Bless Me, Cecilia: What Happens When a Star Curator Arrives in Santa Fe?
Cecilia Alemani rolled out an exhibition like no other in Santa Fe—its visionary weirdness will hit everyone a bit different.
November 20, 2025
Cecilia Alemani rolled out an exhibition like no other in Santa Fe—its visionary weirdness will hit everyone a bit different.
Natalie Hegert • November 20, 2025
In Step After Step at Kimball Art Center, artists leave their studios behind to claim the moving body as a revolutionary artistic method.
Ana Estrada • September 05, 2025
ReviewArizonaVol. 12 Obsession
Artists working along the U.S.-Mexico border bring the rasquachismo aesthetic to Ya Hecho: Readymade in the Borderlands as the U.S. government escalates its anti-immigrant stance.
Lynn Trimble • September 05, 2025
Curator Fabiola Iza brings together eleven artists for an exhibition that investigates the shadowy corners of perception.
Nicholas Frank • September 05, 2025
ReviewNew MexicoVol. 12 Obsession
Natural entropy is a tool—and a sustainable ethos—for ten artists in Abstracting Nature at the Albuquerque Museum.
Robin Babb • September 05, 2025
Lynn Hershman Leeson has long prepared for the AI revolution. In Nevada, she channels warnings and hope through digital personas.
Max Stone • July 08, 2025
ReviewUtahVol. 11 The Hyperlocal
Arleene Correa Valencia’s exhibition at the Utah Museum of Fine Arts reveals the indelible imprint of growing up as an undocumented migrant through personal writings, photographs, and textiles.
Ana Estrada • March 07, 2025
ReviewTexasVol. 11 The Hyperlocal
In Fort Worth—known as “Cowtown”—the exhibition Cowboy at the Amon Carter made waves by reimagining the mythology surrounding the American cowboy.
Emma S. Ahmad • March 07, 2025
ReviewColoradoVol. 11 The Hyperlocal
Ugo Rondinone, creator of Las Vegas’s Seven Magic Mountains, returns to the American West with more rainbows and a light touch.
Jordan Eddy • March 07, 2025
ReviewNew MexicoVol. 11 The Hyperlocal
Ten years of podcast guests contribute to this multimedia exhibition at Albuquerque Museum, foregrounding the playful possibilities of socially engaged art.
Maggie Grimason • March 07, 2025
ReviewArizonaVol. 11 The Hyperlocal
A group of white New York painters blended modernist and Native-inspired aesthetics. Space Makers at the Heard Museum pairs them with historical and contemporary Native artists.
Camille LeFevre • March 07, 2025
In what Time Travel feels like, sometimes, New Mexico–based artist Erika Wanenmacher's major solo exhibition at SITE Santa Fe, the artist collapses the distance between the mystical and the everyday.
Lauren Tresp • January 21, 2025
Wicked Wells and Window Wipeouts traps the viewer between a hard place and a sunken one—but its ambiguity offers a different kind of freedom.
Ryan Hawk • January 09, 2025
Bucking the solemn tone of much performance art, Right on Time collective's sweaty, cyclical extravaganzas herald a roaring late-2020s vibe.
Madeleine Boyson • January 07, 2025
Cybele Lyle attempts, in confounding and curious ways, to queer desert landscapes in her current installation Cybele Lyle: Floating Seeds Make Deep Forms.
Camille LeFevre • October 17, 2024
Sam Grabowska’s Haptic Terrain at Leon Gallery explores how our bodies, oftentimes in grotesque fashion, mutate in contemporary capitalist culture.
Joshua Ware • October 08, 2024
Dario Robleto’s wide-ranging reach—in which the deepest interiors and most distant exteriors mix with popular culture and early analog media—is getting more articulate with each pass.
Hills Snyder • September 27, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
ReviewColoradoVol. 10 Radical Futures
Anchored by imagery from Bears Ears National Monument, Fazal Sheikh's exhibition at the Denver Art Museum explores the dichotomy of beauty and destruction in the Southwest.
Deborah Ross • September 06, 2024
ReviewTexasVol. 10 Radical Futures
The de la Torre Brothers deliver a feast for the eyes—and warnings for the future—in their witty and maximalist exhibition at McNay Art Museum.
Emma S. Ahmad • September 06, 2024
ReviewArizonaVol. 10 Radical Futures
PORTALS at the Museum of Contemporary Art Tucson in Arizona features new works by California-based artist Fay Ray, who imagines radical futures in the Sonoran Desert and Southwest borderlands.
Lynn Trimble • September 06, 2024
ReviewNew MexicoVol. 10 Radical Futures
Off-Center at Vladem Contemporary is a three-decade survey of New Mexico art with myriad bright spots—but how are they connected?
Jordan Eddy • September 06, 2024
ReviewUtahVol. 10 Radical Futures
In the Shadow of the Wall at the Kimball Art Center offers poignant and playful perspectives on the border wall, beyond political controversy.
Ana Estrada • September 06, 2024
Iconoclasm is a mercy in Teresita Fernández/Robert Smithson, clearing the view of both conceptual artists and their groundbreaking legacies.
Jordan Eddy • August 27, 2024
Tina Mion ventures into unexplored territory in her exhibition Departures, through death spoon sculptures and paintings about her brother’s death.
Camille LeFevre • August 13, 2024
Even the propaganda is sabotaged in Multiple Realities, a Soviet spy novel of an exhibition at Phoenix Art Museum.
Jordan Eddy • August 06, 2024
In the first exhibition to explore Harry Fonseca’s expressions of “queerness” through his beloved character Coyote, queer-Indigenous performativity takes center stage.
Camille LeFevre • July 16, 2024
"Biophilic design," which emulates the natural environment, is undoubtedly having a moment. So how does the Denver Art Museum’s latest design exhibition expand on this discourse?
Emma S. Ahmad • July 05, 2024
Inspired by a remarkable 1940s essay, Surrealism and Us in Fort Worth examines Afrosurrealist tools for battling fascism, colonialism, and cultural assimilation.
Leslie Thompson • June 17, 2024
In Performing Self at the Boulder Museum of Contemporary Art, seven multidisciplinary artists expand the concept of performance art with works that are extremely personal, even courageous.
Deborah Ross • April 15, 2024
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