Central Features Contemporary Art: The term shibui refers to a particular aesthetic in Japanese art, and it can mean a variety of things that are like spokes on a wheel organized around a central core of perceptions: simplicity, unobtrusive beauty, a spare elegance, and implicity...
May 01, 2018
Orpheum Community Hub: A narrow entrance and hallway separates two exhibition spaces in downtown Albuquerque’s Orpheum Community Hub, a building that features classrooms, art spaces, and more, as well as offices for the Homewise Albuquerque Homeownership Center. Word is that...
May 01, 2018
Images in Silver begins with a quote from famed French photographer Henri Cartier-Bresson. “Photographers deal in things which are continually vanishing,” it goes, “and when they have vanished, there is no contrivance on earth which can make them come back again.” Photography, then...
May 01, 2018
Harwood Museum of Art: On the walls of major museums, only five percent of artwork is by women. The Harwood Museum flips this number in its current exhibition: there’s a small display featuring some men upstairs, but most of the institution’s galleries are devoted to Work...
May 01, 2018
Poeh Cultural Center: It only takes a few seconds of looking before the optical illusion begins to work on my eyes. The white on the canvas jumps forward and begins to pulsate softly against the black ground. I simply stare without moving until my consciousness snaps...
May 01, 2018
“I love coming back home and being surrounded with things that have some connection or meaning to me,” Aimee LaCalle tells me. An avid traveler and founder of her eponymous Santa Fe–based textile design company, LaCalle makes soft home goods, like bedding, table linens, and fabric...
April 30, 2018
A year after Tricia English graduated high school in Kansas City, Kansas, her friends offered her someone else’s plane ticket to Chicago. “Two friends of mine were going there to look at Columbia College, and their friend had bought a nonrefundable ticket but couldn’t make it,” English says. She took the free flight and successfully...
April 30, 2018
25 years ago in the May 1993 issue of The Magazine:
May 01, 2018
Zahra grew up in two deserts that vary drastically and have many similarities in culture. One close to the sea, the other close to the mountains. She studied the visual arts in France, and continues various pursuits to further educate herself. She currently lives...
January 30, 2018
One of the most satisfying aspects of my position at The Magazine is that I am able to bring in content that I myself have wished to see as a reader. This issue represents a number of elements I have wanted to find in and bring into the fabric of this publication...
May 01, 2018
When Jenny George read from her collection The Dream of Reason at Collected Works in early April, her voice was soft, slow, and steady. Like her poems, her reading rendered heartbreaking compressions of language and feeling into something delicate to behold. Her images ...
April 11, 2018
Phil Space: Shelley Horton-Trippe, in her recent exhibition High Brow Low Ride, references the great twentieth-century French writer Colette, and she does this by way of a large painting titled The Pure and the Impure (Colette). Horton-Trippe draws on Colette’s book...
April 06, 2018
In Colette Hosmer’s living room, a bookcase contains shelves full of jars of turtle bones, porcupine quills, dead insects, and other sundry specimens the artist has collected from the natural world. Having long informed her sculpture practice, these specimens now inspire a...
April 01, 2018
After you've Googled the Sun Tunnels and copied the coordinates from The Center for Land Use Interpretation website into your phone, and driven two hours around the Salt Lake from the Spiral Jetty, accidentally by way of Snowville, Idaho, where no one wants to make you a milkshake, you will find yourself dangerously close to Nevada...
April 01, 2018
“This place. The river is life,” Luke Carr tells me as we walk through a stand of cottonwood trees near the flowing water. He lives on a small farm in a remote part of northern New Mexico, next to the confluence of two rivers. For a musician, this place provides silence for writing...
April 01, 2018
For fans of Laurie Anderson, and I certainly count myself as one, the book Everything I Lost in the Flood archives her forty-plus-year art career, beginning with a 1974 performance piece called Duets on Ice. This work, even in its simplicity, constellates a certain inscrutable...
April 01, 2018
Albuquerque Museum: Making Africa approaches the design of a huge, diverse place through many media with the intention of providing a fuller understanding of the contemporary work being developed in the creative sector across the continent's 54 countries.
April 01, 2018
Fishing nets once connected the communities along Colombia’s Magdalena (Yuma) river with the water and its populations, but now the waters are so polluted the nets cannot be used for fishing. Carolina Caycedo, whose parents are Colombian, repurposes the nets as hand-dyed sculptures...
April 01, 2018
UNM Art Museum: Meridel Rubenstein’s photographs brought me to the Bible, which I hadn’t read in earnest since I took a great books class in college. I probably don’t need to tell most people that the Book of Genesis is, at least from a literary perspective, a bit confusing and disorganized...
April 01, 2018
Nancy Holt is known for artworks that engage the celestial: stars and sunlight, orbiting bodies, and the earth’s rotation. But getting to know her work more thoroughly through Sightlines, a retrospective edited by Alena Williams in 2011 and still the only and most complete...
April 01, 2018
Exhibit/208: Remember that magical automobile from Woody Allen’s Midnight In Paris, the one that whisks a stuttering Owen Wilson back to the 1920s to party with Gertrude Stein and company? I like to imagine that was just one cab in a fleet of cosmic taxis, each with its own art...
April 01, 2018
She told me her stories. She talked about her childhood, about the lies the adults told to the children and the pain the little girl experienced after she learned the truth. We drove back and forth across the country. Most of the time it was west to east and east to west but there...
April 01, 2018
Foto Forum: “Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still,” Susan Sontag wrote in On Photography. Although she isn’t directly referencing prisons, they are continually a reality which is systematically...
April 01, 2018
LewAllen Galleries: Tucked into a quiet nook in the northwest corner of LewAllen Galleries’ rather showy structure is a gem of an exhibition. Quest for the New: Modernism in the Southwest features artworks by a who’s-who litany of Santa Fe’s early twentieth-century art colony...
April 01, 2018
In terms of New Mexico’s history, one hundred years is but a drop in the bucket of time. Still, it was noteworthy when, this past November, the New Mexico Museum of Art celebrated its centennial anniversary. This is an especially significant moment when considering the meaning...
April 01, 2018
I keep waiting for New Mexico to embrace the taco. I love a burrito as much as the next guy, and the enchiladas at La Choza are life-changing, but with so much green chile and red chile flowing here in Santa Fe, the taco and its valiant hero, salsa, have been eclipsed. I visited...
April 01, 2018
“We are a family of very fast walkers,” says Bridgit Koller. “If you want to keep up, you have to kind of run.” She has a vivid mental image of her mother, Ciel Bergman, blazing through the streets of Pleasanton, California, on a visit to see Koller in early 2016. Shortly after that, Bergman jetted off to Cuba for an action-packed vacation...
April 01, 2018
Last summer I met up with artist Sabra Moore at Angelina’s Restaurant, with the big chili pepper sign, on Fairview Street just by the Rio Grande in Española. We were about to tour the district elementary schools where she has been working to create large, permanent tile wall mosaics...
March 22, 2018
Winter in the northern Midwest is not a place I return to in person, at least not willingly. It is a place I dread for its deadly overcast sadness, a dread that, I learned from Michigan poet Emily Van Kley's collection, constitutes its own heady nostalgia. The Cold and the Rust…
March 15, 2018
Light, shadow, and doors opened and closed are a few of the subjects of Santa Fe–based photographer Natalie Christensen. Informed by Carl Jung and a twenty-five-year career as a psychotherapist, Christensen looks for symbols in the Southwestern urban landscape that “reveal psychological...
February 01, 2018
