Ogden Contemporary Arts Presents The Healing Palette of Mystical Mestizaje
Experience Luis Alvaro Sahagún Nuño's solo exhibition in Ogden, Utah. On view through April 21, 2024.
Experience Luis Alvaro Sahagún Nuño's solo exhibition in Ogden, Utah. On view through April 21, 2024. By Ogden Contemporary Arts
EssayUtahVol. 9 Living Histories
In this essay, nicholas b jacobsen braids together ongoing histories of Mormon and U.S. settler colonialism and genocide against Nuwu and Diné peoples at Pipe Spring National Monument and Lake Powell. By nicholas b jacobsen
InterviewUtahVol. 9 Living Histories
Salt Lake City-based writer Paisley Rekdal discusses poetry as an archive and cultural connecter in the history of the transcontinental railroad. By Kathryne Lim
FeatureUtahVol. 9 Living Histories
After living at an abandoned commune in rural Utah for eight years, author Emma Kemp blends history with memoir in her forthcoming book. By Emily Arntsen
ReviewUtahVol. 9 Living Histories
Shaping Landscapes illuminates the state's history, using photography as a platform for exploring technology, identity, and activism. By Scotti Hill
Gail Grinnell's ...and there is this lingering thought. sparks reflection on the world we live in and ourselves at the Shaw Gallery at Weber State University in Ogden, Utah. By Mary Elizabeth Dee Shaw Gallery at Weber State University
Salt Lake City-based Stephanie Leitch, known for her labor-intensive and mesmerizing installations, continues honing her craft in recent exhibitions that comment on life’s murky truths. By Scotti Hill
MyLoan Dinh: Unsettled Provisions and Nancy Rivera: No Present to Remember open Friday, November 3, 2023, and run through January 14, 2024. By Ogden Contemporary Arts
Grand County, Utah commissioners censored a quote by a historic Black cowboy about racial and class equality in a mural proposed by artist Chip Thomas. By Emily Arntsen
The Mary Elizabeth Dee Shaw Gallery at Weber State University presents Coincidences, a multimedia project and contemporary movement experience exploring shared isolation. By Mary Elizabeth Dee Shaw Gallery at Weber State University
The Mestizo Institute of Culture and Arts, a Salt Lake City organization that promotes marginalized artists, aims to revitalize its mission with a new exhibition space centered on community-based programming. By Scotti Hill
Rat Fink Museum, curiously located in rural and religious Utah, celebrates Ed "Big Daddy" Roth’s inventive style that continues to influence present-day contemporary art. By Bianca Velasquez
Photojournalist Russel Albert Daniels posits his family history as a bridge to larger investigations into Indigenous histories and the legacy of colonial violence and displacement in the American Southwest. By Scotti Hill
While many of the figures in UMOCA’s A Greater Utah are familiar, the ambitious scope of the project allows for new perspectives outside of the state’s metropolitan center. By Scotti Hill
Jared Steffensen, a Salt Lake City-based artist and curator, repurposes broken skateboard decks into enigmatic, nearly inexplicable sculptural artworks in the Current Work exhibition Nosey Taily and the Leftover Review. By Steve Jansen
Torrey House Press, an Intermountain West nonprofit environmental book publisher founded in 2010, renews its commitment to Western voices with a new focus on diverse perspectives. By Camille LeFevre
Kimball Art Center completes the year-long exhibition project Between Life and Land with the closing chapter entitled Crisis. By Heather Hopkins
Hole N” The Rock—a 1930s excavated cave that honors Jesus Christ and Franklin Delano Roosevelt—is a feat of do-it-yourself architecture just off Highway 191 near Moab, Utah. By Emily Arntsen
FeatureUtahVol. 8 Medium + Support
Building Man, an annual, week-long desert rave and art festival in Green River, Utah, celebrates artists who work with found and reclaimed materials. By Emily Arntsen
Studio VisitUtahVol. 8 Medium + Support
Salt Lake City–based artist Lenka Konopasek disrupts and decenters anthropocentrism with her three-dimensional paper sculptures, whose prickly paper strips instill aversion and attraction, as if growing out of the wall. By Alexander Ortega
Although the thematic connection feels strained, the pairing of works by Kheng Lim and Colour Maisch creates a visually rich and compelling exhibition that invites us to relish process and material. By Scotti Hill
Experience works exploring the juxtaposition between trees and the well-known red rocks of southern Utah landscapes in Reaching for the Sky, on view through September 23 in Cedar City. By Southern Utah Museum of Art
Rafael Fajardo’s 8-bit video game diptych YOU MADE OUR REALITY INTO A GAME?!?! engages border issues by humanizing migrant characters with Rasquachismo, kawaii, and comic sensibilities. By Alexander Ortega
Ogden Contemporary Arts presents two exhibitions delving into the profound theme of artwork as a cathartic release of trauma. Holly Wong: Emergence and Stephanie Leitch: Spellbound are on view through October 16, 2023. By Ogden Contemporary Arts
Alexis Rausch continues raising questions about mass responses to traumatic events and how her identity comes into play through the Utah Museum of Contemporary Art exhibition Nobody likes it here. By Bianca Velasquez
A Dream Deferred at Southern Utah Museum of Art explores the Black experience and inequality in education, wealth, and housing. The exhibition is on view through September 23, 2023. By Southern Utah Museum of Art
A Greater Utah, a major survey at the Utah Museum of Contemporary Art, aims to be more representative of regional artmaking than the predecessor show, Utah Biennial: Mondo Utah. By Gabriella Angeleti
Ogden Contemporary Arts’s second artist in residence Eric J. García invites us to scrutinize the principles upon which American history and identity are based in a dazzling and multifaceted artistic project. By Scotti Hill
Jessica Kinsey heads a small but growing team at the Southern Utah Museum of Art, a Cedar City institution that aims to replace culturally insular stereotypes with a community focus. By Scotti Hill
David Brothers of SLC evokes dark, dingy worlds through the derelict sets he builds. Photos from his latest project, Peed Upon, offer a dire caricature of our current times. By Alexander Ortega
Moab Arts Reuse Residency program in Utah, which attracts worldwide artists to make pieces out of rubbish, challenges the concept of detritus and trash. By Emily Arntsen
Utah Valley University is set to open a new museum inside of an old manor. The debut super exhibition, The Art of Belonging, centers BIPOC voices with connections to Utah. By Alexander Ortega
Many Wests: Artists Shape an American Idea explores the erasure of Black, LGBTQ+, Indigenous American, Asian American and Latinx culture through contemporary art. By Bianca Velasquez
New Mexico-based artist Eric García presents solo exhibition Aim High at Ogden Contemporary Arts and unveils a community mural, the culmination of a two-month residency at OCA. By Ogden Contemporary Arts
Matthew Sketch’s FAM(ily) exhibition at UMOCA comprises a series of untitled mixed-media pieces that explore the relationship between light and land. By Parker Scott Mortensen
As Utah faces the evaporation of the Great Salt Lake, Utah artists are finding ways to orient themselves in disaster by considering the relationship between disability and environment. By Parker Scott Mortensen
Jiyoun Lee-Lodge of Salt Lake City grapples with themes of isolation and belonging—in comic book-style works influenced by Korean folk art—in her ongoing Waterman series. By Scotti Hill
Mesmerizing Flesh, Tamara Kostianovsky’s exhibition of textile sculptures, encapsulates a compelling, if harrowing contradiction between industrial violence and the beauty of corporeal and organic forms. By Scotti Hill
The Horacio Rodriguez-curated exhibition and auction Boombox Benefit at UMOCA, a multi-artist showcase of ten ceramic pieces patterned from Rodriguez’s 1980s childhood boombox, aids ten different social justice-centric organizations. By Bianca Velasquez
FeatureUtahVol. 7 Finding Water in the West
The depletion of Utah’s Great Salt Lake is a symbol of the state’s worsening water crisis and has, throughout the past few years, inspired a diverse array of artistic responses. By Scotti Hill
ReviewUtahVol. 7 Finding Water in the West
Between Life and Land: Material at Kimball Art Center stuns not by virtue of its star artists, but from those that highlight the wonder and horror of our natural world. By Scotti Hill
ArtistsUtahVol. 7 Finding Water in the West
Salt Lake City-based Douglas Tolman's project Where Are you? interrogates map-making and deepens community connections to place. By Denise "The Vamp DeVille" Zubizarreta
Ogden Contemporary Arts presents Mesmerizing Flesh, a solo exhibition of work by globally recognized textile artist Tamara Kostianovsky. By Ogden Contemporary Arts
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