Southwest Contemporary Exhibition / Presenting a new body of photographic work by Santa Fe-based artist Clayton Porter. claytonporter.com. @claytonporterartist.
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Meet the Team: Clayton Porter
Visual artist Clayton Porter has been taking photos for The Magazine since Lauren Tresp became publisher. In addition to his beloved black and white portraits of artists in their studios, Clayton has been by Lauren’s side, spending countless hours discussing ways to reinvent the publication, many of which have come to fruition.
June 2018
Welcome to another issue of The Magazine! This issue is anchored by a number of diverse features that span painting, art travel, performance, and more: Clayton Porter and Chelsea Weathers made the trek up to El Rito to visit the studio of Shane Tolbert for the “Studio Visit…
From the Editor: The Future of Southwest Contemporary
After careful consideration, and much initial heartbreak, I have decided that Southwest Contemporary will publish one final print edition this year: our new Field Guide publication. We will suspend print publication of The Magazine for the remainder of 2020, with strong and sincere plans to return to print in 2021.
Studio Visit: Nora Wendl
Nora Wendl applies diverse talents to equally diverse examinations of place, of being a woman moving through the world, and the “poetics of inhabiting things.” Her recent cycles of work examine the Farnsworth House in Illinois—an iconic glass and steel International-Style house.
12 New Mexico Artists to Know Now 2020
Southwest Contemporary’s second annual 12 New Mexico Artists to Know Now exhibition features the work of artists who we think are shaping the landscape of contemporary art in New […]
(N): L. Marta Andersson, Nate Massé, and Chase Stafford
December 13, 2019-February 14, 2020 Opening reception: Friday, December 13, 6-8 pm Southwest Contemporary announces (N), a three-person exhibition curated by artist and photographer Clayton Porter opening on Friday, December […]
Studio Visit: Bonnie Lynch
Lynch makes hand-built, smoke-fired vessels, some as large as five feet tall, others small enough to fit in the hand. Her color palette is minimal and plays the whiteness of the clay against the deep graphite blacks achieved by saggar firing, a process that sometimes also deposits hues of blue and brown. Her work is simple to describe but is not necessarily easy to talk about…
Letter: December 2019-January 2020
This issue taps into contemporary craft. It wasn’t intentionally a choice informed by the season, but it feels right to contemplate our own crafts at the end of the year—a season of endings, reflections, and new opportunities. We approached this topic from many different angles, from traditional craft to craft and tech.
Studio Visit: Erin Mickelson / Broken Cloud Press
Erin Mickelson’s book-based artwork plays with translation, in every sense of the word. In LIMINAL betwixt/between, her series of work displayed in form & concept’s Superscript show in 2018, text is translated to sound, sound to image, and image fed into an algorithm, chopped up, and assembled into new images. Her collaborating artists are Twitter bots and long-dead authors, and her process a visible part of the product. In everything she makes, there’s a degree of absurdity and flux: how many times can you translate something and still call it the same thing?
Master Printer Valpuri Remling Doesn’t Stand on Ceremony in Life or Lithography
Unlike most other traditional printmaking technologies, the invention of lithography can be traced to a specific person and time. Like most artists before and since, German actor and playwright Johann […]
Studio Visit: Ted Larsen
The tone of my studio visit with Santa Fe artist Ted Larsen was set early when he declared that he would likely be both circumspect and like a blowtorch when talking about his thoughts on his studio practice, life, and work. Now fifty-five, the trained painter has been showing his art since before he graduated college. By the time he was twenty-two, he had already exhibited at the Philadelphia Museum of Art, making big strides early on in a career that has now spanned decades.
