Review: AH’-WAH-NEE at UNLV’s Donna Beam Fine Art Gallery
AH’-WAH-NEE brings together Indigenous women artists throughout the Southwest for an exhibition about feminine Indigeneity at Donna Beam Gallery at the University of Nevada, Las Vegas.
AH’-WAH-NEE brings together Indigenous women artists throughout the Southwest for an exhibition about feminine Indigeneity at Donna Beam Gallery at the University of Nevada, Las Vegas. By Laurence Myers Reese
Amid the escalating climate crisis, a dozen artists explore the impacts of human activity on the natural world during the Anthropocene era in Temporary in Nature at Lisa Sette Gallery. By Lynn Trimble
The 2021 Texas Biennial explores cross-sections of identity and project optimism in A New Landscape, A Possible Horizon across five venues in San Antonio and Houston. By Caitlin Chávez
Dawolu Jabari's large-scale drawings in Lessons from Above: Constellation Quilts at Galveston Artist Residency embed Black history, mythology, and folklore into the fabric of the cosmos. By Caitlin Chávez
Robert Burnier's exhibition Song Cycle at David B. Smith Gallery in Denver features small acrylic-on-aluminum wall sculptures folded into aesthetically and conceptually compelling shapes. By Joshua Ware
The San Antonio Museum of Art celebrates its fortieth anniversary with an exhibition showcasing the global and chronological breadth of its permanent collection. By Bryan Rindfuss
ReviewArizonaVol. 4 Winter 2021
The artists in Undoing Time: Art and Histories of Incarceration explore the relationship between visual culture and imprisonment at the Arizona State University Art Museum. By Lynn Trimble
San Antonio artist Michael Menchaca’s Artpace exhibition, The 1836 Project, is an immersive video installation employing poppy animation to take aim at “the colonial fantasies of the Texas creation myth.” By Bryan Rindfuss
ReviewArizonaVol. 4 Winter 2021
A retrospective of German-American female photographer Marion Palfi at the Phoenix Art Museum, the first major exhibition since her 1978 death, places her towards the top of social research photographers. By Steve Jansen
Source Material, an exhibition at the Colorado Photographic Arts Center in Denver, features eight photographic projects that engage with archival imagery. By Angie Rizzo
Vol. 4 Winter 2021New MexicoReview
Maja Ruznic’s exhibition In the Sliver of the Sun at the Harwood Museum of Art in Taos was reminiscent of a dream state, a loose and subdued world of imagination, distant memories, and notions of home and family. By Lauren LaRocca
ReviewColoradoVol. 4 Winter 2021
Armor, a group exhibition at the Center for Visual Art in Denver, explored physical and metaphorical barriers in the art-making process. By Deborah Ross
ReviewNew MexicoVol. 4 Winter 2021
Hung Liu’s Sanctuary at Turner Carroll Gallery in Santa Fe illuminated and paid respect to the renowned artist and her moving works. By Kathryne Lim
Mimi O Chun: It’s all cake at the Scottsdale Museum of Contemporary Art magnifies societal ills and amplifies women’s issues through soft materials. By Steve Jansen
Mesa Contemporary Arts Museum in Arizona explores the Visionary Arts movement with exhibitions featuring Alex Grey and Allyson Grey plus several contemporary artists based in and beyond the Southwest. By Lynn Trimble
Peggy McGivern’s retrospective at Taos Art Museum at Fechin Studio enters dreamscapes and everyday scenes, tracing forty years and more than seventy-five works by the Taos artist. By Dawn Penso
Matthew Bourbon: Hive at the Fort Worth Community Art Center challenges us to settle our buzzing brains through bold color, composition, and paint-manipulation strategies. By Eric Shaw
The photography exhibition Rania Matar: SHE at Obscura Gallery centers female complexity and empowerment. By Kathryne Lim
Hunt Slonem: Curiouser and Curiouser at K Contemporary in Denver features 200 pieces from the New York artist's career—including his signature bunnies. By Patrick McGuire
The McNay Art Museum celebrates San Antonio food culture with The Art of SA Eats, an exhibition combining poppy depictions of sweets and recreations of old-school restaurants and signage. By Bryan Rindfuss
At the IAIA Museum of Contemporary Native Arts in Santa Fe, worldwide Indigenous artists render the effects of uranium mining and nuclear bomb testing on their lands and people. By Asuri Ramanujan Krittika
Thais Mather: Western Blue at Santa Fe’s form & concept ponders the comprehensive characteristics of the color blue in a cunning display of sculptural installations, micro-pointillist drawings, watercolors, and holograms. By Steve Jansen
Gulf Coast Anthropocene, the latest exhibition at Project Row Houses in Houston, features works that stray from traditional narratives of the climate crisis to center the Black and brown communities most at risk. By Willow Naomi Curry
In Balancing Cultures at Foto Forum Santa Fe, Jerry Takigawa reckons with family history and trauma, and finds beauty in the process. By Kathryne Lim
In the tiny town of Fort Garland, Colorado, Unsilenced: Indigenous Enslavement in Southern Colorado by Chip Thomas (the artist known as jetsonorama) spotlights uncomfortable and paramount histories of Indigenous captivity. By Steve Jansen
Jami Porter Lara’s Terms and Conditions offers a space for uncomfortable conversations around identity, womanhood, and whiteness. By Kathryne Lim
Talia Pura’s two-in-one review recounts Santa Fe Classic Theater’s As You Like It at Santa Fe Botanical Garden and New Mexico Actors Lab’s The Lifespan of a Fact at the new Lab Theater. By Talia Pura
Patrick Marold: The Windmill Project at Ent Center for the Arts in Colorado Springs firmly lands on contingency, environment, and illumination. By Joshua Ware
ArizonaReviewVol. 3 Inhale Exhale
Voice-Over: Zineb Sedira centers the revolutionary power of culture while amplifying the complexities of history, identity, memory, and resistance. By Lynn Trimble
ArizonaReviewVol. 3 Inhale Exhale
Si'alik Hiosik / Morning Blossom, a mural by Thomas "Breeze" Marcus and Miles MacGregor, depicts a young girl from the Salt River Pima-Maricopa Indian Community in downtown Phoenix. By Joshua Rose
New MexicoReviewVol. 3 Inhale Exhale
Breath Taking at the New Mexico Museum of Art examines breath from social, scientific, and metaphysical frameworks. By Steve Jansen
TexasReviewVol. 3 Inhale Exhale
In Imminent Archive, George Bolster and Dong Kyu Kim exhibit exquisite textile works that examine time, displacement, and the human search for home. By Sommer Browning
ReviewTexasVol. 3 Inhale Exhale
Bradley Kerl: Balm evokes a sense of calm and reminds us that life sometimes contains something of the sublime, as long as we keep looking for it. By Lauren Moya Ford
A large-scale collaboration between Marie Watt and Cannupa Hanska Luger, both long invested in community-sourced artmaking, takes the spotlight in Each/Other at the Denver Art Museum. By Deborah Ross
Another World: The Transcendental Painting Group: 1938-1945 at the Albuquerque Museum surveys the New Mexico group that dove deep into abstract painting to create pathways to spiritual enlightenment. By Asuri Ramanujan Krittika
Dust Specks on the Sea: Contemporary Sculpture from the French Caribbean & Haiti at 516 Arts, a rare exhibition for the Southwest region, explores Caribbean identity in the face of colonization By Daisy Geoffrey
Cerith Wyn Evans: Aspen Drift at the Aspen Art Museum in Colorado saturates the senses in the Welsh artist’s first exhibition in the States in more than seventeen years. By Joshua Ware
Shonto Begay: Eyes of the World and Indigenous Women: Border Matters at the Wheelwright in Santa Fe foreground connections to place. By Lillia McEnaney
Eileen Roscina's installation at BreckCreate challenges sentiments about memorials in our pandemic-informed world. By Joshua Ware
At Asia Society Texas Center in Houston, Hong Hong’s massive, experimental paper works fuse nature, craft, painting, and the sublime. By Lauren Moya Ford
Sallie Scheufler curates compelling works by contemporary Albuquerque artists in celebration of Richard Levy Gallery’s thirtieth anniversary. By Nancy Zastudil
Egypt at Santa Fe’s 5. Gallery captures the intersection of modern photography, middle-class tourism, and the allure of pharaonic monuments through the legacy of Jean Pascal Sébah. By Caroline Picard
Laura Shill’s Future Self Storage at Denver’s Leon Gallery features 9,000 feet of pink and red tubes that combine humor with heartache and the sensual. By Joshua Ware
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