
Charlene Teters: Way of Sorrows
The new Charlene Teters exhibition at Institute of American Indian Arts in Santa Fe challenges border policies in a time of mass migration.
March 26, 2020
The new Charlene Teters exhibition at Institute of American Indian Arts in Santa Fe challenges border policies in a time of mass migration.
Coco Picard • March 26, 2020
Esphyr Slobodkina: Six Decades of Groundbreaking Painting, Collage, and Sculpture at the LewAllen Galleries in Santa Fe is a window into twentieth-century abstract art by one of the movement’s early pioneers, Esphyr Slobodkina, a versatile and prolific New York artist. A cofounder of the American Abstract Artists group, she translated the concepts of European Modernism into American idiom.
Alejandro López • March 26, 2020
Indelible Ink displays pieces by nine multigenerational Native American printmaking women whose artwork stuns with originality, beauty, and color, while also illustrating the historical trauma that impacts Native people today.
Steve Jansen • March 26, 2020
Yōkai: Ghosts & Demons of Japan at the Museum of International Folk Art spotlights the Japanese folk art tradition of yōkai, which depicts paranormal beings such as ghosts, demons, and monsters in a variety of settings, ranging from traditional kabuki theater to Pokémon anime.
Steve Jansen • March 26, 2020
At Georgia O’Keeffe’s home in Abiquiu, New Mexico, new research about the enigmatic sitting-room window provides unexpected insights into the artist’s life and creative practice during the 1960s.
Sarah Rovang • March 26, 2020
The provocative work of Francesca Woodman, an art photographer who took her life at only twenty-two, takes on new dimensions in Portrait of a Reputation, an exhibition at MCA Denver that combines Woodman’s experimental work from the late 1970s with candid photos of the artist by her friend, George Lange.
Deborah Ross • March 26, 2020
Two Indigenous architects take a look at issues in architecture and consider the future of Indigenous design in New Mexico and beyond.
Geraldene Blackgoat and Michaela Shirley • March 26, 2020
Preservationist Rachel Preston Prinz explores shifting ideas about architecture, design, and historic preservation in Santa Fe, New Mexico.
Rachel Preston • March 26, 2020
Santa Fe based photographer Memphis Barbree's project, The Sky Calls to Us, documents the Kennedy Space Center in its grandness and the markings of those who created the space program.
Angie Rizzo • March 26, 2020
An examination of what authenticity means for historic preservation in Santa Fe, New Mexico.
Lisa Gavioli Roach • March 26, 2020
Chinati's special exhibition is like a conversation between Donald Judd and Barnett Newman, with work from both artists on view.
Briana Olson • March 26, 2020
Artist Leah Mata Fragua on addressing climate change during her School for Advanced Research fellowship in Santa Fe.
Patrick McGuire • March 26, 2020
For this special issue on architecture and preservation, coinciding with national Architecture Month in April and Preservation Month in May, I wanted to look at the intersections of architecture, time, and place—all of which are changing as our community does. I also wanted to lift up the voices of women in design.
Rachel Preston • March 26, 2020
Patina Gallery presents Urban Landscapes, a collection of metagraphs by artist Sol Hill. A native New Mexican and son of Santa Fe artist Megan Hill, this will be Hill’s second show in New Mexico.
Tamara Johnson • March 26, 2020
Amidst this unprecedented time of change across the globe, we're tracking arts-related closures and postponements locally and nationally. In this post you'll also find resources for artists. For the most updated information, please contact each venue individually. Stay tuned for more from us on ways to enjoy the beauty of art—its release, its expression, its embodiment of joy—from wherever you may be.
Editor • March 16, 2020
Welcome to the Artists Issue, featuring 12 New Mexico Artists to Know Now, a readership survey, new features, and a new calendar.
Lauren Tresp • February 02, 2020
FeatureNew Mexico Artists to Know Now
“The intention of this work is to honor vulnerability, impermanence, and cycles of life on our planet,” c marquez says of their work, which includes two-dimensional pieces, sculpture, installation, and the results of a daily sketchbook practice.
Maggie Grimason • January 28, 2020
FeatureNew Mexico Artists to Know Now
Intensely thoughtful, Raphael Begay sees significance in objects and quotidian scenes and is able to begin a conversation with the viewer through his lens. With installations and discussions about his work, he adds a further dimension of storytelling that engages community...
Tamara Johnson • January 28, 2020
FeatureNew Mexico Artists to Know Now
Garcia, an Art Institute of Chicago–educated artist who moved to Santa Fe from his native Houston in 1987, developed a unique transfer procedure: he creates an image or pattern on paper that’s soaked in gum arabic and water, which is then hand pressed onto a painting surface.
Steve Jansen • January 28, 2020
This spring, UNM Art Museum hosts new-media artist León De la Rosa-Carrillo’s The Remix Room, which will offer visitors “six different stations in which remix can be explored as a viable strategy to conduct research and produce remixed content.”
Titus O'Brien • January 28, 2020
FeatureNew Mexico Artists to Know Now
Currently residing in Albuquerque where they are pursuing an MFA in photography, MK began the recent series The Pain Is Just an Annoyance Now as members of their family began to pass away and they witnessed the grief of their mother. These losses spurred an exploration of the complications of family relationships, as well as obscured histories through the physical remnants of the past that shore up the present—family photo albums.
Maggie Grimason • January 28, 2020
Parry is well regarded in the world of photography. She taught one of the first official history of photography classes at Wellesley in the early ’70s, creating the curriculum from scratch. She’s published over one hundred pieces during her lifetime, including essays for exhibition catalogues and periodicals and several books...
Angie Rizzo • January 28, 2020
As an invited guest of the family, Jan Butchofsky was asked to witness the Coming of Age Ceremony of two maidens during two separate celebrations and was honored to bear witness to these sacred and very private preparations and ceremonies.
Southwest Contemporary • March 27, 2020
As an invited guest of the family, Jan Butchofsky was asked to witness the Coming of Age Ceremony of two maidens during two separate celebrations and was honored to bear witness to these sacred and very private preparations and ceremonies.
Southwest Contemporary • March 27, 2020
FeatureNew Mexico Artists to Know Now
Looking at Cedra Wood’s paintings feels a little like finding a secret door to enchanted lands. Wood understands a connection between the outer wild terrains and the inward ones. Her art celebrates both realms as essential and beautiful, linked by mythos. The worlds she depicts evoke something of the hero’s journey.
Tamara Johnson • January 28, 2020
[Sponsored] Have you ever found yourself splurging on items while on vacation or around the holidays you would not typically buy or pay a premium for? Despite knowing those purchases are likely a poor use of funds or perhaps overpriced, you may find yourself justifying those purchases as being acceptable because it is the holidays or because you are on vacation. In the field of behavioral finance, the re-valuing of expenses because of special circumstances is considered a form of mental accounting...
Shawn Waked • January 28, 2020
We, The Masses: Here, the men—drawn in mind-blowing detail on palimpsest-free surfaces—engage in unhinged activity, ranging from gnawing on tree bark to fighting with one another. Some men hug en masse: they seem to know that O’Neil is about to hit the go button on the apocalypse...
Steve Jansen • January 28, 2020
Zahra Marwan’s exhibition at the Sanitary Tortilla Factory in Albuquerque pairs exquisite poetry with her illustrations, paintings on paper.
Asuri Ramanujan Krittika • January 28, 2020
Born in Germany in 1881, Baumann’s parents moved to Chicago when he was ten, and the budding artist began attending the School of the Art Institute in his teens, at one of its most fecund and influential periods. Baumann wasn’t the first of his Chicago peers to discover New Mexico, but he planted deeper roots than most. Fellow master printmaker and Baumann’s soul-heir Tom Leech contributes a heartfelt reflection on decades spent working with the artist’s materials, upholding his legacy at Santa Fe’s Palace of the Governors...
Titus O'Brien • January 28, 2020
FeatureNew Mexico Artists to Know Now
Eric-Paul Riege’s (Diné) elaborate and beautiful fiber works not only connect him with his ancestral and artistic centers, but also envelop viewers in an everyday Navajo worldview, one that the artist believes should be communal.
Steve Jansen • January 28, 2020
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