Five by Five: Sept 13, 2018
5 x 5: five picks for the next five days...
September 13, 2018
5 x 5: five picks for the next five days...
Southwest Contemporary • September 13, 2018
The September issue is my 25th as publisher and editor of this publication, and it feels like a fitting moment to reflect on the transformations that have taken place over the last two and a half years. Since early 2016 we have...
Lauren Tresp • September 13, 2018
5 x 5: five picks for the next five days...
Southwest Contemporary • September 13, 2018
A new, three-piece site-specific installation by Paula Castillo at the National Hispanic Cultural Center in Albuquerque, expected completion by the end of 2018...
Southwest Contemporary • September 06, 2018
It’s not hard to understand why Brandon Maldonado’s paintings are in high demand...
Chelsea Weathers • August 28, 2018
objet d’art, a high quality decorative object, or a curiosity for your cabinet, usually collectible; and femme fatale, a female stock character whose dangerous, seductive beauty and feminine wiles draw […]
Lauren Tresp • August 28, 2018
Peter Sellars’s new staging of Doctor Atomic refuses to allow the audience to look past the Pueblos...
Thomas Grant Richardson • August 28, 2018
Tasting notes with: Jennifer Schlesinger. occupation: gallerist and fine art photographer...
Lauren Tresp • August 28, 2018
Cheryl Donegan’s GRLZ + VEILS, curated by Heidi Zuckerman and Bill Arning...
Shane Tolbert • August 28, 2018
On April 8, 1956, E. Boyd decided that a santo in the collection of Taylor Museum was a fraud...
Alicia Inez Guzmán • August 28, 2018
The phrase "Santa Fe women" calls to mind a range of women throughout history...
Jenn Shapland • August 28, 2018
On the streets of Santa Fe this fall, you might stumble upon a newspaper box...
Chelsea Weathers • August 28, 2018
It is thought that prehistoric humans adorned their bodies with simple jewelry pieces...
Maggie Grimason • August 28, 2018
Everyone has a biennial these days—a sprawling exhibition that brings in outside curators...
Jenn Shapland • August 28, 2018
Why is it no one looks? Why is it no one knows how to look. —Robert Wilson...
Diane Armitage • August 28, 2018
At a preview event for Amie LeGette and Courtney Leonard’s exhibition, guests were lost in a literal twilight zone...
Jordan Eddy • August 28, 2018
Redefine Terms by Thomas Christopher Haag.
Thomas Christopher Haag • August 28, 2018
Christian Mayeur was on a photo scavenger hunt when he took his first trip to Las Vegas, New Mexico...
Jordan Eddy • August 28, 2018
If you’ve read Chris Wilson’s The Myth of Santa Fe—or felt the difference between mud and stucco...
Jordan Eddy • August 28, 2018
Welcome to our September issue! I am excited to introduce our feature content...
Lauren Tresp • August 28, 2018
when we erase the medicine...we erase the people, 2018, oil on panel with string, 10 x 8 in.
Nani Chacon • August 21, 2018
A tragic awareness haunts every element of the opera Doctor Atomic. The libretto, the music—the tableaux of singers, dancers, scenes, and the one prop that never ceases to cast its shadow on the whole...
Diane Armitage • July 30, 2018
Sitting with Sage Paisner in his new gallery space, Foto Forum Santa Fe, I am met with the feeling that photography can create a sense of community, togetherness...
Hatty Nestor • July 30, 2018
Casa tomada, the third installment of SITE Santa Fe’s tripartite SITElines biennial series, opens this month on August 3. I met with curators Candice Hopkins and Ruba Katrib in early July over drinks at Santa Fe Spirits (unfortunately José Luis Blondet was unable to join us...
Lauren Tresp • July 30, 2018
One of Santa Fe’s (and New Mexico’s) striking features is the proliferation of women-owned businesses, today and throughout its history...
Jenn Shapland • July 30, 2018
For the past several years, the Birmingham Museum of Art has been quietly amassing a powerhouse collection of some of the most significant politically inflected art of the twentieth and twenty-first centuries.
Chelsea Weathers • July 30, 2018
On April 1, 2014, the editors at ArtSlant reported that MoMA would “give the museum over exclusively to women artists for the entire year of 2015.”...
Jenn Shapland • July 30, 2018
Nearly everyone who walks into the Georgia O’Keeffe Museum has some version of the artist they’re looking for: their Georgia...
Alicia Inez Guzmán • July 30, 2018
It wasn’t close yet to 3:50, but I lay down anyway on the thick red rug pulled through with floral patterns in blue and white yarn...
Maggie Grimason • July 30, 2018
Two women who came of age in the wake of women’s liberation, whose determination landed them at the top of their respective fields: fashion designer Vivienne Westwood and Supreme Court Justice Ruth Bader Ginsburg.
Chelsea Weathers • July 30, 2018
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