From Utah’s Geographical Center, an Argument for Decentralizing Arts Discourse
Granary Arts's Critical Ground advances a bold idea: in the Southwest arts community, the center shouldn't hold.
May 14, 2024
Granary Arts's Critical Ground advances a bold idea: in the Southwest arts community, the center shouldn't hold.
Bianca Velasquez • May 14, 2024
From the EditorInside Southwest ContemporarySouthwest
This spring, Southwest Contemporary welcomes a new editorial director and four new board members, along with award wins, open calls for our next issue, and an opportunity to win $10,000 in funding for emerging media.
Lauren Tresp • May 10, 2024
Inside Southwest ContemporarySouthwest
Southwest Contemporary scores honors from the Society of Professional Journalists and New Mexico Press Women, for stories and designs reflecting the range of the publication's regional arts coverage.
Southwest Contemporary • May 10, 2024
RioBravoFineArt announces new artist exhibitions in Truth or Consequences, New Mexico, for spring 2024.
RioBravoFineArt • May 08, 2024
Phoenix-based artist Annie Lopez's brilliant blue dress forms—tailored from cyanotypes on tamale paper—embody personal, familial, and cultural histories.
Lynn Trimble • May 08, 2024
Cowboy cosplay, broken Spanish, and Indigenous erasure haunt Sagebrush and Solitude, Maynard Dixon's Western retrospective at the Nevada Museum of Art.
Delaney Uronen • May 06, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Catch up on recent art news headlines in the Southwest region, including people on the move, grants, and more.
Erin Averill • May 01, 2024
Carried by the rails that their ancestors laid, rode, or resisted, nine artists challenge dominant histories of the Transcontinental Railroad in this multi-venue exhibition.
Ana Estrada • April 30, 2024
Uncover the hidden stories of the Women of the Rails through an illustrative mural project at Railyard Park in Santa Fe, on view through July 31, 2024.
Railyard Park Conservancy • April 30, 2024
Ángel Faz’s studio practice centers around observation and research, unearthing the shrouded history of the land and those who inhabit it.
Emma S. Ahmad • April 26, 2024
Inside Southwest ContemporarySouthwest
Southwest Contemporary is entreating its readers to stop, take a moment, and imagine what a new world could hold.
Southwest Contemporary • April 25, 2024
The Biocrust Project reveals the importance of protecting the desert’s biocrust in the face of climate change in an immersive collaboration between art and science.
Ana Estrada • April 25, 2024
Sam Scott: Deep Nature is on view through Saturday, May 18, with an artist talk on Saturday, May 11, at Pie Projects in Santa Fe.
Pie Projects • April 24, 2024
Vladem Contemporary at the New Mexico Museum of Art announces their annual Window Box Project Open Call for artists. Applications are open now through May 5, 2024.
New Mexico Museum of Art • April 23, 2024
The Bombay Beach Biennale along Southern California’s Salton Sea is an insurgent arts festival and ongoing ecological discourse.
Aleina Grace Edwards • April 23, 2024
Cj Hendry's Public Pool delights some and confounds others, as it celebrates Las Vegas pool party culture while ignoring serious realities of PVC manufacturing, drought, and the wealth divide.
Nancy Good • April 19, 2024
Photographer Maria Nancy Thomas and poet Rashaad Thomas, a creative couple based in South Phoenix, are using their work to explore a region brimming with the histories of marginalized communities.
Lynn Trimble • April 18, 2024
Diné artist, writer, and educator Brendan Basham approaches writing as he does life: as a process of transformation.
Aleina Grace Edwards • April 16, 2024
In Performing Self at the Boulder Museum of Contemporary Art, seven multidisciplinary artists expand the concept of performance art with works that are extremely personal, even courageous.
Deborah Ross • April 15, 2024
Do muralists have a legal right to keep their work from being altered or whitewashed? Experts and artists in the Southwest discuss artist contracts and the Visual Artists Rights Act.
Lynn Trimble • April 11, 2024
In a world replete with ecological catastrophe and political turmoil, the customarily inward Andrew Alba channels calamities into catharsis for his exhibition of new works at Material.
Scotti Hill • April 09, 2024
Francisco González Castro: Does Not Say «I», But Does «I»: Bodies, Limits and Transgressions at the Coconino Center compiles a decade of the artist’s endurance work challenging social structures.
Camille LeFevre • April 08, 2024
In this psychogeographic account, Emma S. Ahmad wanders the West End Historic District in downtown Dallas and considers how the various memorials reflect the shifting political landscape of the city.
Emma S. Ahmad • April 05, 2024
Sofie Hecht discusses her project Downwind, a documentary photo album exploring the continued impact of radiation exposure on resident New Mexicans after the 1945 nuclear bomb Trinity Test.
Gina Pugliese • April 03, 2024
Nick Larsen, who gives a talk about his Nevada Museum exhibition this Thursday, explores an invisible history through collage by “pulling from what already exists to visualize something that doesn’t.”
Caitlin Lorraine Johnson • April 02, 2024
Catch up on recent art news headlines in the Southwest region, including people on the move, grants, and more.
Erin Averill • April 02, 2024
Inside Southwest ContemporarySouthwest
Ta-da! Southwest Contemporary, a leader in arts and culture coverage in the Southwest, punches above its weight in a revamped print magazine!
Southwest Contemporary • April 01, 2024
The narratives of the many racial and ethnic minorities whose experiences have indelibly shaped both Utah and American history deserve recognition and reckoning.
Scotti Hill • March 29, 2024
Sarah Sze at the Nasher Sculpture Center in Dallas is proof the affair between an artist and museum doesn’t always result in marriage.
James Russell • March 28, 2024
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