ArtistsNew MexicoVol. 11 The Hyperlocal
The Hyperlocal: Edie Tsong
Santa Fe–based artist Edie Tsong explores lineage through repeated strokes of ballpoint pen, revealing the spaces where our inner lives overlap to create new shapes.
March 07, 2025
ArtistsNew MexicoVol. 11 The Hyperlocal
Santa Fe–based artist Edie Tsong explores lineage through repeated strokes of ballpoint pen, revealing the spaces where our inner lives overlap to create new shapes.
Maggie Grimason • March 07, 2025
ReviewNew MexicoVol. 11 The Hyperlocal
Ten years of podcast guests contribute to this multimedia exhibition at Albuquerque Museum, foregrounding the playful possibilities of socially engaged art.
Maggie Grimason • March 07, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Bruce Nauman’s Center of the Universe on the campus of the University of New Mexico inspires a personal ritual and creative essay that asks us to reconnect to the environment and ourselves.
Christina Cook • March 07, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Jesse Littlebird’s Petrolglyph moves in place, expanding horizons on the future of New Mexican lowriding and American car culture through Indigenous art.
Madison Garay • March 07, 2025
InterviewNew MexicoVol. 11 The Hyperlocal
Nonagenarian artist Jerry West on New Mexico homesteading, dream work, and adobe architecture as sculpture.
Patrick Kikut • March 07, 2025
Painter Eva Mirabal bequeathed a sealed wooden box to her son Jonathan Warm Day Coming. Its contents shaped his artistic trajectory.
Rebekah Powers • February 27, 2025
The Santa Fe Railyard Art Project's latest installation is a playful structure by artist James Gould that evokes agricultural heritage and places of shelter.
Railyard Park Conservancy • February 18, 2025
Mavasta Honyouti debuts sixteen remarkable panels bearing ancestral memories of the Native American boarding school system at Wheelwright Museum.
Olivia Amaya Ortiz • February 13, 2025
Larry Madrigal, the UNM College of Fine Arts Frederick Hammersley Visiting Artist, presents an artist talk and open studio in Albuquerque this spring.
UNM Art Department and Frederick Hammersley Foundation • February 13, 2025
Robert Washington-Vaughns dumped the "capitalistic dream" to start Black Men Flower Project, a fanciful gifting initiative with the muscle of a mutual aid organization.
Jordan Eddy • January 28, 2025
In what Time Travel feels like, sometimes, New Mexico–based artist Erika Wanenmacher's major solo exhibition at SITE Santa Fe, the artist collapses the distance between the mystical and the everyday.
Lauren Tresp • January 21, 2025
Wicked Wells and Window Wipeouts traps the viewer between a hard place and a sunken one—but its ambiguity offers a different kind of freedom.
Ryan Hawk • January 09, 2025
RioBravoFineArt's twenty-seventh year opens with an exhibition of plein-air seascapes of the Pacific Coast by painter Leo Neufeld.
RioBravoFineArt • January 07, 2025
Museum insiders offer firsthand accounts of the flash flood that breached Roswell Museum in October—and an update on the uphill battle for remediation.
Natalie Hegert • December 19, 2024
Despite economic flux, new independent book publishers are blooming—and veteran presses are thriving—across New Mexico.
Monika Dziamka • December 12, 2024
Guy Cross, who cofounded SWC precursor The Magazine, stoked Santa Fe’s turn-of-the-21st-century push to join a globalized contemporary art conversation.
Jordan Eddy • December 06, 2024
Paisley Rekdal will read selections from West: A Translation with live guidance from the audience in a powerful, informative, and cathartic experience at 516 Words on Thursday, December 5, in Albuquerque.
516 Arts • November 20, 2024
Keshet Dance Company's latest work features eight choreographers delving into the nature and of questioning, free will and destiny, and our potential to create change.
Keshet Dance and Center for the Arts • November 06, 2024
Nearly 2,000 miles from its namesake, Artes de Cuba gallery crafts a complex image of the island nation's globalized art scene in the group show La Habana Hoy.
Phoenix Savage • October 24, 2024
Albuquerque-based artist Beedallo on staying elusive, spilling guts on canvas, and eavesdropping at art openings.
Gina Pugliese • October 22, 2024
The City of Santa Fe’s ArcGIS Storymaps, and its AR component, Ojos Diferentes, peel back the layers of Santa Fe history to tell underrepresented stories with new technologies.
Kimberly Suina Melwani • October 15, 2024
Experience the gallery's newest exhibitions in Truth or Consequences, New Mexico, this fall.
RioBravoFineArt • October 09, 2024
AI tools just hit the mainstream, but Albuquerque-based artist Zac Travis has been messing with them for years—in trippy, analog ways.
Delaney Hoffman • October 03, 2024
More than 100 local artists will open their studios on September 21–22 and 28–29, 11 am-5 pm, at various locations across Santa Fe.
Santa Fe Studio Arts Collective • September 18, 2024
Santa Fe-based designer and artist Paulina Ho’s work tilts reality to find pleasure in the everyday absurdities of her new Southwestern environs.
Daisy Geoffrey • September 12, 2024
Experience the vibrant landscape paintings this September in Santa Fe. On view September 13–29, 2024.
James Compton Gallery • September 11, 2024
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
Erin Averill • September 10, 2024
FeatureNew MexicoVol. 10 Radical Futures
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
Lillia McEnaney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
Mallery Quetawki paints cross-cultural translations that help bridge futures between Indigenous communities and science and medical professionals.
Sean J Patrick Carney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
In bold pop culture style, Santa Clara Pueblo artist Jason Garcia envisions Native futures by challenging narratives that have always kept us in the past.
Kimberly Suina Melwani • September 06, 2024
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