Jun 26
When I asked Jaune Quick-to-See Smith (Salish member of the Confederated Salish and Kootenai Nation, Montana) how she came to call herself a cultural arts worker, her reply began with a short history of her tribe’s trading practices. “I come from a long line of Indian traders, not merchants who house goods but traders who pass resources from one place to another.”
Jun 26
Often taken as a bellwether of U.S. artistic culture, the Whitney Biennial is renowned for its tendency to provoke political/aesthetic furor...
Jun 26
Looking at a torn vagina in Judy Chicago’s Creation of the World: Needlepoint 1 (1985), I remember watching my ex-partner give birth to both of our boys at home. She had a tear that had to be sewn. I watched, and that is the extent of my experience with childbirth. I know, however, that men—which I’ll define as cis-gendered, penis-possessing humans—have a lot of opinions about what goes in and out of vaginas...
Jun 26
"If there is a goal to sustain yourself as an artist, then innovation is a big part of that. Traditions have to change with the times, because artists are the chroniclers of our times."
Jun 26
After planting and harvesting crops for over forty years, you would think a being might finally comprehend the ephemeral nature of all things. Not, alas, this one. At least not within my deep inner recesses, in the private folds of knowing...
Jun 26
I am thrilled to usher The Magazine into its 28th year with this issue: Volume 28, Issue 1. I have some very exciting announcements that will be made in just a couple of weeks about the future of The Magazine and new offerings to look forward to, so please make sure you are signed up on our email list if you are not already!
May 24
Landscape painting: the passé genre that dominates so much of the world’s understanding of Southwest art. For me, first it conjures images of Albert Bierstadt (wrought with a minefield of American colonialism), the sappy, wistful romance of a Caspar David Friedrich abyss, and the airy, observational paintings of Provence by Paul Cézanne...
May 24
I grew up on a ranch in the Texas Hill Country and spent as much time outside as possible. There were old roads, stone fence lines, ruins of buildings, and archaeological sites that stretched from creek beds to groves of trees.
May 24
For a monthly magazine, it can be difficult to capture a theme throughout an entire issue. So much of our content is deliberately eclectic, covers a span of disciplines, and is a mix between in-depth and topical coverage. I’m delighted, therefore, that our “Landscapes” issue came together rather organically...
May 24
“If you’re celebrating landscape as a pure aesthetic category,” Subhankar Banerjee explains from his office in the Art & Ecology Department on the University of New Mexico’s campus, “it is a crime”...
May 24
Paula Wilson and Mike Lagg live in Carrizozo, New Mexico, a town of about nine hundred residents, located north of White Sands. Paula, who arrived there ten years ago by way of Chicago and New York, and Mike, who settled in the area over thirty years ago, are mainstays of the art community in the region...
May 24
Lucy Lippard changed what art writing could look like, and she continues to shift it with each book she writes. Hugely influential in the artworld of New York, beginning in the 1960s with the Art Workers Coalition and later Heresies Collective, her impact on New Mexico is equally prodigious...
May 24
One of the most influential members of the Bauhaus movement of the early twentieth century, herbert bayer (who preferred his name spelled in all lowercase and favored a unitary, stylized, and all-lowercase alphabet) believed in the seamless integration of fine art, decorative art, architecture, and graphic design...
May 24
Melanie Walker is an artist based in Boulder, Colorado. She works nearly equally in the worlds of photography and public art, with each realm informing the other...
May 24
Rulan Tangen’s company, Dancing Earth, performed the culmination of a six-year project called ...SEEDS: RE GENERATION... in Santa Fe this April...
May 24
Starting this summer, the Georgia O’Keeffe Museum presents the innovative sculptures and works on paper of acclaimed artist Ken Price in conversation with the paintings of Georgia O’Keeffe as a part of the museum’s ongoing Contemporary Voices series...
May 24
Tasting notes with: Kenneth Francis. Occupation: Landscape architect. Venue: Geronimo bar, Santa Fe. (Next stop: Paloma patio.) Drinking: Hendrix Martini.
May 24
Two years ago, I sat transfixed beside a memorial garden assembled within a gallery at the Frye Art Museum on Seattle’s First Hill. That installation, a feat in and of itself, might have scored my memory even were it not for what preceded it...
May 24
To see Robert Stokowy’s conceptual artwork, structures [ albuquerque ], I went on eight hikes in eight days. I got a deep t-shirt tan, I got really lost once, and on one day I cried a little...
May 24
Interlopers is a show of works on paper at Evoke Contemporary that brings together eighteen artists and uses the term “works on paper” broadly, representing a wide range of media...
May 24
John Shepherd’s pack weighed him down, straps cutting into fleece, water bottle digging into his hip. The hike had taken longer than he’d anticipated. The light was fading...
May 14
Visual artist Clayton Porter has been taking photos for The Magazine since Lauren Tresp became publisher. In addition to his beloved black and white portraits of artists in their studios, Clayton has been by Lauren's side, spending countless hours discussing ways to reinvent the publication, many of which have come to fruition.
May 11
For the first panel-discussion Collectors Collect New Mexico I at The Magazine on May 9, 2019, we hosted collectors and gallerists Christian Mayeur and Anne Poux along with artists Anne-Marie […]
May 07
The Magazine publisher and editor Lauren Tresp was interviewed by Santa Fe Found! Siler Yard Arts and Creativity Center, a 65-unit affordable live/work space development project...
Apr 26
Grace Rosario Perkins describes a drawing she had made years ago, taking Black Flag’s Family Man album and replacing Raymond Pettibon’s violent imagery with a repeated series of pencil drawings of women. She then filled out the liner notes with her mother’s name...
Apr 26
Downtown Juárez still feels gutted since the demolition of its nightclubs and the shuttering of so many businesses and markets, but among the ruins you can experience—if, I will stress, you have a Juarense to guide you—a lively community trying to find itself and its sense of vitality and ownership over the space again...
Apr 26
It seems that cinematic sequels are all the rage these days. Even theater is not immune to this urge to put iconic characters in new situations. Take, for example
Apr 26
Amy was unyielding. Every time I saw her, she’d ask, “Have you gone to church yet?” “No,” I’d reply, again. “They’re about to start construction on the new sanctuary...”
Apr 26
It has been three weeks since I watched Vox Lux. Whenever I think about how to approach writing about it, in my head I hear the voice of Bill Hader’s Saturday Night Live character, Stefon...
Apr 26
Apr 26
Walking around Santiago for a week, I saw it as a magical city. In many neighborhoods, almost every house front is covered with original murals in a dazzling array of styles. Chile is saturated by the long trail of migrations...
Apr 26
Aftereffect: Georgia O’Keeffe and Contemporary Painting is not only a vibrant and eye-catching show but also an exercise in understanding how artists can be influenced by legendary painters without resorting to outright imitation. Aftereffect gathers together twelve...
Apr 26
Apr 26
In her essay, “Time to Get Ready,” Maria Varela recalls, “I once volunteered in the fourth grade that I was Mexican, and the angry response of the teacher frightened and shamed me. ‘No, you are not! We’re all Americans here,’ snapped Sister Rosita.” For a woman who has spent her life fighting white supremacy across the U.S., this scene presents a formative moment.
Apr 26
Nature’s Nation: American Art and Environment, which catalogues an exhibition that opened last fall at Princeton University Art Museum, proposes a reorientation for American art history around ecology and environmental history.
Apr 26
Have a drink with Elaine Ritchel of Santa Fe Art Tours.
Apr 26
Haida, Kwakwaka’wakw Chilkat weaver Meghann O’Brien is the 2019 Eric and Barbara Dobkin Native Artist Fellow. An accomplished textile and basket weaver...
Apr 26
Apr 26
I can already tell from our overflowing calendar of events that the New Mexico arts season is soon upon us.
Apr 26
Vortexting The Muses is the inaugural show of Niomi Fawn’s new brick-and-mortar curation project in Santa Fe, Show Pony Gallery. Drawings and paintings on paper, wood, glass, and brick by artist Timothy Jason Reed...
Apr 16
Client Account Representative and Distribution Manager Rebecca Lynch is the newest addition to The Magazine's staff.
Apr 09
The Harwood Art Museum has named Juniper Manley their new director. Robert Krep, Georgia O’Keeffe Museum Director of ten years, has resigned. Curator Cody Hartley is serving interim director during a nationwide […]
Mar 27
Harmony Hammond is lying on the floor beneath one of her paintings, craning her neck within inches of the canvas. “I’m doing edges,” she tells me. I first heard of Hammond when I came across the catalogue for Out West, a 1999 show...
