Oct 01
“Anything or anyone you care for creates a responsibility for you,” reads a museum plaque beside Holly Wilson’s Guardian and Guide, one of six of the artist’s works currently on display at the IAIA Museum of Contemporary Native Arts. In the piece, a small bronze-cast woman perches...
Oct 01
Action at a Distance at Theater Grottesco, Santa Fe September 24th-October 10, 2018 the famously depressive actor and theatrical scholar Antonin Artaud writes, “The theater, which is in no thing, […]
Oct 01
Forgotten (symbol) by Thomas Christopher Haag
Oct 01
n GenNext, the Museum of Spanish Colonial Art assembles a group of contemporary artists working between traditional genres and contemporary subject matter. Each artist combines the materials and iconography of New Mexico’s traditional Spanish arts...
Oct 01
I am not a photographer. When I tell a friend I’m writing a review of Yumiko and Kenro Izu’s exhibition In Harmony at Scheinbaum & Russek Ltd., she asks me to forgive her before saying...
Oct 01
Much like the movies in its lineup, the inaugural Santa Fe Independent Film Festival had a dogged crew and a bare-bones budget. Jacques Paisner and two like-minded friends...
Oct 01
One of the most difficult things for an artist to do is to reckon with her own legacy. This is not just a theoretical concern for where one fits into a particular historical narrative—it’s also of material importance...
Sep 20
Sep 13
Sep 13
The September issue is my 25th as publisher and editor of this publication, and it feels like a fitting moment to reflect on the transformations that have taken place over the last two and a half years. Since early 2016 we have...
Sep 13
Sep 06
A new, three-piece site-specific installation by Paula Castillo at the National Hispanic Cultural Center in Albuquerque, expected completion by the end of 2018...
Aug 28
It’s not hard to understand why Brandon Maldonado’s paintings are in high demand...
Aug 28
objet d’art, a high quality decorative object, or a curiosity for your cabinet, usually collectible; and femme fatale, a female stock character whose dangerous, seductive beauty and feminine wiles draw […]
Aug 28
Peter Sellars’s new staging of Doctor Atomic refuses to allow the audience to look past the Pueblos...
Aug 28
Tasting notes with: Jennifer Schlesinger. occupation: gallerist and fine art photographer...
Aug 28
Cheryl Donegan’s GRLZ + VEILS, curated by Heidi Zuckerman and Bill Arning...
Aug 28
On April 8, 1956, E. Boyd decided that a santo in the collection of Taylor Museum was a fraud...
Aug 28
The phrase "Santa Fe women" calls to mind a range of women throughout history...
Aug 28
Aug 28
It is thought that prehistoric humans adorned their bodies with simple jewelry pieces...
Aug 28
Everyone has a biennial these days—a sprawling exhibition that brings in outside curators...
Aug 28
Aug 28
At a preview event for Amie LeGette and Courtney Leonard’s exhibition, guests were lost in a literal twilight zone...
Aug 28
Redefine Terms by Thomas Christopher Haag.
Aug 28
Christian Mayeur was on a photo scavenger hunt when he took his first trip to Las Vegas, New Mexico...
Aug 28
If you’ve read Chris Wilson’s The Myth of Santa Fe—or felt the difference between mud and stucco...
Aug 28
Welcome to our September issue! I am excited to introduce our feature content...
Aug 21
when we erase the medicine...we erase the people, 2018, oil on panel with string, 10 x 8 in.
Jul 30
A tragic awareness haunts every element of the opera Doctor Atomic. The libretto, the music—the tableaux of singers, dancers, scenes, and the one prop that never ceases to cast its shadow on the whole...
Jul 30
Sitting with Sage Paisner in his new gallery space, Foto Forum Santa Fe, I am met with the feeling that photography can create a sense of community, togetherness...
Jul 30
Casa tomada, the third installment of SITE Santa Fe’s tripartite SITElines biennial series, opens this month on August 3. I met with curators Candice Hopkins and Ruba Katrib in early July over drinks at Santa Fe Spirits (unfortunately José Luis Blondet was unable to join us...
Jul 30
One of Santa Fe’s (and New Mexico’s) striking features is the proliferation of women-owned businesses, today and throughout its history...
Jul 30
For the past several years, the Birmingham Museum of Art has been quietly amassing a powerhouse collection of some of the most significant politically inflected art of the twentieth and twenty-first centuries.
Jul 30
On April 1, 2014, the editors at ArtSlant reported that MoMA would “give the museum over exclusively to women artists for the entire year of 2015.”...
Jul 30
Nearly everyone who walks into the Georgia O’Keeffe Museum has some version of the artist they’re looking for: their Georgia...
Jul 30
It wasn’t close yet to 3:50, but I lay down anyway on the thick red rug pulled through with floral patterns in blue and white yarn...
Jul 30
Two women who came of age in the wake of women’s liberation, whose determination landed them at the top of their respective fields: fashion designer Vivienne Westwood and Supreme Court Justice Ruth Bader Ginsburg...
Jul 30
Can we materialize time? Does light have roots? Can we see something when there is nothing?...
Jul 30
“Now I am become death, the destroyer of worlds,” quoth J. Robert Oppenheimer from the Bhagavad Gita...
Jul 30
Time, as many a physicist, mystic, and indigenous American can tell you, is not linear, despite our human perception of it as such...
Jul 30
"I am the son of J.E.T., or Jetson," Chip Thomas said, referring to his own initials and those of his father. Thomas’s full name is Dr. James Edward Thomas, Jr., and his father, James Edward Thomas, Sr., was the original J.E.T. It’s how Chip Thomas came to his own moniker, Jetsonorama.
Jul 30
Early in her artistic career, Daisy Quezada came across a real-life scene with all the power of an omen. She and her mother had ventured to their old house in Jalisco, Mexico, which was long abandoned.
