Antoinette Cauley: I Do It for The Hood, Pt. 2 at Modified Arts
Antoinette Cauley creates expressive portraiture to bridge hyperlocal and global concerns in I Do It For The Hood, Pt. 2 in Phoenix.
January 16, 2024
Antoinette Cauley creates expressive portraiture to bridge hyperlocal and global concerns in I Do It For The Hood, Pt. 2 in Phoenix.
Lynn Trimble • January 16, 2024
In Designed to Move, the microscopic is magnified in Taylor James’s photographs of Colorado Plateau seedpods, revealing a design intelligence humans can only hope to approximate.
Camille LeFevre • July 06, 2023
Abstraction in Albuquerque: Six Artists at the Inpost Artspace—more than a half-decade in the making—materialized after a co-curator spotted a 1991 poster inside of a now closed warehouse.
Steve Jansen • May 05, 2023
Textile artist Paolo Arao explores queerness through his materials, line work, titles, and forms in his show A Selection of Recent Works at David B. Smith Gallery in Denver.
Joshua Ware • April 04, 2023
Vision and Sound brings work by African American artists in Arizona to the overwhelmingly white town of Sedona.
Camille LeFevre • March 24, 2023
Mesmerizing Flesh, Tamara Kostianovsky’s exhibition of textile sculptures, encapsulates a compelling, if harrowing contradiction between industrial violence and the beauty of corporeal and organic forms.
Scotti Hill • March 20, 2023
ReviewNew MexicoVol. 7 Finding Water in the West
Outriders: Legacy of the Black Cowboy at Harwood Museum of Art in Taos normalizes the Black cowboy past and present.
Steve Jansen • March 03, 2023
Copyright © 2025 Southwest Contemporary
Site by Think All Day

369 Montezuma Ave, #258
Santa Fe, NM, 87501
info@southwestcontemporary.com
505-424-7641