New Mexico Artist Residencies: So Enchanting, You Might Get Entrapped
Is New Mexico the Land of Enchantment or the "Land of Entrapment"? Apply for one of these eighteen artist and writer residencies, and you're bound to find out.
May 12, 2026
Is New Mexico the Land of Enchantment or the "Land of Entrapment"? Apply for one of these eighteen artist and writer residencies, and you're bound to find out.
Rocío Marisol Rodríguez Linares • May 12, 2026
A biographical show fortifies the legacy of visionary artist Leonard Knight in Ocotillo, California. If only his rainbow-hued magnum opus were as sturdy.
Caitlin Chávez • May 07, 2026
IAIA fights another proposed federal funding elimination, Acoma Pueblo challenges AI data center developer, and more top Southwest art news for May 2026.
Jordan Eddy and Rocío Marisol Rodríguez Linares • May 01, 2026
In their first-ever joint show in Scottsdale, Beth Ames Swartz and her daughter Julianne Swartz draw from shared esoteric knowledge to astonishingly varied ends.
Lynn Trimble • April 28, 2026
Ephemeral Collective's roving performance festival in Moab holds lessons in pooling resources to shape a tiny counterculture.
Emily Arntsen • April 23, 2026
As Phoenix overhauls its mural directives, local artists are weighing how more structure could professionalize—or narrow—the field.
Lynn Trimble • April 14, 2026
Marisa Sage’s art-is-for-everybody mandate might sound utopian, but at the helm of New Mexico’s most historically freighted museum, it's a massive administrative challenge.
Jordan Eddy • April 09, 2026
In the 1980s, Pueblo artist Jody Folwell jolted Santa Fe Indian Market with political ceramics. Amid her retrospective, she's already pushing toward the next sharp statement.
Camille LeFevre • April 07, 2026
New Mexico Governor vetoes arts-related funding, Colorado lawmakers propose artist-first business bill, and more top Southwest art news for April 2026.
Jordan Eddy • April 01, 2026
Tierras Reimaginadas: Migration at ASU Art Museum centers immigrant voices and reimagines migration across species, cultures, geographies, and time.
Lynn Trimble • March 26, 2026
An archeologist seeks the carvings of a 20th-century sheepherder, tracing stories of lust and loss across a threatened landscape.
Chris Shaw • March 20, 2026
FeatureSouthwestVol. 13 The Road
A million-dollar gambit in New Mexico is one of many small-town projects chasing the fabled success of Marfa, Texas. Can it actually be replicated?
Jordan Eddy • March 20, 2026
From the EditorVol. 13 The Road
Southwest Contemporary: The Road reconstitutes even the busiest Southwest arteries as byways that tether far-flung places and people.
Jordan Eddy and Natalie Hegert • March 20, 2026
Studio VisitNew MexicoVol. 13 The Road
Route 66 survives in fragments. In a handmade atlas, Willie Lambert pieces New Mexico's 500-mile stretch back together.
Peter Warzel • March 20, 2026
ArtistsNew MexicoVol. 13 The Road
An older name for New Mexico anchors Moira Garcia’s mixed-media mapping of Nahua migration, cosmology, and return.
Erin Averill • March 20, 2026
In her paintings of shimmering roadways, Utah-based artist Madeline Rupard reaches for the eternal.
Maggie Grimason • March 20, 2026
PhotographyArizonaVol. 13 The Road
Photographer and sculptor Liz Cohen visualizes "radically transformed bodies," revealing how labor reshapes machines and people.
Lynn Trimble • March 20, 2026
At Ballroom Marfa, five Latinx artists scramble Marfa's mythologies with humor and ferocity. They leave behind a mural, and a challenge.
Madison Garay • March 20, 2026
Accepting an invitation to a major biennial is one thing, closing gaps in institutional support is another. Three Southwest artists sound off.
Lynn Trimble • March 10, 2026
Over six years, artist Cara Romero and curator Jami C. Powell resisted the art world’s rush to capitalize on Native art. Their show just arrived in Phoenix.
Erin Joyce • March 05, 2026
Texas university cancels ICE-critical exhibition, History Colorado expands its Borderlands initiative with Ken Salazar, and more top Southwest art news for March 2026.
Jordan Eddy • March 03, 2026
In response to Joshua Ware's critical reflection on her Denver public artworks, Paula Castillo warns against flattening lived inheritance into a “surface mixture.”
Paula Castillo • March 02, 2026
In a head-on collision with the Hudson River School at Heard Museum, the Cherokee painter sends Indigenous patterns bristling across the American landscape.
Matthew Erickson • February 24, 2026
Experiences for artists abound in Sin City, but Nevada's remote residencies are just as dazzling. Discover nine programs that match any artist's pace.
Rocío Marisol Rodríguez Linares • February 17, 2026
Christian Ramírez's scope is technically local at Phoenix Art Museum, but the assistant curator channels years of Southwest connections from Tucson to El Paso.
Darian Cruz • February 12, 2026
In the cyclonic installation Rush, Gary Simmons critically blurs history, cinema, and Western propaganda. He also makes space for wishful grief.
Erin Joyce • February 05, 2026
The just-announced curator of SITE Santa Fe's next biennial reveals his multi-venue ambitions for a show punctuated by immersive "moments of encounter."
Jordan Eddy • February 03, 2026
IAIA avoids being federally "zeroed out," historic Native lawmaker and artist Ben Nighthorse Campbell dies, and more top Southwest art news for February 2026.
Jordan Eddy • February 03, 2026
After Ed Mell’s passing, his Phoenix studio tells the story of a low-key artist whose Southwest images reached the nation on a postage stamp and beyond.
Lynn Trimble • January 29, 2026
Tewa artists and scholars offer a challenge—along with tea, letters, and a remarkable map—to an institution whose namesake claimed their ancestral lands.
Jordan Eddy • January 27, 2026
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