Writings + The Printed Page
John Shepherd’s pack weighed him down, straps cutting into fleece, water bottle digging into his hip. The hike had taken longer than he’d anticipated. The light was fading...
May 24, 2019
John Shepherd’s pack weighed him down, straps cutting into fleece, water bottle digging into his hip. The hike had taken longer than he’d anticipated. The light was fading...
Joaquin Gomez • May 24, 2019
Visual artist Clayton Porter has been taking photos for The Magazine since Lauren Tresp became publisher. In addition to his beloved black and white portraits of artists in their studios, Clayton has been by Lauren's side, spending countless hours discussing ways to reinvent the publication, many of which have come to fruition.
Editor • May 14, 2019
For the first panel-discussion Collectors Collect New Mexico I at The Magazine on May 9, 2019, we hosted collectors and gallerists Christian Mayeur and Anne Poux along with artists Anne-Marie […]
Lauren Tresp • May 11, 2019
The Magazine publisher and editor Lauren Tresp was interviewed by Santa Fe Found! Siler Yard Arts and Creativity Center, a 65-unit affordable live/work space development project...
Southwest Contemporary • May 07, 2019
Grace Rosario Perkins describes a drawing she had made years ago, taking Black Flag’s Family Man album and replacing Raymond Pettibon’s violent imagery with a repeated series of pencil drawings of women. She then filled out the liner notes with her mother’s name...
Maggie Grimason • April 26, 2019
Downtown Juárez still feels gutted since the demolition of its nightclubs and the shuttering of so many businesses and markets, but among the ruins you can experience—if, I will stress, you have a Juarense to guide you—a lively community trying to find itself and its sense of vitality and ownership over the space again...
Jenn Shapland • April 26, 2019
It seems that cinematic sequels are all the rage these days. Even theater is not immune to this urge to put iconic characters in new situations. Take, for example
Jonah Winn-Lenetsky • April 26, 2019
Amy was unyielding. Every time I saw her, she’d ask, “Have you gone to church yet?” “No,” I’d reply, again. “They’re about to start construction on the new sanctuary...”
Rachel Preston • April 26, 2019
It has been three weeks since I watched Vox Lux. Whenever I think about how to approach writing about it, in my head I hear the voice of Bill Hader’s Saturday Night Live character, Stefon...
Chelsea Weathers • April 26, 2019
Out There at Gallery Fritz pairs the work of two New Mexico artists, painter Terri Rolland and sculptor Jeff Krueger. Their work naturally invites comparisons, though...
Sarah Bradley • April 26, 2019
Walking around Santiago for a week, I saw it as a magical city. In many neighborhoods, almost every house front is covered with original murals in a dazzling array of styles. Chile is saturated by the long trail of migrations...
Marina La Palma • April 26, 2019
Aftereffect: Georgia O’Keeffe and Contemporary Painting is not only a vibrant and eye-catching show but also an exercise in understanding how artists can be influenced by legendary painters without resorting to outright imitation. Aftereffect gathers together twelve...
Deborah Ross • April 26, 2019
Qué Chola is an homage to the characteristically Chicana figure of the chola. The show features street photographs and paintings inspired by old snapshots, plays on pin-up ads and Lotería cards, constructed photos, and graphic art...
Briana Olson • April 26, 2019
In her essay, “Time to Get Ready,” Maria Varela recalls, “I once volunteered in the fourth grade that I was Mexican, and the angry response of the teacher frightened and shamed me. ‘No, you are not! We’re all Americans here,’ snapped Sister Rosita.” For a woman who has spent her life fighting white supremacy across the U.S., this scene presents a formative moment.
Jenn Shapland • April 26, 2019
Nature’s Nation: American Art and Environment, which catalogues an exhibition that opened last fall at Princeton University Art Museum, proposes a reorientation for American art history around ecology and environmental history.
Matthew Irwin • April 26, 2019
Have a drink with Elaine Ritchel of Santa Fe Art Tours.
Lauren Tresp • April 26, 2019
Haida, Kwakwaka’wakw Chilkat weaver Meghann O’Brien is the 2019 Eric and Barbara Dobkin Native Artist Fellow. An accomplished textile and basket weaver...
Jenn Shapland • April 26, 2019
1 We drove to a place to look up...
Marie Claire Bryant • April 26, 2019
I can already tell from our overflowing calendar of events that the New Mexico arts season is soon upon us.
Lauren Tresp • April 26, 2019
Vortexting The Muses is the inaugural show of Niomi Fawn’s new brick-and-mortar curation project in Santa Fe, Show Pony Gallery. Drawings and paintings on paper, wood, glass, and brick by artist Timothy Jason Reed...
Kate Wood • April 26, 2019
Client Account Representative and Distribution Manager Rebecca Lynch is the newest addition to The Magazine's staff.
Editor • April 16, 2019
The Harwood Art Museum has named Juniper Manley their new director. Robert Krep, Georgia O’Keeffe Museum Director of ten years, has resigned. Curator Cody Hartley is serving interim director during a nationwide […]
Editor • April 09, 2019
Harmony Hammond is lying on the floor beneath one of her paintings, craning her neck within inches of the canvas. “I’m doing edges,” she tells me. I first heard of Hammond when I came across the catalogue for Out West, a 1999 show...
Jenn Shapland • March 27, 2019
Jasper is the first book from photographer Matthew Genitempo. While the images were made in the Ozarks, they recall an atmosphere of rural America more than they reflect a specific place. The name Jasper, too, has a particular generality...
Sarah Bradley • March 27, 2019
Chef and food writer Deborah Madison is shifting gears and writing a new memoir about her life.
Jenn Shapland • March 27, 2019
After an afternoon insisting that I was impatient, though my date didn’t believe it was true, it was significant to walk into the UNM Museum of Art together. Galleries, of course, with their windowless, static light...
Maggie Grimason • March 27, 2019
It is an exciting time to be Jeremy Thomas. With shows opening in Santa Fe, Munich, and Paris in the next six months, New Mexico is lucky to claim Thomas as a local and to have his work on view at the CCA Tank Garage Gallery...
Kate Wood • March 27, 2019
In a video interview installed in Returning the Gaze, painter Jordan Casteel says her encounters with portraiture in museums and galleries have typically involved “dead white people” in staid poses. Her large-scale oils on canvas subvert that trope in a number of ways...
Deborah Ross • March 27, 2019
A tour of destination residency programs in the Southwest for artists and writers.
Shane Tolbert • March 27, 2019
Photo Portfolio: Kristin Hatgi-Sink
Angie Rizzo • March 27, 2019
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