Ben Aleck's exhibition at the Nevada Museum of Art looks at thirty years of work by the artist and Pyramid Lake Paiute Tribe member who has witnessed key Native American political moments.
Janna Ireland’s Spectral Photographs of Nevada Architecture Explore Paul R. Williams’s Expansive Footing in the Silver State
Paul R. Williams, the first Black architect to be licensed to work in the Western United States, is the subject of a multi-venue exhibition of photographs by artist Janna Ireland.
The Rita Deanin Abbey Art Museum in Las Vegas, dedicated to the late artist, traces Abbey’s prolific but underappreciated career that remained cemented in Southern Nevada.
Reno-Tahoe International Art Show Returns for its Second Year with Double the Footprint—and Big Ambitions
The Reno-Tahoe International Art Show returns for its second year and at double the scope, with big ambitions to position the region as a major cultural destination.
The University of Nevada, Reno’s low-residency MFA Interdisciplinary Arts program celebrates its most recent summer residency—and announces that applications are open to join the program in January 2024.
Modern Desert Markings at the Barrick Museum of Art in Las Vegas showcases contemporary takes on classic Land Art works by Michael Heizer, Walter de Maria, and Jean Tinguely.
Nanda Sharif-pour discusses her use of living plants, soil, and video in her work from her Las Vegas, Nevada greenhouse.
The decline of the Colorado River through drought and other factors has prompted artists to call attention to this event. Does art have the power, though, to mitigate the crisis?
Anthony Bondi’s standalone archive of Las Vegas arts from 1990 to 2015 recalls the Underground and the Committee for Public Safety, and sheds a light on the city’s cultural amnesia. […]
Core Contemporary in Las Vegas, under the direction of Nancy Good, focuses on local artist standbys and self-taught outsider artists in exhibition themes ranging from gun violence to queer aliens.
Wendy Kveck’s Prompt: at ASAP in Las Vegas explored the ways we stage ourselves and our art while employing a feminist practice that confronts and amplifies women as cultural markers.
Two Cultures, One Family, a group exhibition curated by Dr. Erika Abad at the Marjorie Barrick Museum in Las Vegas, constitutes a cross-cultural call and response.
In Forgotten Artifacts at Core Contemporary, Las Vegas artists, Las Vegas artists show cast-metal sculptures evoking a landscape without humans.
Kim Stringfellow presents the current iteration of her exhibition The Mojave Project, which expands ideas of the Mojave Desert and its inhabitants through transmedia representations.
During former Senator Harry Reid’s eulogies, Hikmet Loe heard that Searchlight, Nevada, is a ghost town—which clashed with her experience of a land teeming with life.
Spirit of the Land is a love letter to the Southern Nevada desert: a series of exhibitions opening in late March across three venues celebrates the East Mojave landscape.
AH’-WAH-NEE brings together Indigenous women artists throughout the Southwest for an exhibition about feminine Indigeneity at Donna Beam Gallery at the University of Nevada, Las Vegas.
The Bullfrog Biennial contrasts contemporary art with the landscape of the desert in rural Beatty, Nevada, about 120 miles from Las Vegas.
Aaron Berger, the newly appointed executive director of the Neon Museum in Las Vegas, discusses his career, the city’s diversity embedded in the museum’s collection, and his passion for glassblowing.
Nevada Museum of Art’s Art + Environment Conference transitions to a virtual format with the potential to expand audiences and present more diverse perspectives on Land Art.