Step into ted laredo’s Transcendental World of Light and Space at EXHIBIT/208
The immersive and unconventional-material experience, chromolux, is on view in Albuquerque from July 12 through August 3, 2024.
June 26, 2024
The immersive and unconventional-material experience, chromolux, is on view in Albuquerque from July 12 through August 3, 2024.
Exhibit/208 • June 26, 2024
This generous collection of work focuses on transitional and mature pieces from the 1960s through the '80s by artist Florence Miller Pierce. On view at the Wright Contemporary through July 7, 2024.
The Wright Contemporary • June 25, 2024
New exhibition Materializing Mormonism at Mesa Contemporary Arts Museum has ties to the Center for Latter-day Saint Arts.
Lynn Trimble • June 24, 2024
Explore the vibrant world of art and photography this summer with three new exhibitions now on view in Amarillo, Texas.
Amarillo Museum of Art • June 18, 2024
Inspired by a remarkable 1940s essay, Surrealism and Us in Fort Worth examines Afrosurrealist tools for battling fascism, colonialism, and cultural assimilation.
Leslie Thompson • June 17, 2024
In canvases and sculpture created during the last years of her life, Carmen Herrera, an under-sung hero of minimalism and abstraction, receives further attention.
Camille LeFevre • June 04, 2024
The Other Side of the Tracks, a group exhibition that explores the history of the Western railroad, is on view at Ogden Contemporary Arts through July 14, and then travels to RedLine Contemporary Art Center and 516 Arts.
Ogden Contemporary Arts • May 22, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Carried by the rails that their ancestors laid, rode, or resisted, nine artists challenge dominant histories of the Transcontinental Railroad in this multi-venue exhibition.
Ana Estrada • April 30, 2024
The Biocrust Project reveals the importance of protecting the desert’s biocrust in the face of climate change in an immersive collaboration between art and science.
Ana Estrada • April 25, 2024
Sam Scott: Deep Nature is on view through Saturday, May 18, with an artist talk on Saturday, May 11, at Pie Projects in Santa Fe.
Pie Projects • April 24, 2024
In Performing Self at the Boulder Museum of Contemporary Art, seven multidisciplinary artists expand the concept of performance art with works that are extremely personal, even courageous.
Deborah Ross • April 15, 2024
Francisco González Castro: Does Not Say «I», But Does «I»: Bodies, Limits and Transgressions at the Coconino Center compiles a decade of the artist’s endurance work challenging social structures.
Camille LeFevre • April 08, 2024
Sarah Sze at the Nasher Sculpture Center in Dallas is proof the affair between an artist and museum doesn’t always result in marriage.
James Russell • March 28, 2024
ReviewNew MexicoSITE Santa Fe Young Curators
Young Curator Sara Barrionuevo visits Alexander Girard’s renowned collection of folk art at the Museum of International Folk Art and finds both value and disappointments.
Sara Barrionuevo • March 27, 2024
EssayNew MexicoSITE Santa Fe Young Curators
Hanbi Park, one of SITE Santa Fe’s Young Curators, reflects on the program which tasks high schoolers with curating an exhibition from start to finish.
Hanbi Park • March 27, 2024
ReviewNew MexicoSITE Santa Fe Young Curators
At the Vladem Contemporary, artists use light and color to express Indigenous Futurisms in their current exhibition Shadow and Light. Young Curator Ainsley Drinkard reviews.
Ainsley Drinkard • March 27, 2024
The IAIA Museum of Contemporary Native Arts debuts exhibitions by Greenlandic and Amazonian Indigenous artists whose work narrates threatened worlds deeply rooted in nature.
Ania Hull • March 25, 2024
Jenna Maurice, currently a resident artist at RedLine Contemporary Art Center in Denver, discusses how relationships with humans and the natural environment shine through her artworks. She also ponders nonverbal communication and life’s various gray areas.
Gina Pugliese • March 18, 2024
Two major donations to the Nevada Museum of Art of Aboriginal and Native American artworks tie into the Reno institution’s capital expansion project.
Gabriella Angeleti • March 07, 2024
Experience Luis Alvaro Sahagún Nuño's solo exhibition in Ogden, Utah. On view through April 21, 2024.
Ogden Contemporary Arts • March 06, 2024
Duwawisioma’s (Victor Masayesva Jr.) retrospective exhibition Màatakuyma at Andrew Smith Gallery in Tucson solidifies the Hopi artist’s importance in contemporary photographic and Indigenous artistic discourse.
Isabella Beroutsos • March 05, 2024
ReviewNevadaVol. 9 Living Histories
The Emotional Show's consideration of sentiment and inner sensation has become pronounced in relevance following the terrifying December 6 shooting on the UNLV campus.
Brent Holmes • March 01, 2024
ReviewArizonaVol. 9 Living Histories
Amalia Mesa-Bains, renowned for altar-style installations that helped bring Chicana art into the mainstream, recently had a retrospective exhibition at the Phoenix Art Museum.
Lynn Trimble • March 01, 2024
ReviewNew MexicoVol. 9 Living Histories
Out West: Gay and Lesbian Artists in the Southwest 1900–1969 at the New Mexico Museum of Art collects work by and about queer artists working in New Mexico.
Robin Babb • March 01, 2024
ReviewTexasVol. 9 Living Histories
The 2024 Border Biennial at El Paso Museum of Art explores how regional artists experience and interact with the Borderlands, and also acts as a barometer for area contemporary art.
Steve Jansen • March 01, 2024
ReviewUtahVol. 9 Living Histories
Shaping Landscapes illuminates the state's history, using photography as a platform for exploring technology, identity, and activism.
Scotti Hill • March 01, 2024
Autumn Knight’s multimedia work at the Visual Arts Center connects video, vinyl drawing, lecture, and performance to challenge audiences to re-think their ideas about disappointment, doing nothing, and sounding.
JD Pluecker • February 29, 2024
Roswell artist-in-residence ann haeyoung confronts the geopolitics of emptiness in terra nullius at the Roswell Museum.
Jess Ziegenfuss • February 26, 2024
Raven Chacon (Diné) honors matriarchal Indigenous resistance at the Harwood Museum in a unique grouping of visual, video, and sound works that will be shown in New Mexico for the first time.
Steve Jansen • February 20, 2024
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