Scott Johnson: Fissure
Scott Johnson’s solo show, Fissure, at the Center for Contemporary Arts is a rich smorgasbord of textures, light, and reflections, culminating in a crescendo of visual experience.
December 01, 2019
Scott Johnson’s solo show, Fissure, at the Center for Contemporary Arts is a rich smorgasbord of textures, light, and reflections, culminating in a crescendo of visual experience.
Clayton Porter • December 01, 2019
The tone of my studio visit with Santa Fe artist Ted Larsen was set early when he declared that he would likely be both circumspect and like a blowtorch when talking about his thoughts on his studio practice, life, and work. Now fifty-five, the trained painter has been showing his art since before he graduated college. By the time he was twenty-two, he had already exhibited at the Philadelphia Museum of Art, making big strides early on in a career that has now spanned decades.
Clayton Porter • August 28, 2019
Visiting Stuart Arends’s studio was no quick jaunt. We drove one and a half hours from Santa Fe to Willard, New Mexico, past the town, further down the highway, and just before a specified mile marker where we were to rendez-vous with the artist at an unmarked wire gate...
Clayton Porter • June 26, 2019
the micro- and the macrocosmic. Having recently opened the show Drawing, Reading, and Counting at Arthur Roger Gallery in New Orleans (May 7 – June 18, 2016), the Texas-born, Santa […]
Clayton Porter and Lauren Tresp • June 01, 2016
Aaron Honyumptewa imbues his katsina carvings with the traditional ethos of the Hopi people combined with an undercurrent of...
Clayton Porter • October 30, 2018
“This rock formation is forty million years old.” Shane Tolbert is guiding me through a narrow passage whose walls contain countless miniscule pebbles and stones—remnants of a mudslide caused by a rush of prehistoric water that cut through the area around the Colorado...
Chelsea Weathers and Clayton Porter • June 01, 2018
In Colette Hosmer’s living room, a bookcase contains shelves full of jars of turtle bones, porcupine quills, dead insects, and other sundry specimens the artist has collected from the natural world. Having long informed her sculpture practice, these specimens now inspire a...
Clayton Porter and Lauren Tresp • April 01, 2018
Earl McBride works across a variety of moods, methods, and vibrations—predominantly in the realm of abstract painting. Throughout, his layered markmaking against clean white or softly patinaed panels creates compositions that buzz with tension. In more vigorous pieces, pigment and line are suspended, about to collide in a frenzy...
Clayton Porter and Lauren Tresp • November 01, 2016
Michael Bergt has been in deep dialogue with art history over the course of his more than thirty-year career. Working across drawing, sculpture, and primarily egg tempera painting, Bergt has engaged art’s long history of grappling with representational and abstract sensibilities...
Clayton Porter and Lauren Tresp • December 01, 2017
Jill O’Bryan spends her winters in New York and her summers perched high in the desert on a remote mesa outside of Las Vegas, New Mexico. She has been trekking back and forth, from coastal city grid to off-grid entirely, for twenty years, and for twenty years has sought a personal, physical relationship with the desert, its big skies...
Clayton Porter and Lauren Tresp • November 01, 2017
Christian Michael Filardo takes photographs constantly. A hand holds a switchblade near a blurry-socked leg; a drone floats in a twilit sky above a cholla cactus; soap suds cover the windows of a car. A tattooed arm, melted candles, broken glass, leafy houseplants, tainted concrete, dirt, cats, the back of a shaved head. An omnipresent flash ...
Chelsea Weathers and Clayton Porter • October 01, 2017
Franco Andreshas a thing for textures, surfaces, and sensory information. Throughout his sculptural assemblages, wax, fur, feathers, soil, or charred wood create finishes both sumptuous and visceral. The artist’s [...]
Clayton Porter and Lauren Tresp • December 01, 2016
Susan York’s career has evolved over several decades and, in many ways, constitutes an ongoing investigation into materials, process, and site specificity. For the past several years, York has worked with graphite in two and three dimensions...
Chelsea Weathers and Clayton Porter • September 01, 2017
Paula Castillo is a priestess of postmodern metallurgy, recombining the scrap and detritus of Industry into abstract sculptures that quietly reckon with earth and man. A metallurgist only in a poetic, alchemical [...]
Clayton Porter and Lauren Tresp • February 01, 2017
The lifeblood of Tom Joyce’s work is iron, from the molecular to the colossal. Iron, by mass, is the most common element on Earth, and it plays a role in the cosmos, our blood, industry, weaponry, perhaps even our memory. Joyce is quick to point out the material’s associative dexterity, [...]
Clayton Porter and Lauren Tresp • August 01, 2017
Studio Visit: Nicola López uses printmaking, drawing, collage, and large-scale installation to create work that explores the physical and psychological experience of the contemporary city [...]
Clayton Porter and Lauren Tresp • July 01, 2017
Raven Chacon runs a record label, is a member of multiple bands and collaborative projects, teaches teenagers experimental composition, and is currently included in SITE Santa Fe’s recently opened biennial, [...]
Clayton Porter and Lauren Tresp • August 01, 2016
Studio Visit: Michael Namingha has the admirable ability to reveal the irony of language and words on the one hand and, on the other, to cut landscapes apart, fracturing them into sometimes-repetitive images that cascade beyond any typical frame [...]
Alicia Inez Guzmán and Clayton Porter • June 01, 2017
Richard Kurtz paints prolifically on almost any substrate he can find. Appropriating everything from children’s books to football helmets, vintage flash cards to large pieces of leftover plywood, Kurtz combines pictorial characters with hand-written aphorisms [...]
Clayton Porter and Lauren Tresp • April 01, 2017
Kate Carr creates minimalist sculptural works working primarily in Baltic birch plywood and wool felt. The structural lines of plywood meet with colorful, stacked pieces of felt with even-handed transparency.
Clayton Porter and Lauren Tresp • October 01, 2016
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