Two Cultures, One Family, a group exhibition curated by Dr. Erika Abad at the Marjorie Barrick Museum in Las Vegas, constitutes a cross-cultural call and response.
Current Work, founded by longtime arts advocate Tiffini Porter, raises the contemporary art bar in Salt Lake City. The gallery also fills several sudden gaps in Utah's creative ecosystem.
Richard Levy Gallery presents two solo exhibitions this fall: new work by Albuquerque artist Karsten Creightney and Los Angeles artist Sarah Hadley.
A look at three upcoming Performance Santa Fe fall 2022 concerts featuring Hélène Grimaud, the Anat Cohen Quartetinho, and the Charles Lloyd Ocean Trio.
The serape-style murals and public-art pieces of Birdseed Collective co-founder Anthony Garcia Sr. are integral to Denver’s urban infrastructure.
The Santa Fe Indian Market fashion show shined a spotlight on Indigenous designers who bring new perspectives to an industry in need of positive, equitable change.
Santa Fe’s September celebration of art spotlights Kevin and Jennifer Box's Origami in the Garden with a gallery show, a documentary film, and a studio tour in Northern New Mexico.
The New Mexico State Committee of the National Museum of Women in the Arts celebrates its 25th Anniversary on October 14th with the event Championing Women Through the Arts: An Evening with Judy Chicago.
Visiting an exquisite private art collection nestled in the Colorado Rockies devoted to Jasper Johns, Emilie Trice wonders: is his work relevant in this day and age?
Phoenix seeks community input as the city considers bond funding for a new Latino Cultural Center and other creative projects, all while art spaces rebound from COVID-19 impacts.
Jorge Rojas’s retrospective Material Witness at Granary Arts in Ephraim, Utah, showcases a quiet yet still tenacious side of the Salt Lake City-based artist.
The pandemic forced Utah’s arts organizations to get creative with funding sources. The strategy ultimately allowed for more direct aid for individual artists and novel programming.
Patrick Dean Hubbell’s exhibition Tack Room at Gerald Peters Contemporary in Santa Fe serves up a powerful discourse that challenges the representation of Indigenous peoples.
Nancy Rivera’s Laborious Practice Pulls a Thread Between Her Art-Making Process and Her Immigration Experience
Salt Lake City artist Nancy Rivera illustrates the immigrant experience in a series of complex and time-consuming embroideries.
Diego Rodriguez-Warner: Iteratives at Rule Gallery in Denver subverts and reinforces historical permutations of beauty.
The Internal Place: The Call of New Mexico in the Works of Esteban Cabeza de Baca, Patrick Nagatani, Lucy Raven, and Richard Tuttle
Artists Patrick Nagatani, Richard Tuttle, Esteban Cabeza de Baca, and Lucy Raven attest to the nature of the poetics of place through artworks centered on the New Mexican landscape.
Trey Burns of Sweet Pass Sculpture Park explores the manufactured landscape of North Texas and its echo natures.
Of Mushroom Clouds and Yellow Dirt: Southwest Artists Reflect on Devastation and Hope Through Anti-nuclear Art
Artists across the Southwest reflect on the region's nuclear history and its fallout in their anti-nuclear artworks.
Based in Santa Fe since the early 1980s, Nathaniel Tarn has spent his career chasing an international literature. A new autobiography, Atlantis, an Autoanthropology, explores the author’s broad career.
Critical Mass: MASS Design Group’s International Humanitarian Architecture Starts with Immersion in the Local
Sustainable Native Communities Design Lab in Santa Fe, an arm of the international human justice architectural firm MASS Design Group, recasts architecture and design in the Southwest.
A survey of Utah’s public monuments and architecture reveals devotion to the LDS faith, but various prominent examples of resistance to this narrative abound.
Concerning the minor vaquero character who is one of three men to die in an attempted mutiny against John Wayne’s “Dunson” and his cattle drive in Howard Hawks’s Red River
"Concerning the minor vaquero character..." is a semi-fictional vignette imagining a deeper life for a minor Chicano character in a major motion picture.
The Contour of Feeling at the Denver Botanic Gardens introduces Colorado audiences to immense, organic cedar sculptures and other large-scale works by artist Ursula von Rydingsvard.