Studio VisitUtahVol. 4 Winter 2021
Studio Visit: Jaclyn Wright
New work by Jaclyn Wright explores the contentious space of the Utah desert and how the ideology of ‘rugged individualism’ has visually manifested itself.
October 29, 2021
Studio VisitUtahVol. 4 Winter 2021
New work by Jaclyn Wright explores the contentious space of the Utah desert and how the ideology of ‘rugged individualism’ has visually manifested itself.
Natalie Hegert • October 29, 2021
ReviewArizonaVol. 4 Winter 2021
The artists in Undoing Time: Art and Histories of Incarceration explore the relationship between visual culture and imprisonment at the Arizona State University Art Museum.
Lynn Trimble • October 29, 2021
Steve Jansen rummages through the concept of repetition—from hashtag-self-care rituals to daily pandemic infection counts—in this short-form musing essay.
Steve Jansen • October 29, 2021
FeatureTexasVol. 4 Winter 2021
Emerging choreographer Alexandra Honchell’s journey from company dancer to independent artist is reuniting her mind with her body.
Lyndsay Knecht • October 29, 2021
San Antonio artist Michael Menchaca’s Artpace exhibition, The 1836 Project, is an immersive video installation employing poppy animation to take aim at “the colonial fantasies of the Texas creation myth.”
Bryan Rindfuss • October 29, 2021
Food + DrinkNew MexicoVol. 4 Winter 2021
Bow & Arrow Brewing Co. has created a genuinely Southwest-centric beer brand based on connections to the landscape, people, and magic of the region.
Daisy Geoffrey • October 29, 2021
Studio VisitArizonaVol. 4 Winter 2021
Raised in the borderlands, Phoenix-based artist Diana Calderón uses materials from Mexico and the U.S. to investigate her ancestral roots and immigrant experience while exploring both physical and spiritual borders.
Lynn Trimble • October 29, 2021
ReviewArizonaVol. 4 Winter 2021
A retrospective of German-American female photographer Marion Palfi at the Phoenix Art Museum, the first major exhibition since her 1978 death, places her towards the top of social research photographers.
Steve Jansen • October 29, 2021
PhotographyArizonaVol. 4 Winter 2021
Jimmy Fike, a Phoenix-based photographer and plant enthusiast, has embarked on a ten-year project to document edible plants of the North American continent.
Angie Rizzo • October 29, 2021
Source Material, an exhibition at the Colorado Photographic Arts Center in Denver, features eight photographic projects that engage with archival imagery.
Angie Rizzo • October 29, 2021
FeatureSouthwestVol. 4 Winter 2021
A guide to arthouse film, festival one-offs, and screening series across the Southwest in Albuquerque, Santa Fe, Dallas, Oklahoma City, and Denver.
Lyndsay Knecht • October 29, 2021
Vol. 4 Winter 2021New MexicoReview
Maja Ruznic’s exhibition In the Sliver of the Sun at the Harwood Museum of Art in Taos was reminiscent of a dream state, a loose and subdued world of imagination, distant memories, and notions of home and family.
Lauren LaRocca • October 29, 2021
FeatureSouthwestVol. 4 Winter 2021
A handful of DIY, artist-led endeavors in the Southwest demonstrate how artists don’t just DIY—they do it for and with each other.
Nancy Zastudil • October 29, 2021
ReviewColoradoVol. 4 Winter 2021
Armor, a group exhibition at the Center for Visual Art in Denver, explored physical and metaphorical barriers in the art-making process.
Deborah Ross • October 29, 2021
d. ward contemplates the color of an avocado, brought forth by The Modern Lovers, whether it’s the Brogden variety or a greater reflection on the Artworld-Industrial Complex.
d. ward • October 29, 2021
ReviewNew MexicoVol. 4 Winter 2021
Hung Liu’s Sanctuary at Turner Carroll Gallery in Santa Fe illuminated and paid respect to the renowned artist and her moving works.
Kathryne Lim • October 29, 2021
Briana Olson mourns the theft of a King Tut death mask replica and confronts loss in a personal essay about mesh.
Briana Olson • October 29, 2021
InterviewUtahVol. 4 Winter 2021
Marcus Civin interviews Douglas Thomas, a Utah-based graphic designer, professor, and author of Never Use Futura, an entertaining deep dive into the typeface of modern design.
Marcus Civin • October 29, 2021
Maggie Grimason's guide to Joshua Tree and other High Desert towns, a deeply weird region where art, energies, and aliens are as commonplace as tie-dye and scrub oak.
Maggie Grimason • October 28, 2021
Cosanti Originals Windbells are handmade by artisans in Arizona. Using time-honored crafting traditions, their embellished surfaces echo Paolo Soleri's architecture.
Cosanti Originals • November 17, 2021
Cosanti Originals Windbells are handmade by artisans in Arizona. Using time-honored crafting traditions, their embellished surfaces echo Paolo Soleri's architecture.
Cosanti Originals • October 27, 2021
The Bullfrog Biennial contrasts contemporary art with the landscape of the desert in rural Beatty, Nevada, about 120 miles from Las Vegas.
Laurence Myers Reese • October 27, 2021
Oswaldo Maciá, a Santa Fe- and London-based artist, utilizes the unconventional media of smells and sound to provoke questions about coexistence, human borders, and migration.
Coco Picard • October 26, 2021
Desierto Mountain Time, a constellation of contemporary arts organizations in the Southwest United States and northern Mexico, launches an ambitious series of exhibitions, artist talks, and a podcast series.
Steve Jansen • October 22, 2021
Malena Barnhart, a Tempe-based artist who uses quirky materials like children’s stickers and party favors, looks for new ways to explore the serial obsessions that drive her creative practice.
Lynn Trimble • October 21, 2021
Tucson galleries and museums are tackling an array of topics during the fall 2021 exhibition season, bringing together artists working in neon, sculpture, video, installation art, photography, and more.
Lynn Trimble • October 19, 2021
Mimi O Chun: It’s all cake at the Scottsdale Museum of Contemporary Art magnifies societal ills and amplifies women’s issues through soft materials.
Steve Jansen • October 18, 2021
Mesa Contemporary Arts Museum in Arizona explores the Visionary Arts movement with exhibitions featuring Alex Grey and Allyson Grey plus several contemporary artists based in and beyond the Southwest.
Lynn Trimble • October 15, 2021
Peggy McGivern’s retrospective at Taos Art Museum at Fechin Studio enters dreamscapes and everyday scenes, tracing forty years and more than seventy-five works by the Taos artist.
Dawn Penso • October 13, 2021
Remote Possibilities: Digital Landscapes from the Thoma Foundation Collection presents digital art at the Harwood Museum of Art in Taos.
Harwood Museum of Art • October 13, 2021
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