
Modern Honesty: Wrestling with Maynard Dixon’s Selective Vision of the “Old West”
Cowboy cosplay, broken Spanish, and Indigenous erasure haunt Sagebrush and Solitude, Maynard Dixon's Western retrospective at the Nevada Museum of Art.
May 06, 2024
Cowboy cosplay, broken Spanish, and Indigenous erasure haunt Sagebrush and Solitude, Maynard Dixon's Western retrospective at the Nevada Museum of Art.
Delaney Uronen • May 06, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Cj Hendry's Public Pool delights some and confounds others, as it celebrates Las Vegas pool party culture while ignoring serious realities of PVC manufacturing, drought, and the wealth divide.
Nancy Good • April 19, 2024
In Performing Self at the Boulder Museum of Contemporary Art, seven multidisciplinary artists expand the concept of performance art with works that are extremely personal, even courageous.
Deborah Ross • April 15, 2024
In a world replete with ecological catastrophe and political turmoil, the customarily inward Andrew Alba channels calamities into catharsis for his exhibition of new works at Material.
Scotti Hill • April 09, 2024
Sarah Sze at the Nasher Sculpture Center in Dallas is proof the affair between an artist and museum doesn’t always result in marriage.
James Russell • March 28, 2024
ReviewNew MexicoSITE Santa Fe Young Curators
Young Curator Sara Barrionuevo visits Alexander Girard’s renowned collection of folk art at the Museum of International Folk Art and finds both value and disappointments.
Sara Barrionuevo • March 27, 2024
ReviewNew MexicoSITE Santa Fe Young Curators
At the Vladem Contemporary, artists use light and color to express Indigenous Futurisms in their current exhibition Shadow and Light. Young Curator Ainsley Drinkard reviews.
Ainsley Drinkard • March 27, 2024
Belonging: Contemporary Native Ceramics from the Southern Plains brings together works by seven artists that range from ceramic vessels to monumental sculptures to installations that radiate outward in space.
Natalie Hegert • March 19, 2024
The Project Space of the Wright Contemporary features Jennie Kiessling’s compassionate offerings of diaristic abstract paintings, each referencing a night of war in Gaza.
Phoenix Savage • March 12, 2024
Duwawisioma’s (Victor Masayesva Jr.) retrospective exhibition Màatakuyma at Andrew Smith Gallery in Tucson solidifies the Hopi artist’s importance in contemporary photographic and Indigenous artistic discourse.
Isabella Beroutsos • March 05, 2024
ReviewNevadaVol. 9 Living Histories
The Emotional Show's consideration of sentiment and inner sensation has become pronounced in relevance following the terrifying December 6 shooting on the UNLV campus.
Brent Holmes • March 01, 2024
ReviewArizonaVol. 9 Living Histories
Amalia Mesa-Bains, renowned for altar-style installations that helped bring Chicana art into the mainstream, recently had a retrospective exhibition at the Phoenix Art Museum.
Lynn Trimble • March 01, 2024
ReviewNew MexicoVol. 9 Living Histories
Out West: Gay and Lesbian Artists in the Southwest 1900–1969 at the New Mexico Museum of Art collects work by and about queer artists working in New Mexico.
Robin Babb • March 01, 2024
ReviewTexasVol. 9 Living Histories
The 2024 Border Biennial at El Paso Museum of Art explores how regional artists experience and interact with the Borderlands, and also acts as a barometer for area contemporary art.
Steve Jansen • March 01, 2024
ReviewUtahVol. 9 Living Histories
Shaping Landscapes illuminates the state's history, using photography as a platform for exploring technology, identity, and activism.
Scotti Hill • March 01, 2024
Landscapes and large bodies featured in the Laura Aguilar: Nudes in Nature exhibition at Phoenix Art Museum in Arizona illuminate the artist’s explorations of gender, race, identity, and community.
Lynn Trimble • February 19, 2024
Jerry Hunt was an oddball avant-gardist who conducted an international career from rural Texas. A collection of his work and ephemera are briefly on view in Lubbock.
Andrew Weathers • February 13, 2024
Antoinette Cauley creates expressive portraiture to bridge hyperlocal and global concerns in I Do It For The Hood, Pt. 2 in Phoenix.
Lynn Trimble • January 16, 2024
In Interference Patterns at SITE Santa Fe, Nicholas Galanin (Lingít/Unangax̂) stokes rage and reckoning with the dark history and continuing legacies of settler-colonialism.
Natalie Hegert • December 21, 2023
Bringing It All Back Home reveals that Patrick Kikut is an unsentimental explorer of the West, manifesting an intrepid curiosity and respect for the land through which he moves.
Hills Snyder • November 29, 2023
José Villalobos’s exhibition Fuertes y Firmas at Big Medium in Austin defiantly extracts beauty from brutality.
Barbara Purcell • November 27, 2023
Curated by Erin Joyce, the small-scale exhibition at ASU Art Museum posits big questions about art and craft, resistance and identity.
Camille LeFevre • November 17, 2023
Donna Zarbin-Byrne’s solo exhibition at Arts Fort Worth immerses viewers in fantastical representations of ecosystems from Texas and Hawai’i in the wake of climate crisis.
Emma S. Ahmad • November 14, 2023
Tiny Tree, Kelly Lynn Jones’s second solo exhibition with The Pit in Palm Springs, celebrates the harmony of the natural world, bringing light and texture into focus.
Justin Duyao • November 07, 2023
Jaune Quick-to-See Smith provokes conversations about Indigenous peoples and transforms the contemporary art canon with her long-overdue career retrospective.
Leslie Thompson • November 03, 2023
Mythopoetica: Symbols and Stories at the Palm Springs Art Museum fuses past and present to imagine a future for the inland Southern California region.
Aleina Grace Edwards • October 30, 2023
If the Sky Were Orange: Art in the Time of Climate Change looks at global warming with a right brain/left brain lineup of scientists, journalists, and artists.
Barbara Purcell • October 24, 2023
Ellen Berkenblit’s exhibition In Motion at Tamarind Institute surveys the New York-based artist’s continuing collaboration with the renowned lithography workshop in Albuquerque.
Nancy Zastudil • October 09, 2023
While many of the figures in UMOCA’s A Greater Utah are familiar, the ambitious scope of the project allows for new perspectives outside of the state’s metropolitan center.
Scotti Hill • September 28, 2023
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