Complete Your 2020 Census to Support the Arts in New Mexico
Currently, New Mexico ranks 50th in the US for self-response to the 2020 census. Each individual who is counted in the census brings in $37,500 for the state over the course of 10 years.
Currently, New Mexico ranks 50th in the US for self-response to the 2020 census. Each individual who is counted in the census brings in $37,500 for the state over the course of 10 years. By Ellie Duke
Taos-based artist c marquez, one of SWC's 12 NM Artists to Know Now, updates us on their practice, new pieces, and wishes for the arts community. By Daisy Geoffrey
Rapheal Begay, one of SWC's 12 NM Artists to Know Now, updates us on his work and relationship to art since the COVID-19 pandemic, which he has spent at home in Navajo Nation. He continues to advocate for Indigenous aesthetics and visual sovereignty. By Daisy Geoffrey
The Keshet M3 Movement for Mercy and Arts and Justice Network advocate for juvenile justice reform through arts education and youth empowerment. By Tamara Johnson
Reimagined for the COVID-19 era, this year’s entirely virtual monthlong Indian Market is ushering in a new era for SWAIA and many Native artists. By Ellie Duke
While the Owl Peak Farm has adjusted to the pandemic with relatively little upheaval, staying nimble in the face of unexpected and uncontrollable situations is nothing new when working with nature. We spoke with them about their dinner program, the farm, and rolling with the punches. By Daisy Geoffrey
Windows On the Future, which spans Albuquerque, Santa Fe, and Taos, aims to re-energize commercial districts that have slowed down due to COVID-19. By Ellie Duke
Jodie Herrera is an Albuquerque-based artist. We spoke with Jodie about activism in art and Nuevo, her new exhibition with Frank Blazquez. By Daisy Geoffrey
From thermal surveillance imaging to maps of the dead to stories and visions of survival, the work at two imminent Santa Fe exhibitions invites you to come closer to some of the millions of humans who have lost, fled, or been chased from their homes and countries in the past three decades. By Briana Olson
A monument to Union soldiers who fought in the Civil War against “savage” Indians is now the site of a community art project organized by the Santa Fe Arts and Culture Department, in which city residents are invited to “create messages of reconciliation.” By Ellie Duke
Santa Fe Art Tours was founded in 2015 by Elaine Ritchel. Known for a creative, in-depth approach to arts education, Santa Fe Art Tours specializes in themed tours, multi-day experiences, and is currently offering online studio visits. We caught up with Elaine to discover how her business is navigating the lockdown. By Daisy Geoffrey
Catch up on local arts headlines from April, May, and June! People are on the move at local institutions, grants and scholarships have been awarded, archives collected, and more. By Southwest Contemporary
“It’s really brought home to me the way in which literature can connect us to each other and foster and express our shared humanity. Our experiences in this country might be specific, but through art we can interrogate universal truths about what it means to be human. This is why it’s so important for our arts, culture and society to be inclusive of everyone.” By Daisy Geoffrey and Lauren Tresp
Farm & Table is an Albuquerque restaurant with a strong ethos grounded in local food and sustainable practices. Like many in the food and beverage industry, Farm & Table was heavily affected by the COVID-19 restrictions. The week we spoke, the restaurant was fully reopening to the public for the first time since March. We spoke with Cherie Montoya, owner of Farm & Table. By Daisy Geoffrey
The Weekly 5×5 is Southwest Contemporary’s top five picks of things to do for the next five days. At least that’s what it was until our to-dos became homebound during […] By Southwest Contemporary
Ramona Sakiestewa grew up in the American Southwest where the land and sky informed her artwork. Over 30 years ago her artwork began in tapestry weaving. In 2009, Ramona began focusing on constructed works on paper as a new medium. Using printing, painting, and drawing, the artist layers shapes, colors, and textures to form a dimensional lexicon for the constructions. By Southwest Contemporary
Keith Grosbeck and Leland Chapin work in marketing at the Poeh Cultural Center in Pojoaque, NM. In response to the COVID-19 pandemic, the Poeh swiftly organized a Facebook group called the Native Artist Marketplace, where Native artists are invited to sell their work. At the time of publication, the group has over 1,500 members. As part of their efforts, the Poeh has offered their team’s knowledge and experience to help artists in their community make the transition to selling their artwork online. By Daisy Geoffrey
George Casey, owner of Lost Padre Records in Santa Fe, has curated a list of five records to listen to now. A longtime record collector and DJ, George brings us a truly eclectic mix of bonafide jams. Lost Padre Records re-opened last week and are also offering curb-side pick-up and shipping. All the records listed here are available at Lost Padre. Put a record on, turn it up. By Southwest Contemporary
“Uncharted” is a new interview series created in light of the COVID-19 pandemic. We’re talking to people in the New Mexico arts world and beyond to see how the community […] By Daisy Geoffrey
Rania Matar, SHE May 15–July 3, 2020 Reception: June 6, 6–8 pm Richard Levy Gallery is pleased to present a selection of nine photographs by Rania Matar from the series […] By Southwest Contemporary
One of the great fixtures of a Santa Fe summer is Santa Fe Opera, who recently announced the cancellation of its 2020 season due to the pandemic. Since we can't go see the stunning sets in person, we're revisiting our SFO behind-the-scenes series, which has profiled the champions who make up the Opera's scene, props, and costume shops, and detail the way they turn dream-like ideas into dream-like realities. By Southwest Contemporary
The Weekly 5×5 is Southwest Contemporary’s top five picks of things to do for the next five days. At least that’s what it was until our to-dos became homebound during […] By Southwest Contemporary
This week we chat with Sarah Stolar, an interdisciplinary artist and head of the art department at UNM-Taos. She shares how her students are coping, and the importance of supporting young artists whose voices we need most By Daisy Geoffrey
In a letter author George Saunders wrote to his creative writing students at Syracuse University, he discusses the importance of paying attention and recording this time. That this is the time the world needs our eyes and ears, for later it is our records that will tell the stories of the 2020 pandemic. So, with that in mind, we've gathered some ideas to inspire and guide taking notes, processing, and creating. Making the records. Making some art. By Southwest Contemporary
In this week's edition of "Uncharted," artist Mira Burack talks about the opportunity we have to reevaluate our relationships with time and space, with earth and rest as we enter into the third month of the pandemic in the United States: "Each person has to ask themselves, 'What is going to be most nurturing and comforting to me?' Everyone can respond to that in different ways." By Daisy Geoffrey
Richard Levy Gallery presents New Work: Paintings, Drawings, and Sculpture, a solo exhibition of colorful minimal pieces by Jeff Kellar. He creates beautiful surfaces through the application of many layers of acrylic resin and clay pigment onto paper, aluminum panels, and woodblocks. Each layer is methodically sanded and buffed leaving the surface smooth and modulated. Playing with illusion, ambiguity, and space, Kellar uses these ultra-flat surfaces to form dimensional compositions. By Southwest Contemporary
The Weekly 5x5 is Southwest Contemporary's weekly email newsletter with our top five picks of things to do for the next five days. At least that's what it was until our to-dos became homebound during the COVID-19 pandemic. We're now sharing five things to enjoy from home, and this week we are focused on creative activities for kids in quarantine captivity. By Southwest Contemporary
This exhibition is the culmination of Tonee Harbert's first nine months at the Roswell Artist-in-Residence program. A photography exhibition that shows the southeast New Mexico landscape with surreal and melancholy beauty, and is relevant during the pandemic, showing an absence of people, while referencing marks of humanity on the landscape. By Southwest Contemporary
"It’s that idea of, if not now, when? Weirdly, this horrible time has forced me to prioritize and get back to what I actually want to do and not worry about what’s going to happen with it." —Rachel Popowcer By Daisy Geoffrey
"Uncharted” is a new interview series created in light of the COVID-19 pandemic. This week, we catch up with Merry Scully, Head of Curatorial Affairs at the New Mexico Museum of Art about working from home, translating the work of the museum to the web, and her hopeful outlook. By Daisy Geoffrey
The current state of virtual exhibitions is rather disappointing, but there are a few promising gems out there in the cacophonous landscape of the net. In this essay, Lauren Tresp tries to make some sense of the noise of art online. By Lauren Tresp
"Uncharted" is a new interview series created in light of the COVID-19 pandemic. First up, we're talking to Pauline Kamiyama, Director of the Santa Fe Arts and Culture Department, to see how the Department is navigating this unprecedented health crisis and how it is working to serve the rest of the community. By Daisy Geoffrey
Jessica Zeglin: A Quiet But Not Empty Place March 6—March 28, 2020 The city of Albuquerque grows interlaced with the high desert grasslands it inhabits. These grasslands are not vacant […] By Southwest Contemporary
Nora Wendl applies diverse talents to equally diverse examinations of place, of being a woman moving through the world, and the “poetics of inhabiting things.” Her recent cycles of work examine the Farnsworth House in Illinois—an iconic glass and steel International-Style house. By Maggie Grimason
Anita Rodriguez is a true renaissance woman. She is a writer and painter, in addition to her accomplishments in the field of sustainable architecture. By Angie Rizzo
Santa Fe preservation architect Beverley Spears’s Early Churches of Mexico: An Architect’s View details her decade-plus study of sixteenth-century churches and conventos in Mexico. By Rachel Preston
“I always tell people ‘wine is like a joke: if you have to explain it, it’s not very good,’” says Sean Sheehan, owner and head vintner at Sheehan Winery in Albuquerque. By Robin Babb
The armillary sphere is a modern, artistic, and accurate interpretation of a historic scientific tool, located on the St. John’s College campus in Santa Fe. By Hannah Loomis
The new Charlene Teters exhibition at Institute of American Indian Arts in Santa Fe challenges border policies in a time of mass migration. By Coco Picard
Esphyr Slobodkina: Six Decades of Groundbreaking Painting, Collage, and Sculpture at the LewAllen Galleries in Santa Fe is a window into twentieth-century abstract art by one of the movement’s early pioneers, Esphyr Slobodkina, a versatile and prolific New York artist. A cofounder of the American Abstract Artists group, she translated the concepts of European Modernism into American idiom. By Alejandro López
Indelible Ink displays pieces by nine multigenerational Native American printmaking women whose artwork stuns with originality, beauty, and color, while also illustrating the historical trauma that impacts Native people today. By Steve Jansen
Yōkai: Ghosts & Demons of Japan at the Museum of International Folk Art spotlights the Japanese folk art tradition of yōkai, which depicts paranormal beings such as ghosts, demons, and monsters in a variety of settings, ranging from traditional kabuki theater to Pokémon anime. By Steve Jansen
At Georgia O’Keeffe’s home in Abiquiu, New Mexico, new research about the enigmatic sitting-room window provides unexpected insights into the artist’s life and creative practice during the 1960s. By Sarah Rovang
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