Apr 09
The Harwood Art Museum has named Juniper Manley their new director. Robert Krep, Georgia O’Keeffe Museum Director of ten years, has resigned. Curator Cody Hartley is serving interim director during a nationwide […]
Mar 27
Harmony Hammond is lying on the floor beneath one of her paintings, craning her neck within inches of the canvas. “I’m doing edges,” she tells me. I first heard of Hammond when I came across the catalogue for Out West, a 1999 show...
Mar 27
Jasper is the first book from photographer Matthew Genitempo. While the images were made in the Ozarks, they recall an atmosphere of rural America more than they reflect a specific place. The name Jasper, too, has a particular generality...
Mar 27
Chef and food writer Deborah Madison is shifting gears and writing a new memoir about her life.
Mar 27
After an afternoon insisting that I was impatient, though my date didn’t believe it was true, it was significant to walk into the UNM Museum of Art together. Galleries, of course, with their windowless, static light...
Mar 27
It is an exciting time to be Jeremy Thomas. With shows opening in Santa Fe, Munich, and Paris in the next six months, New Mexico is lucky to claim Thomas as a local and to have his work on view at the CCA Tank Garage Gallery...
Mar 27
In a video interview installed in Returning the Gaze, painter Jordan Casteel says her encounters with portraiture in museums and galleries have typically involved “dead white people” in staid poses. Her large-scale oils on canvas subvert that trope in a number of ways...
Mar 27
A tour of destination residency programs in the Southwest for artists and writers.
Mar 27
Mar 27
It’s late June 1969, and the young people clustered on Christopher Street look giddy, some performing, others a bit shy before the camera. Neither they nor Fred McDarrah, the Village Voice photographer who shot Celebration After Riots Outside Stonewall Inn (1969)...
Mar 27
Taos artist Nikesha Breeze met her father for the first time when she was ten years old. He was homeless on the streets of Portland, while she was growing up beyond the city’s southern outskirts in the small town of Sherwood...
Mar 27
IAIA Museum of Contemporary Native Art, Santa Fe July 27, 2017 – July 7, 2019 There’s a valuable history lesson in pedagogy and modernism upstairs at the IAIA Museum of […]
Mar 27
All of the five installation artists in Harwood Art Center’s Future Perfect wrote their artist’s statements, appropriately, in the future perfect tense. This formation encourages thinking that is forward-reaching, idealistic, and reflective at the same time...
Mar 26
Welcome to April. We have a great issue to present this month, but first, I want to introduce and welcome our newest team member, Rebecca Lynch!
Mar 18
Name: Kenji Barrett Location: Albuquerque, NM Proofreading for The Magazine since: 2002 Proofreader Kenji Barrett and his trusty dog, Kai, stop by each month right before the issue is sent to the […]
Mar 18
Take a tour of the printing press where each issue of The Magazine comes to life! I know we make it look super slick and easy: content + design = printed […]
Mar 11
The City of Santa Fe is looking for a new Arts Commission Director to plan, organize and coordinate arts and cultural programs and services, and represent the City in the arts and cultural arena...
Jun 01
the micro- and the macrocosmic. Having recently opened the show Drawing, Reading, and Counting at Arthur Roger Gallery in New Orleans (May 7 – June 18, 2016), the Texas-born, Santa […]
Mar 06
“12 New Mexico Artists to Know Now” opened on Friday, March 1, with a wonderfully packed house. Big thanks to everyone who came out to see the work of emerging […]
Mar 01
View select works by all twelve artists chosen for The Magazine‘s inaugural Artists’ Issue in a group exhibition that opens Friday, March 1, 5-8 pm, at The Magazine’s new project space located at […]
Feb 12
Professor Rebecca Schreiber of the UNM American Studies Department was awarded the Frank Jewett Mather award for art criticism by the College Art Association for her book The Undocumented Everyday: Migrant Lives and the Politics of Visibility.
Feb 12
Name: Lauren Tresp Location: Santa Fe, NM Writing for The since: 2013 1. Where are you from? Oshkosh, Wisconsin. 2. What is your favorite thing about New Mexico? It feels real. […]
Jan 30
New Mexico Artists to Know Now
Adaptation, experimentation, and evolution are all crucial concepts within Heidi Brandow’s practice, which usually takes the form of layers of paint, drawing, and paper on canvas, but also includes a social practice in her photography projects.
Dec 22
Hecho a Mano and The Magazine present ¡Victoria! Selected Political Prints from México (1910 – 1960) at The Magazine’s new art space. Mexico has a long history of politically charged printmaking, largely credited to the […]
Jan 30
New Mexico Artists to Know Now
Francoise Barnes’s titles give the viewer a quick point of entry to her abstract, mixed-media paintings on canvas, panel, or paper.
Jan 30
New Mexico Artists to Know Now
Mira Burack’s artwork is a space of rest, contemplation, and the contemplation of rest. Her wall-sized collages of photos of rumpled bedclothes enlarge the space where sleep takes place and, in doing so, enlarge a viewer’s attention to sleep and its landscape.
Jan 30
New Mexico Artists to Know Now
Nicole Cuzilo's photos contemplate the role of fashion and appearance as mechanisms that historically and continually both celebrate and constrain women.
Jan 30
New Mexico Artists to Know Now
Vincent Campos injects a sense of whimsy and strangeness into a form that is often serious and pious. Campos’s retablos stick to this script, representing saints and other Catholic imagery, but his figures have odd or humorous details: a caricatured face, a bag of Wonder Bread.
Jan 30
New Mexico Artists to Know Now
Charming plushy animals walk the razor’s edge between life and lifelessness in Vanessa Gonzalez’s paintings. Each creature—a sloth, a jackalope, a flock of birds—has its limbs wrenched from its tiny body, with threads and fiberfill stuffing poking out of wounds.
Jan 30
New Mexico Artists to Know Now
Dorothy Melander-Dayton is an interdisciplinary artist working at the nexus of performance, theater, and installation, as well as works on paper and sculpture. The artist’s process is grounded in research into various subjects which span artistic influences, texts, material research, and experimentation.
Jan 30
New Mexico Artists to Know Now
In Rosemary Meza-DesPlas’s work, she renders female figures by hand-stitching her own hair into various surfaces. Some of these figures are anguished, some contorted, some vulnerable—each is rendered in delicate, tremulous lines that speak to the traditionally feminine realm of textiles.
Jan 30
New Mexico Artists to Know Now
Martín Wannam’s photos are an explosion of glitter and color, with an underlying hint of darkness. His work is unabashedly queer but operates in response to a repressive heteronormative society encrypted by religious imagery.
Jan 30
New Mexico Artists to Know Now
Heather Gallegos-Rex’s tapestries are strikingly minimal in their design, often incorporating only two or three colors. She leans toward spare geometric shapes but does not shy away from landscapes and increasingly layered compositions.
Jan 30
New Mexico Artists to Know Now
In Yeshe Parks’s gouache-on-paper paintings, figures perform impossible acrobatics. Knees and elbows bend in perfect U-shapes as cartoon-like, faceless characters contort and intertwine themselves into arbitrary postures.
Jan 30
New Mexico Artists to Know Now
Jennifer Vasher’s installations and sculptures evoke the desire for purity and the environmentally toxic consumer culture of cleanliness. Lotion bottles, aspirin, and other pharmaceuticals appear as decorative art objects within the domestic landscapes of her installations.
Jan 30
New Mexico Artists to Know Now
When we first dreamed up the Artists Issue, we thought of it as a way to share—with New Mexico and beyond—a sample of the most vibrant and engaged artists working in New Mexico right now. Artists whose work deserves sustained attention, whether or not you’ve ever heard of them before.
Jan 30
This week, an image from the February 2019 issue of Vanity Fair has been circling my social-media feeds. It features six newly elected Democrat representatives, and at the center of the photo sits Representative Deb Haaland (Laguna Pueblo). Rep Haaland’s demeanor in the photo is fierce yet kind, the exact, impossible combination of feelings a woman politician has to strike to be elected in this country.
Jan 30
Photos of Mexico from the 1970s to 2005 by Mexican photographer Graciela Iturbide bring a documentary impulse in touch with a poetic eye. Her photos are personal, yet immersive in cultures not her own; unafraid of the humorous, the strange, and the symbolic.
Jan 30
Currency: What do you value? puts fifteen artists in conversation about the problem of value in a world where the dollar seems to be the one unit of measurement that everyone can agree on—even if few can articulate what a dollar measures, or means.
Jan 30
Shots in the Dark is an exploration of the ambiguous space that takes shape in darkness. The thirty-two photographs spanning the gallery were all made at night by four Southwest-based photographers: Chris Colville, scott b. davis, Ken Rosenthal, and Mike Lundgren.
Jan 30
I enter the gallery and see the word “Anthropocene” in vinyl on the wall, and my first thought is: it’s a tired conversation in an art context, but let’s shake the tree and see if anything good comes out.
Jan 30
I still feel like a New Mexico writer in part, an important part, and my plans are to secure a little place there to live at least part of the time...New Mexico inspires me as no other place. I consider it the birthplace of my poetry, though of course, my poetry was set in place for generations, through all the speakers, singers, and artists in my ancestral lines.
Jan 30
The photos in Everyday People: The Photography of Clarence E. Redman at the Albuquerque Museum remind me of essayist Joan Didion’s ability to remove herself from her stories. In her recountings of discussions between Hollywood stars and their directors, she is completely absent from the room. Likewise, C.E. Redman’s photos, though mostly posed, have a way of disappearing the photographer and camera.
