2022 Anniversaries in New Mexico Arts
2022 New Mexico Field GuideFeature
This year is a landmark year for many of New Mexico’s arts institutions, some of which are celebrating their centennials and other significant anniversaries.
2022 New Mexico Field GuideFeature
This year is a landmark year for many of New Mexico’s arts institutions, some of which are celebrating their centennials and other significant anniversaries. By Daisy Geoffrey and Maggie Grimason and Tamara Johnson
Feature2022 New Mexico Field Guide
Grounded in Clay: The Spirit of Pueblo Pottery debuts at the Museum of Indian Arts and Culture in Santa Fe in summer 2022. By Will Riding In
Feature2022 New Mexico Field Guide
The New Mexico Museum of Art Vladem Contemporary is set to become the Santa Fe Railyard’s newest and highest profile occupant. By Steve Jansen
FeatureColoradoVol. 5 Collectivity + Collaboration
M12 Studio’s multi-year collective projects show the complexities of rural places and open conversations about what connects us. By Natalie Hegert
FeatureArizonaVol. 5 Collectivity + Collaboration
CONDER/dance collaborates with the Frank Lloyd Wright Foundation at Taliesin West in Arizona to present new works by innovative choreographers in the Southwest. By Lynn Trimble
FeatureNevadaVol. 5 Collectivity + Collaboration
Spirit of the Land is a love letter to the Southern Nevada desert: a series of exhibitions opening in late March across three venues celebrates the East Mojave landscape. By Hikmet Sidney Loe
FeatureUtahVol. 5 Collectivity + Collaboration
In the heart of one of the nation’s most conservative states, the Utah Museum of Contemporary Art, led by Laura Hurtado and Jared Steffensen, brings groundbreaking contemporary art to the state. By Scotti Hill
FeatureNew MexicoVol. 5 Collectivity + Collaboration
Mei-mei Berssenbrugge, renowned New Mexico-based poet, opens up about her personal poetry process and collaboration across artistic disciplines. By Kathryne Lim
FeatureTexasVol. 4 Winter 2021
Houston creatives and artists discuss the influence of climate change on their individual practices and possibilities for creative responses to climate crisis. By Willow Naomi Curry
Patricia Norby, the first Indigenous curator at the Metropolitan Museum of Art in New York, talks about the representation of Indigenous art in institutional gallery spaces. By Lillia McEnaney
FeatureColoradoVol. 4 Winter 2021
Devon Dikeou’s Mid-Career Smear in downtown Denver is a retrospective that examines "in-between" spaces with keen observation and irreverent humor. By Sommer Browning
FeatureTexasVol. 4 Winter 2021
Emerging choreographer Alexandra Honchell’s journey from company dancer to independent artist is reuniting her mind with her body. By Lyndsay Knecht
FeatureSouthwestVol. 4 Winter 2021
A guide to arthouse film, festival one-offs, and screening series across the Southwest in Albuquerque, Santa Fe, Dallas, Oklahoma City, and Denver. By Lyndsay Knecht
FeatureSouthwestVol. 4 Winter 2021
A handful of DIY, artist-led endeavors in the Southwest demonstrate how artists don’t just DIY—they do it for and with each other. By Nancy Zastudil
SouthwestFeatureVol. 3 Inhale Exhale
Kellie Bornhoft’s work collaborates with the landscape, presenting both the long view of geologic time and intimate perspectives in poetry and gesture. By Natalie Hegert
ArizonaFeatureVol. 3 Inhale Exhale
Kristin Bauer creates text-based artworks that explore the ways words and images influence our perspectives and interpretations of interior and exterior spaces. By Lynn Trimble
NevadaFeatureVol. 3 Inhale Exhale
Nevada artist Jung Min rejects the societal ideals of beauty, identity, and neatness—instead, she finds beauty in the grotesque. By Marcus Civin
FeatureNew MexicoVol. 2 Flights of Fancy
New Mexico artist Santiago Perez's work is steeped in myth, folk tales, art history, anthropology, TV cartoons, and satire, aimed at the human condition. By Asuri Ramanujan Krittika
FeatureTexasVol. 2 Flights of Fancy
Dallas artist Christian Cruz depicts the value of human interaction in a society taking inventory after so much loss and social reckoning. By Lyndsay Knecht
FeatureNew MexicoVol. 2 Flights of Fancy
Joanna Keane Lopez and Helen Levine discuss working with adobe, its history in this region, and how an adobe house is a living thing. By Annie Bielski
FeatureNew MexicoVol. 2 Flights of Fancy
Artist Michelle Rawlings examines beauty through blurred visions, imitation, and purposeful psyche-outs. Steve Jansen explores how Rawling's work speaks to the ways we identify with and move through the world. By Steve Jansen
FeatureColoradoVol. 2 Flights of Fancy
Boulder artist Laura Hyunjhee Kim studies the realness of digital spaces and caring for our physical bodies in an increasingly virtual world. By Natalie Hegert
FeatureNew MexicoVol. 2 Flights of Fancy
For the past ten years, Friends of the Orphan Signs has been placing small moments of wonder on empty, abandoned, and suspended-in-time signs that anchor Albuquerque to its past as a stop along Route 66. By Daisy Geoffrey
As her retrospective exhibition at the IAIA Museum of Contemporary Native Arts demonstrates, Linda Lomahaftewa’s artworks vibrantly convey her personal reflections on the changing social landscapes around her. By Michelle J. Lanteri
A conversation with Arizona artist Nazafarin Lotfi, whose multidisciplinary work explores the experience of bodies out of place. By Greg Ruffing
Catherine Czacki, who is based in Portales, NM, finds radical healing in making her art—objects, sculptures, paintings, talismans, and wall hangings from a variety of different materials— and enjoys the subversive side of indulging in material. By Natalie Hegert
Artist Hong Hong works in papermaking, an art she defines as improvisatory choreography. Her latest work seems to connect earth and sky. By Marcus Civin
Musician Patrick McGuires writes that while the internet is a proven tool for putting distance between human beings, it's also been a lifeline for humanity. By Patrick McGuire
Colorado artist Margaret Neumann's paintings are rooted in the human experience as it is translated through time, through the body, and through our many coping mechanisms. By Sommer Browning
New Mexico arts organizations bring us together in the era of social distancing. By Maggie Grimason
A number of arts institutions across New Mexico celebrate significant anniversaries this year, including photo-eye, the National Hispanic Cultural Center, Santa Fe Workshops, Turner Carroll Gallery, and the Santa Fe Art Institute. By Angie Rizzo
From thermal surveillance imaging to maps of the dead to stories and visions of survival, the work at two imminent Santa Fe exhibitions invites you to come closer to some of the millions of humans who have lost, fled, or been chased from their homes and countries in the past three decades. By Briana Olson
Nora Wendl applies diverse talents to equally diverse examinations of place, of being a woman moving through the world, and the “poetics of inhabiting things.” Her recent cycles of work examine the Farnsworth House in Illinois—an iconic glass and steel International-Style house. By Maggie Grimason
The armillary sphere is a modern, artistic, and accurate interpretation of a historic scientific tool, located on the St. John’s College campus in Santa Fe. By Hannah Loomis
At Georgia O’Keeffe’s home in Abiquiu, New Mexico, new research about the enigmatic sitting-room window provides unexpected insights into the artist’s life and creative practice during the 1960s. By Sarah Rovang
Two Indigenous architects take a look at issues in architecture and consider the future of Indigenous design in New Mexico and beyond. By Geraldene Blackgoat and Michaela Shirley
Preservationist Rachel Preston Prinz explores shifting ideas about architecture, design, and historic preservation in Santa Fe, New Mexico. By Rachel Preston Prinz
An examination of what authenticity means for historic preservation in Santa Fe, New Mexico. By Lisa Gavioli Roach
FeatureNew Mexico Artists to Know Now
“The intention of this work is to honor vulnerability, impermanence, and cycles of life on our planet,” c marquez says of their work, which includes two-dimensional pieces, sculpture, installation, and the results of a daily sketchbook practice. By Maggie Grimason
FeatureNew Mexico Artists to Know Now
Intensely thoughtful, Raphael Begay sees significance in objects and quotidian scenes and is able to begin a conversation with the viewer through his lens. With installations and discussions about his work, he adds a further dimension of storytelling that engages community... By Tamara Johnson
FeatureNew Mexico Artists to Know Now
Garcia, an Art Institute of Chicago–educated artist who moved to Santa Fe from his native Houston in 1987, developed a unique transfer procedure: he creates an image or pattern on paper that’s soaked in gum arabic and water, which is then hand pressed onto a painting surface. By Steve Jansen
FeatureNew Mexico Artists to Know Now
Currently residing in Albuquerque where they are pursuing an MFA in photography, MK began the recent series The Pain Is Just an Annoyance Now as members of their family began to pass away and they witnessed the grief of their mother. These losses spurred an exploration of the complications of family relationships, as well as obscured histories through the physical remnants of the past that shore up the present—family photo albums. By Maggie Grimason
FeatureNew Mexico Artists to Know Now
Looking at Cedra Wood’s paintings feels a little like finding a secret door to enchanted lands. Wood understands a connection between the outer wild terrains and the inward ones. Her art celebrates both realms as essential and beautiful, linked by mythos. The worlds she depicts evoke something of the hero’s journey. By Tamara Johnson
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