Arao explores queerness through his materials, line work, titles, and forms in his show A Selection of Recent Works at David B. Smith Gallery in Denver. By Joshua Ware
Vision and Sound brings work by African American artists in Arizona to the overwhelmingly white town of Sedona. By Camille LeFevre
Mesmerizing Flesh, Tamara Kostianovsky’s exhibition of textile sculptures, encapsulates a compelling, if harrowing contradiction between industrial violence and the beauty of corporeal and organic forms. By Scotti Hill
Ecstatic Land at Ballroom Marfa proposes an expanded definition of the landscape genre by assembling a transgenerational group of artists for this exhibition and film series. By Alana Wolf-Johnson
Hervé Télémaque's exhibition A Hopscotch of the Mind at Aspen Art Museum provides a career-spanning overview of a unique artistic voice dedicated to diverse materials, forms, and media. By Joshua Ware
ReviewUtahVol. 7 Finding Water in the West
Between Life and Land: Material at Kimball Art Center stuns not by virtue of its star artists, but from those that highlight the wonder and horror of our natural world. By Scotti Hill
ReviewColoradoVol. 7 Finding Water in the West
The group exhibition Entanglements looks at the many ways humans impact the environment, revealing a tangled and often fraught web of relationships with nature. By Deborah Ross
ReviewNew MexicoVol. 7 Finding Water in the West
Outriders: Legacy of the Black Cowboy at Harwood Museum of Art in Taos normalizes the Black cowboy past and present. By Steve Jansen
ReviewTexasVol. 7 Finding Water in the West
Immersive Abstractions showcases Laura Turón's visual and social practices at the Rubin Center for the Visual Arts in El Paso. By Edgar Picazo Merino
ReviewArizonaVol. 7 Finding Water in the West
Substance of Stars at the Heard Museum in Phoenix elevates the sky knowledge and origin stories of four Indigenous peoples. By Lynn Trimble
The centerpiece of Nima Nabavi: Visiting is the intricate geometry that he practices, letting the silent slide of his pens continue their daily run to infinity. By Hills Snyder
Esther Elia: Diasporic Deities reimagines ancient Assyrian goddesses with attention to how they have evolved apace with their diasporic peoples. By Maggie Grimason
Kiah Butcher: Still Theatre, a video-based exhibition in Denver, engages the history of Renaissance portraiture in both playful and critical ways. By Joshua Ware
I Like You, Erin Burrell’s colorfully irreverent exhibition at HeyThere Projects, upends the core tenets of masculinity in one fell swoop. By Justin Duyao
American Framing, a Palm Springs Art Museum exhibition by Paul Andersen and Paul Preissner, contemplates the pillars of American architecture. By Justin Duyao
Lucha Libre: Beyond the Arenas is a compelling mix of art and artifacts that elevate themes of identity, power, resistance, and performance. By Lynn Trimble
Sunsets at Everybody in Tucson is a group exhibition of 16mm video, silver-gelatin prints, and sculptural fabrications that share formally austere and technically complex approaches to composition. By Audrey Molloy
At the Millicent Rogers Museum, Southwest Reflections: Between Shadows of the Land takes an interdisciplinary and intercultural approach to the place now known as New Mexico. By Lillia McEnaney
The Center Can Not Hold—curated by Hikmet Sidney Loe and featuring works by Anne Mooney, John Sparano, and Hannah Vaughn—explores the varied meanings of holding space through architecture. By Bianca Velasquez
Petra Cortright, a Net Art and Post-Internet Art painter, bends traditional art-world genres in a solo exhibition at the Palm Springs Art Museum. By Eva-Marie Hube
From the Creek, an exhibition by artist Kiki Smith, brings the experience of the flora and fauna of the Hudson River Valley to the Albuquerque Museum. By Maggie Grimason
Gregg Deal's exhibition Esoo Tubewade Nummetu (This Land Is Ours) in Colorado Springs doesn’t sugarcoat the historic and contemporary injustices Native people encounter in mainstream American culture and society. By Steve Jansen
Anuar Maauad’s project brings up a question born of our contemporary political context: who controls one’s body and its off-shoots? By Joshua Ware
Cannupa Hanska Luger melds past and future in an Amarillo Museum of Art exhibition that pays tribute to millions of massacred Plains bison. By Natalie Hegert
In (RE)CONTEXT at the Rubin Center in El Paso, ten contemporary artists integrate text into their practices, recontextualizing and reappropriating words to create tools of social change. By Edgar Picazo Merino
Meggan Gould’s slow photography emphasizes the ephemeral nature of the moment in Happy Time, Doomsday Time. By Nancy Zastudil
Masha Sha’s drawings are made in stillness alternating with something like fever, with words built of lanky linear planks unfolding at angles. By Hills Snyder
Self-Determined: A Contemporary Survey of Native and Indigenous Artists at CCA Santa Fe highlights the work of thirteen artists exploring the present and future of Native and Indigenous art. By Caitlin Lorraine Johnson
On view in In Our Time, Arizona-based collectors Iris and Adam Singer have been collecting contemporary art by Black artists for almost two decades. By Erin Joyce
Kim Arthun, Michael Bisbee, and Judy Richardson are New Mexico artists connected by their engagement with land and landscape at Exhibit 208. By Hills Snyder
Pete Petrisko, one of the few remaining old heads in the local art scene who has lived in downtown Phoenix since the 1980s, exhibits selections from the past thirty-five years. By Steve Jansen
i know you are, but what am i? at the Utah Museum of Contemporary Art focuses on the figure to launch discussions about identity, fluidity, and body positivity. By Steve Jansen
Ho Baron: Gods for Future Religions at the El Paso Museum of Art is an uncanny blend of maximalism, surrealism, the ascetic, and the interstellar. By Steve Jansen
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