The Dream Life of Objects is a big show. A selection of work that spans decades and media fills the entirety of the CCA Tank Garage Gallery. This solo show is described by the artist, Judy Tuwaletstiwa, as a “visual poem,” where pieces are asked and allowed to interact with and inform one another. Tuwaletstiwa invites us to experience her work as an “introspective” instead of a retrospective...
June 26, 2019
The question is not merely why Shakespeare, but why make any art at all? Who is art for, and at what cost? In Guards at the Taj, answers to the first question accumulate as if without effort: we make art to create objects of resplendent beauty and experiences of wonder; to revel in the joy of creation; to invent worlds beyond this one; to compete with God; to fail. It’s the second question that’s difficult—brutally so...
June 26, 2019
When I asked Jaune Quick-to-See Smith (Salish member of the Confederated Salish and Kootenai Nation, Montana) how she came to call herself a cultural arts worker, her reply began with a short history of her tribe’s trading practices. “I come from a long line of Indian traders, not merchants who house goods but traders who pass resources from one place to another.”
June 26, 2019
Often taken as a bellwether of U.S. artistic culture, the Whitney Biennial is renowned for its tendency to provoke political/aesthetic furor...
June 26, 2019
Looking at a torn vagina in Judy Chicago’s Creation of the World: Needlepoint 1 (1985), I remember watching my ex-partner give birth to both of our boys at home. She had a tear that had to be sewn. I watched, and that is the extent of my experience with childbirth. I know, however, that men—which I’ll define as cis-gendered, penis-possessing humans—have a lot of opinions about what goes in and out of vaginas...
June 26, 2019
"If there is a goal to sustain yourself as an artist, then innovation is a big part of that. Traditions have to change with the times, because artists are the chroniclers of our times."
June 26, 2019
After planting and harvesting crops for over forty years, you would think a being might finally comprehend the ephemeral nature of all things. Not, alas, this one. At least not within my deep inner recesses, in the private folds of knowing...
June 26, 2019
I am thrilled to usher The Magazine into its 28th year with this issue: Volume 28, Issue 1. I have some very exciting announcements that will be made in just a couple of weeks about the future of The Magazine and new offerings to look forward to, so please make sure you are signed up on our email list if you are not already!
June 26, 2019
Landscape painting: the passé genre that dominates so much of the world’s understanding of Southwest art. For me, first it conjures images of Albert Bierstadt (wrought with a minefield of American colonialism), the sappy, wistful romance of a Caspar David Friedrich abyss, and the airy, observational paintings of Provence by Paul Cézanne...
May 24, 2019
I grew up on a ranch in the Texas Hill Country and spent as much time outside as possible. There were old roads, stone fence lines, ruins of buildings, and archaeological sites that stretched from creek beds to groves of trees.
May 24, 2019
For a monthly magazine, it can be difficult to capture a theme throughout an entire issue. So much of our content is deliberately eclectic, covers a span of disciplines, and is a mix between in-depth and topical coverage. I’m delighted, therefore, that our “Landscapes” issue came together rather organically...
May 24, 2019
“If you’re celebrating landscape as a pure aesthetic category,” Subhankar Banerjee explains from his office in the Art & Ecology Department on the University of New Mexico’s campus, “it is a crime”...
May 24, 2019
Paula Wilson and Mike Lagg live in Carrizozo, New Mexico, a town of about nine hundred residents, located north of White Sands. Paula, who arrived there ten years ago by way of Chicago and New York, and Mike, who settled in the area over thirty years ago, are mainstays of the art community in the region...
May 24, 2019
Lucy Lippard changed what art writing could look like, and she continues to shift it with each book she writes. Hugely influential in the artworld of New York, beginning in the 1960s with the Art Workers Coalition and later Heresies Collective, her impact on New Mexico is equally prodigious...
May 24, 2019
One of the most influential members of the Bauhaus movement of the early twentieth century, herbert bayer (who preferred his name spelled in all lowercase and favored a unitary, stylized, and all-lowercase alphabet) believed in the seamless integration of fine art, decorative art, architecture, and graphic design...
May 24, 2019
Melanie Walker is an artist based in Boulder, Colorado. She works nearly equally in the worlds of photography and public art, with each realm informing the other...
May 24, 2019
Rulan Tangen’s company, Dancing Earth, performed the culmination of a six-year project called ...SEEDS: RE GENERATION... in Santa Fe this April...
May 24, 2019
Starting this summer, the Georgia O’Keeffe Museum presents the innovative sculptures and works on paper of acclaimed artist Ken Price in conversation with the paintings of Georgia O’Keeffe as a part of the museum’s ongoing Contemporary Voices series...
May 24, 2019
Tasting notes with: Kenneth Francis. Occupation: Landscape architect. Venue: Geronimo bar, Santa Fe. (Next stop: Paloma patio.) Drinking: Hendrix Martini.
May 24, 2019
Two years ago, I sat transfixed beside a memorial garden assembled within a gallery at the Frye Art Museum on Seattle’s First Hill. That installation, a feat in and of itself, might have scored my memory even were it not for what preceded it...
May 24, 2019
To see Robert Stokowy’s conceptual artwork, structures [ albuquerque ], I went on eight hikes in eight days. I got a deep t-shirt tan, I got really lost once, and on one day I cried a little...
May 24, 2019
Interlopers is a show of works on paper at Evoke Contemporary that brings together eighteen artists and uses the term “works on paper” broadly, representing a wide range of media...
May 24, 2019
John Shepherd’s pack weighed him down, straps cutting into fleece, water bottle digging into his hip. The hike had taken longer than he’d anticipated. The light was fading...
May 24, 2019
Visual artist Clayton Porter has been taking photos for The Magazine since Lauren Tresp became publisher. In addition to his beloved black and white portraits of artists in their studios, Clayton has been by Lauren's side, spending countless hours discussing ways to reinvent the publication, many of which have come to fruition.
May 14, 2019
For the first panel-discussion Collectors Collect New Mexico I at The Magazine on May 9, 2019, we hosted collectors and gallerists Christian Mayeur and Anne Poux along with artists Anne-Marie […]
May 11, 2019
The Magazine publisher and editor Lauren Tresp was interviewed by Santa Fe Found! Siler Yard Arts and Creativity Center, a 65-unit affordable live/work space development project...
May 07, 2019
Grace Rosario Perkins describes a drawing she had made years ago, taking Black Flag’s Family Man album and replacing Raymond Pettibon’s violent imagery with a repeated series of pencil drawings of women. She then filled out the liner notes with her mother’s name...
April 26, 2019
Downtown Juárez still feels gutted since the demolition of its nightclubs and the shuttering of so many businesses and markets, but among the ruins you can experience—if, I will stress, you have a Juarense to guide you—a lively community trying to find itself and its sense of vitality and ownership over the space again...
April 26, 2019
It seems that cinematic sequels are all the rage these days. Even theater is not immune to this urge to put iconic characters in new situations. Take, for example
April 26, 2019
Amy was unyielding. Every time I saw her, she’d ask, “Have you gone to church yet?” “No,” I’d reply, again. “They’re about to start construction on the new sanctuary...”
April 26, 2019
