volume XXVIII, issue II
August 2019
volume XXVIII, issue I
July 2019
volume XXVII, issue X
June 2019
volume XXVII, issue IX
May 2019
volume XXVII, issue VIII
April 2019
volume XXVII, issue VII
February-March 2019
Aug 01
What Pain Can Do
I felt the most severe pain of my life in a very small room. This room is in a hospital. I was in this room because I had an abscess […]
Jul 30
Building the Legacy of Nancy Holt and Robert Smithson
Quietly, a new foundation has come into being in Santa Fe that promises to have a significant impact on art history and art-making, not just in the Southwest, but internationally. The Holt/Smithson Foundation (HSF) was literally willed into existence by artist Nancy Holt—creator of the massive concrete art installation, Sun Tunnels, in the Utah desert— who lived in Santa Fe the last two decades of her life, until her death in 2014.
Jul 29
Letter: August 2019
Welcome to the next chapter of The Magazine! In July, the beginning of The Magazine’s 28th year, I launched a new business: Southwest Contemporary. (If you missed this launch, sign up for our newsletter at the bottom of this page!) Southwest Contemporary is a new art media company that will serve as an umbrella over The Magazine while also carving out room for this company to evolve and grow.
Jul 29
Portfolio: Sama Alshaibi: Carry Over
Sama Alshaibi, a Tucson, Arizona–based photographer, is a Palestinian-Iraqi who originally came to the United States as a refugee from Iraq. Her mother’s family are also refugees from Jaffa, a historic port city that was fought over and ultimately became part of Israel in 1948. The families that lived there were forced to leave quickly, and many left behind family keepsakes such as family photo albums. Alshaibi’s family have few photographs from their time in Palestine.
Jul 29
Seven Alternative Immersive Art Experiences
Want to break out of the mold? Seven alternative immersive art experiences in Santa Fe are worth exploring this summer.
Jul 26
Studio Visit: Dorielle Caimi
Dorielle Caimi’s paintings have been described as absurd, humorous, truthful, and empowered. Those adjectives adequately describe Dorielle the painter, too, though I would add that she is extremely funny, smart as a whip, and masterful in her execution and rendering of the female figure. Both articulate and open in speaking about her work, Dorielle effectively integrates her emotional and physical experiences into her studio practice. Balancing expressive and brutally honest portrayals of the female form with jarring pop-surrealist color, animal characters, and cartoonish elements, she offers viewers something vibrant and complex.
Jul 26
New Mexico Women: Natalie Goldberg
Natalie Goldberg, author of "Writing Down the Bones," made New Mexico her home and the center of her writing practice fifty years ago.
Jul 29
Nina Elder: What Endures
"What Endures is, and is not, a question. It’s not incidental that I’m focused on the elemental details of my surroundings, that I want to take apart the anthropogenic landscape, break it down into its simplest ingredients. This act is central to Nina Elder’s process—and to the subjects of the featured work, which spans from 2011 to the present."
Jul 29
Jonathan Saiz in Denver
Denver artist Jonathan Saiz believes in the value of shock and surprise, as evidenced in two overlapping solo exhibitions. One is #WhatisUtopia, in which ten thousand miniature squares come together in a mosaic-like column given its own space at the Denver Art Museum. The second exhibition, at K Contemporary, is darker in tone, shocking you to attention with foreboding images.
Jul 29
Alicia Stewart: Unfinished . . .
"Several unfinished works in the show are naturally among the most heartbreaking. Unfinished . . . is a rare capsule of work created at the intersection of talent and years of great development. There is an adolescent fearlessness in these paintings, and Stewart allows viewers to see the remarkable efforts of a young artist making use of her rapidly expanding world. Unlike most eighteen-year-olds, the perspective Stewart applied to her work made magical use of a young life evidencing wisdom beyond her years."
Jul 29
Mira Burack: Sleeping between the Sun and the Moon
Mira Burack’s artwork on view at 516 Arts in Albuquerque evokes themes of rest, comfort, and home—with a dark underside.
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