Tansey Contemporary: The title of this fiber-art exhibition smacks of redundancy—if you couldn’t guess, it’s about memory—but it’s surprisingly economical in other respects. Recall, Recapture, Remember features twenty-two artists from across the Southwest, selected...
June 29, 2018
Paper has a memory. Each crease is recorded in the impression left where it was once folded. It can expand like origami, and it can collapse into flatness again, but its history remains pressed into the stuff it’s made of. It is this material and all the marks worn...
June 29, 2018
form & concept: For most people who aren’t astronomers or astrophysicists, outer space is a nebulous concept (no pun intended). How we relate to ideas like space-time, the Big Bang, and black holes often has more to do with our immediate material surroundings than with...
June 28, 2018
This year the International Folk Art Market celebrates its fifteenth birthday. IFAM first began in 2004 with sixty-one artists from thirty-six countries. Now, that number has more than doubled to 162 artists from fifty-three countries. Officially, the vending is two days...
June 28, 2018
For us the journey to Naoshima, the art island of Japan in the Seto Inland Sea, will necessarily be long. You’ll have taken a plane or two or three, a Shinkansen, a train, a bus, a ferry, a shuttle. You’ll have overcome the inevitable travel dramas of buying the right...
June 02, 2018
“This rock formation is forty million years old.” Shane Tolbert is guiding me through a narrow passage whose walls contain countless miniscule pebbles and stones—remnants of a mudslide caused by a rush of prehistoric water that cut through the area around the Colorado...
June 01, 2018
Futurition Santa Fe is a collaborative effort to bring awareness to a number of events taking place across several Santa Fe institutions and businesses that involve the intersections of art, science, and technology. The primary participants include Santa Fe Institute, Currents New Media, the Thoma Foundation (Art House), form & concept...
June 01, 2018
The Harwood Museum of Art in Taos is gearing up for a large-scale exhibition of local luminary Larry Bell’s work. The show, titled Hocus, Focus and 12, is curated by Gus Foster, Taos photographer and Bell’s friend and collaborator. Highlights of the exhibition...
June 01, 2018
Soon after moving to northern New Mexico, almost seven years ago, and after doing a welter of studio visits, I noted the number of exceptional draftspersons in the area and pulled together a proposal for a show of drawings by artists who live in the general area of Taos...
June 01, 2018
National Hispanic Cultural Center: Identity. It’s one of those words, concepts, ways of making sense of the world and ourselves that could fill volumes. Indeed, volumes of stories: self-made, inherited, or, in many instances, projected. Identity is that way...
June 01, 2018
Harwood Museum of Art: Late in the process of making artwork for her solo exhibition, Within This Skin, Nikesha Breeze started a series of ceramic and oxide wall sculptures titled Written in Water. She calls the works “death masks,” and each coppery visage was...
June 01, 2018
Museum of International Folk Art: On the wall of Crafting Memory: The Art of Community in Peru reads a statement describing the Peruvian capital’s thriving artistic communities: “Popular arts in Lima are all about remixing.” Moving through the show, it becomes clear that...
June 01, 2018
UNM Art Museum: The whir of air conditioning swells as viewers descend the stairs of the UNM Museum of Art into the cave-like rooms that contain Patrick Nagatani: A Survey of Early Photographs. Blonde wood chairs sit at the bottom of the staircase in the...
June 01, 2018
Mayeur Projects: Stuart Arends is fond of saying that he lives in the middle of nowhere. Ever hear of Willard, New Mexico? The landscape around the artist’s house is austere, almost barren, with a view of some mountains off in the distance. He is “off the grid and under the radar”...
June 01, 2018
David Richard Gallery: Michael Hedges is a painter based near Chicago. He is youngish, what we might call “mid-career,” and I would suggest that he’s an artist to watch as he continues making art over the years. In Bloom consists of fifteen oil paintings whose style and...
May 10, 2018
Since 2000, SITE Santa Fe’s Young Curators program has given high school students the opportunity to plan every step of a museum exhibition. Students from across New Mexico meet weekly to plan an exhibition theme, create calls for artwork, jury submissions, and install...
May 01, 2018
Spending a morning with Gloria Graham in her drawing studio is like being in the world's most inspiring chemistry class. She speaks with sheer awe about the structures and movements of molecular particles, telling personal anecdotes about carbon and silicon, acting out the effects...
May 01, 2018
In a video taken in 1995, Agueda Martínez stands at her loom wearing a long floral dress, an apron, and a faded baseball cap with the logo of a local café. She works the threads quickly with both hands, tapping out a rhythm on the treadles below. She is 97 years old...
May 01, 2018
In a recent interview in Artforum, the artist Howardena Pindell recalls her first efforts toward protesting the oppressive and exclusionary practices of art institutions in the 1970s: “Because I was a curator at the Museum of Modern Art in New York, I needed to remain anonymous, so...
May 01, 2018
Central Features Contemporary Art: The term shibui refers to a particular aesthetic in Japanese art, and it can mean a variety of things that are like spokes on a wheel organized around a central core of perceptions: simplicity, unobtrusive beauty, a spare elegance, and implicity...
May 01, 2018
Orpheum Community Hub: A narrow entrance and hallway separates two exhibition spaces in downtown Albuquerque’s Orpheum Community Hub, a building that features classrooms, art spaces, and more, as well as offices for the Homewise Albuquerque Homeownership Center. Word is that...
May 01, 2018
Harwood Museum of Art: On the walls of major museums, only five percent of artwork is by women. The Harwood Museum flips this number in its current exhibition: there’s a small display featuring some men upstairs, but most of the institution’s galleries are devoted to Work...
May 01, 2018
Poeh Cultural Center: It only takes a few seconds of looking before the optical illusion begins to work on my eyes. The white on the canvas jumps forward and begins to pulsate softly against the black ground. I simply stare without moving until my consciousness snaps...
May 01, 2018
“I love coming back home and being surrounded with things that have some connection or meaning to me,” Aimee LaCalle tells me. An avid traveler and founder of her eponymous Santa Fe–based textile design company, LaCalle makes soft home goods, like bedding, table linens, and fabric...
April 30, 2018
Phil Space: Shelley Horton-Trippe, in her recent exhibition High Brow Low Ride, references the great twentieth-century French writer Colette, and she does this by way of a large painting titled The Pure and the Impure (Colette). Horton-Trippe draws on Colette’s book...
April 06, 2018
LewAllen Galleries: Tucked into a quiet nook in the northwest corner of LewAllen Galleries’ rather showy structure is a gem of an exhibition. Quest for the New: Modernism in the Southwest features artworks by a who’s-who litany of Santa Fe’s early twentieth-century art colony...
April 01, 2018
Nancy Holt is known for artworks that engage the celestial: stars and sunlight, orbiting bodies, and the earth’s rotation. But getting to know her work more thoroughly through Sightlines, a retrospective edited by Alena Williams in 2011 and still the only and most complete...
April 01, 2018
“We are a family of very fast walkers,” says Bridgit Koller. “If you want to keep up, you have to kind of run.” She has a vivid mental image of her mother, Ciel Bergman, blazing through the streets of Pleasanton, California, on a visit to see Koller in early 2016. Shortly after that, Bergman jetted off to Cuba for an action-packed vacation...
April 01, 2018
Exhibit/208: Remember that magical automobile from Woody Allen’s Midnight In Paris, the one that whisks a stuttering Owen Wilson back to the 1920s to party with Gertrude Stein and company? I like to imagine that was just one cab in a fleet of cosmic taxis, each with its own art...
April 01, 2018
For fans of Laurie Anderson, and I certainly count myself as one, the book Everything I Lost in the Flood archives her forty-plus-year art career, beginning with a 1974 performance piece called Duets on Ice. This work, even in its simplicity, constellates a certain inscrutable...
April 01, 2018
