Action/Abstraction Redefined
IAIA Museum of Contemporary Native Art, Santa Fe July 27, 2017 – July 7, 2019 There’s a valuable history lesson in pedagogy and modernism upstairs at the IAIA Museum of […]
March 27, 2019
IAIA Museum of Contemporary Native Art, Santa Fe July 27, 2017 – July 7, 2019 There’s a valuable history lesson in pedagogy and modernism upstairs at the IAIA Museum of […]
Shane Tolbert • March 27, 2019
All of the five installation artists in Harwood Art Center’s Future Perfect wrote their artist’s statements, appropriately, in the future perfect tense. This formation encourages thinking that is forward-reaching, idealistic, and reflective at the same time...
Robin Babb • March 27, 2019
Welcome to April. We have a great issue to present this month, but first, I want to introduce and welcome our newest team member, Rebecca Lynch!
Lauren Tresp • March 26, 2019
Name: Kenji Barrett Location: Albuquerque, NM Proofreading for The Magazine since: 2002 Proofreader Kenji Barrett and his trusty dog, Kai, stop by each month right before the issue is sent to the […]
Southwest Contemporary • March 18, 2019
Take a tour of the printing press where each issue of The Magazine comes to life! I know we make it look super slick and easy: content + design = printed […]
Lauren Tresp • March 18, 2019
The City of Santa Fe is looking for a new Arts Commission Director to plan, organize and coordinate arts and cultural programs and services, and represent the City in the arts and cultural arena...
Southwest Contemporary • March 11, 2019
the micro- and the macrocosmic. Having recently opened the show Drawing, Reading, and Counting at Arthur Roger Gallery in New Orleans (May 7 – June 18, 2016), the Texas-born, Santa […]
Clayton Porter and Lauren Tresp • June 01, 2016
“12 New Mexico Artists to Know Now” opened on Friday, March 1, with a wonderfully packed house. Big thanks to everyone who came out to see the work of emerging […]
Southwest Contemporary • March 06, 2019
View select works by all twelve artists chosen for The Magazine‘s inaugural Artists’ Issue in a group exhibition that opens Friday, March 1, 5-8 pm, at The Magazine’s new project space located at […]
• March 01, 2019
Professor Rebecca Schreiber of the UNM American Studies Department was awarded the Frank Jewett Mather award for art criticism by the College Art Association for her book The Undocumented Everyday: Migrant Lives and the Politics of Visibility.
Southwest Contemporary • February 12, 2019
Name: Lauren Tresp Location: Santa Fe, NM Writing for The since: 2013 1. Where are you from? Oshkosh, Wisconsin. 2. What is your favorite thing about New Mexico? It feels real. […]
Lauren Tresp and Southwest Contemporary • February 12, 2019
New Mexico Artists to Know Now
Adaptation, experimentation, and evolution are all crucial concepts within Heidi Brandow’s practice, which usually takes the form of layers of paint, drawing, and paper on canvas, but also includes a social practice in her photography projects.
Jenn Shapland • January 30, 2019
Hecho a Mano and The Magazine present ¡Victoria! Selected Political Prints from México (1910 – 1960) at The Magazine’s new art space. Mexico has a long history of politically charged printmaking, largely credited to the […]
• December 22, 2018
New Mexico Artists to Know Now
Francoise Barnes’s titles give the viewer a quick point of entry to her abstract, mixed-media paintings on canvas, panel, or paper.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Mira Burack’s artwork is a space of rest, contemplation, and the contemplation of rest. Her wall-sized collages of photos of rumpled bedclothes enlarge the space where sleep takes place and, in doing so, enlarge a viewer’s attention to sleep and its landscape.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
Nicole Cuzilo's photos contemplate the role of fashion and appearance as mechanisms that historically and continually both celebrate and constrain women.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Vincent Campos injects a sense of whimsy and strangeness into a form that is often serious and pious. Campos’s retablos stick to this script, representing saints and other Catholic imagery, but his figures have odd or humorous details: a caricatured face, a bag of Wonder Bread.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
Charming plushy animals walk the razor’s edge between life and lifelessness in Vanessa Gonzalez’s paintings. Each creature—a sloth, a jackalope, a flock of birds—has its limbs wrenched from its tiny body, with threads and fiberfill stuffing poking out of wounds.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Dorothy Melander-Dayton is an interdisciplinary artist working at the nexus of performance, theater, and installation, as well as works on paper and sculpture. The artist’s process is grounded in research into various subjects which span artistic influences, texts, material research, and experimentation.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
In Rosemary Meza-DesPlas’s work, she renders female figures by hand-stitching her own hair into various surfaces. Some of these figures are anguished, some contorted, some vulnerable—each is rendered in delicate, tremulous lines that speak to the traditionally feminine realm of textiles.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Martín Wannam’s photos are an explosion of glitter and color, with an underlying hint of darkness. His work is unabashedly queer but operates in response to a repressive heteronormative society encrypted by religious imagery.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
Heather Gallegos-Rex’s tapestries are strikingly minimal in their design, often incorporating only two or three colors. She leans toward spare geometric shapes but does not shy away from landscapes and increasingly layered compositions.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
In Yeshe Parks’s gouache-on-paper paintings, figures perform impossible acrobatics. Knees and elbows bend in perfect U-shapes as cartoon-like, faceless characters contort and intertwine themselves into arbitrary postures.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Jennifer Vasher’s installations and sculptures evoke the desire for purity and the environmentally toxic consumer culture of cleanliness. Lotion bottles, aspirin, and other pharmaceuticals appear as decorative art objects within the domestic landscapes of her installations.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
When we first dreamed up the Artists Issue, we thought of it as a way to share—with New Mexico and beyond—a sample of the most vibrant and engaged artists working in New Mexico right now. Artists whose work deserves sustained attention, whether or not you’ve ever heard of them before.
Andrea Hanley and Jenn Shapland and Lauren Tresp • January 30, 2019
This week, an image from the February 2019 issue of Vanity Fair has been circling my social-media feeds. It features six newly elected Democrat representatives, and at the center of the photo sits Representative Deb Haaland (Laguna Pueblo). Rep Haaland’s demeanor in the photo is fierce yet kind, the exact, impossible combination of feelings a woman politician has to strike to be elected in this country.
Jenn Shapland • January 30, 2019
Photos of Mexico from the 1970s to 2005 by Mexican photographer Graciela Iturbide bring a documentary impulse in touch with a poetic eye. Her photos are personal, yet immersive in cultures not her own; unafraid of the humorous, the strange, and the symbolic.
Jenn Shapland • January 30, 2019
Currency: What do you value? puts fifteen artists in conversation about the problem of value in a world where the dollar seems to be the one unit of measurement that everyone can agree on—even if few can articulate what a dollar measures, or means.
Briana Olson • January 30, 2019
Shots in the Dark is an exploration of the ambiguous space that takes shape in darkness. The thirty-two photographs spanning the gallery were all made at night by four Southwest-based photographers: Chris Colville, scott b. davis, Ken Rosenthal, and Mike Lundgren.
Kate Wood • January 30, 2019
I enter the gallery and see the word “Anthropocene” in vinyl on the wall, and my first thought is: it’s a tired conversation in an art context, but let’s shake the tree and see if anything good comes out.
Shane Tolbert • January 30, 2019
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