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Diné Writer Brendan Basham Transmutes Words into Worlds
Diné artist, writer, and educator Brendan Basham approaches writing as he does life: as a process of transformation.
April 16, 2024
Diné artist, writer, and educator Brendan Basham approaches writing as he does life: as a process of transformation.
Aleina Grace Edwards • April 16, 2024
Francisco González Castro: Does Not Say «I», But Does «I»: Bodies, Limits and Transgressions at the Coconino Center compiles a decade of the artist’s endurance work challenging social structures.
Camille LeFevre • April 08, 2024
Sofie Hecht discusses her project Downwind, a documentary photo album exploring the continued impact of radiation exposure on resident New Mexicans after the 1945 nuclear bomb Trinity Test.
Gina Pugliese • April 03, 2024
Nick Larsen, who gives a talk about his Nevada Museum exhibition this Thursday, explores an invisible history through collage by “pulling from what already exists to visualize something that doesn’t.”
Caitlin Lorraine Johnson • April 02, 2024
Inside Southwest ContemporarySouthwest
Ta-da! Southwest Contemporary, a leader in arts and culture coverage in the Southwest, punches above its weight in a revamped print magazine!
Southwest Contemporary • April 01, 2024
EssayNew MexicoSITE Santa Fe Young Curators
Young Curator Sofia Garcia reflects on the ways expressive art serves as a powerful channel for emotional release, stress, and anxiety.
Sofia Garcia • March 27, 2024
NewsCollectivity + CollaborationTexas
The Fort Worth Circle, a progressive mid-century artist group, introduced modernism to the conservative North Texas town and laid the groundwork for the city’s vibrant art community of today.
Leslie Thompson • March 26, 2024
Denver Art Museum workers have voted to unionize, citing pay and management transparency as leading reasons for organizing.
Kara Mason • March 20, 2024
Jenna Maurice, currently a resident artist at RedLine Contemporary Art Center in Denver, discusses how relationships with humans and the natural environment shine through her artworks. She also ponders nonverbal communication and life’s various gray areas.
Gina Pugliese • March 18, 2024
An experiment in non-traditional exhibition spaces, the High Desert Art Fair breaks down the boundary between the gallery and the home, creating a radically immersive context for experiencing art.
Justin Duyao • March 11, 2024
Two major donations to the Nevada Museum of Art of Aboriginal and Native American artworks tie into the Reno institution’s capital expansion project.
Gabriella Angeleti • March 07, 2024
FeatureNew MexicoVol. 9 Living Histories
An art world debate over the modernist credentials of iconic Hopi-Tewa potter Nampeyo surfaces tense questions about art, craft, Indigeneity, and the meaning of modernity.
Jordan Eddy • March 01, 2024
InterviewUtahVol. 9 Living Histories
Salt Lake City-based writer Paisley Rekdal discusses poetry as an archive and cultural connecter in the history of the transcontinental railroad.
Kathryne Lim • March 01, 2024
Autumn Knight’s multimedia work at the Visual Arts Center connects video, vinyl drawing, lecture, and performance to challenge audiences to re-think their ideas about disappointment, doing nothing, and sounding.
JD Pluecker • February 29, 2024
The remarkable Clarence Shivers—a multifaceted artist, Tuskegee Airmen fighter pilot, and Colorado Springs philanthropist—is remembered in a retrospective exhibition at Colorado College.
Kara Mason • February 28, 2024
Karla Garcia, a Dallas-based multidisciplinary artist, creates clay landscapes that urge us to reflect on our connections to place and each other.
Aleina Grace Edwards • February 27, 2024
Fort Worth-based artist Claire Kennedy explores materiality and play during her residency at Arts Fort Worth that culminates in an exhibition of new work.
Emma S. Ahmad • February 23, 2024
Laura Shill, a Denver-based interdisciplinary artist, commits to creative community-building through the playful and profound lens of conceptual buffoonery, which she elevates to a high art form.
Gina Pugliese • February 21, 2024
Raven Chacon (Diné) honors matriarchal Indigenous resistance at the Harwood Museum in a unique grouping of visual, video, and sound works that will be shown in New Mexico for the first time.
Steve Jansen • February 20, 2024
Dallas-based Leslie Martinez’s first New York solo show, The Fault of Formation at MoMA PS1, addresses political binaries and cultural survival.
Laura Neal • February 14, 2024
Perla Segovia, a Peruvian immigrant who has made Tucson her home for the past ten years, advocates for the value of immigrants through textile, embroidery, glass, and painting techniques.
Steve Jansen • February 13, 2024
Las Vegas artist Jeannie Hua conceptually illustrates the Tonopah tailings burial site and asks the viewer to ponder the historic neglect of Asian Americans who settled in the American West.
Gabriella Angeleti • February 08, 2024
Blue Lotus Artists’ Collective, or BLAC, is a new Tucson gallery—and perhaps the first of its kind—dedicated to elevating local, national, and international Black artists.
Steve Jansen • February 06, 2024
Snakebite Creation Space’s Geneva Foster Gluck and Racheal Rios invite artists to install exhibitions that push their practices in new directions while challenging the constraints of a typical gallery show.
lydia see • February 02, 2024
Catch up on recent art news headlines in the Southwest region, including people on the move, grants, and more.
Steve Jansen • February 01, 2024
Museum of Contemporary Art Tucson, known as MOCA Tucson, supports regional and local artists through grants, community events, peer connections, and more. Here’s why artists and curators say that matters.
Lynn Trimble • January 30, 2024
Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix at ASU Art Museum displays signs, artworks, and other community offerings from George Floyd Square.
Lynn Trimble • January 26, 2024
Multimedia artist Tyler Burton mixes methods to create sculptural works that communicate the effects of climate disaster on California landscapes and move towards mending our relationship with the land.
Aleina Grace Edwards • January 23, 2024
Through the subversive and (sac)religious performance Black Mass Blood Ritual, Denver-based artists Mary Grace Bernard and Genevieve Waller create an occult celebration of pain, kink, queerness, and (dis)ability.
Maggie Sava • January 22, 2024
Santa Fe-based artist David Benjamin Sherry discusses the emotional and physical landscapes within his work, and the parallels between disappearing landscapes and losses of life.
Caitlin Lorraine Johnson • January 19, 2024
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