A committee including the Caballeros, the All Pueblo Council of Governors, the Santa Fe Fiesta Council, the Archdiocese of Santa Fe and the mayor’s office has voted to cancel this year's Entrada...
August 14, 2018
I am so excited to bring to you our August 2018 issue! With this issue I am thrilled...
July 30, 2018
As Raychael Stine guided us to her studio on the fringes of the University of New Mexico campus, where she has been an Assistant Professor of Painting and Drawing for the past five years, I realized that all my questions were actually the same question: Why dogs?
June 29, 2018
Karen Miranda Rivadeneira, a Santa Fe–based artist by way of Ecuador and New York began laying the groundwork for her project, In the Mouth of the Mountain Jaguar Everybody is a Dancing Hummingbird, nearly eleven years ago when she first visited a small region of the...
June 28, 2018
Where are the black women in colonial New Mexican history? Typically, the 1500s and 1600s are defined by a series of male Spanish conquistadors and governors whose names litter the city: Coronado, Peralta, De Vargas. Their expeditions brought soldiers and their families...
June 29, 2018
During the 2000 presidential race, a behind-the-scenes graphic designer at CNN arbitrarily assigned red as the color of the Republican Party. Overnight, phrases like “red states” entered our language, and political associations have overtaken many of the rich symbolic...
June 29, 2018
Tansey Contemporary: The title of this fiber-art exhibition smacks of redundancy—if you couldn’t guess, it’s about memory—but it’s surprisingly economical in other respects. Recall, Recapture, Remember features twenty-two artists from across the Southwest, selected...
June 29, 2018
Words, whether in the form of slogans, mantras, or hip-hop lyrics, matter, and they are treated reverentially and humorously by multimedia artist Jeffrey Gibson (Mississippi Band Choctaw, Cherokee), whose work is the subject of Like a Hammer, a show on view at the Denver...
June 29, 2018
Richard Levy Gallery: Confession: water freaks me out. Floods, hurricanes, waves of any size, hail, steam, swamps, melting glaciers, rising sea levels, snow—it doesn’t matter. And don’t get me started on modern plumbing or droughts, for that matter. Regardless of form...
June 28, 2018
Paper has a memory. Each crease is recorded in the impression left where it was once folded. It can expand like origami, and it can collapse into flatness again, but its history remains pressed into the stuff it’s made of. It is this material and all the marks worn...
June 29, 2018
You can lie or you can tell the truth. You can’t do both but you can do one or the other. There are people who pretend to do both. Their pretense is nothing more or less than a lie. At first, lying is easy and honesty seems like the impossible dream. Over time, lying gets...
June 28, 2018
Larry Bell: Hocus, Focus and 12, currently on view at the Harwood Museum of Art in Taos, is a large-scale exhibition focusing on the artist’s minimalist, architectonic works that reference the clean modernism of Southern California as well as the sleek geometric forms of...
June 29, 2018
form & concept: For most people who aren’t astronomers or astrophysicists, outer space is a nebulous concept (no pun intended). How we relate to ideas like space-time, the Big Bang, and black holes often has more to do with our immediate material surroundings than with...
June 28, 2018
This year the International Folk Art Market celebrates its fifteenth birthday. IFAM first began in 2004 with sixty-one artists from thirty-six countries. Now, that number has more than doubled to 162 artists from fifty-three countries. Officially, the vending is two days...
June 28, 2018
“They’ll say, ‘Why won’t it just float there?’” Scott Schreck says with a little smirk. “Then I go, ‘I’ll tell you what, let me work on that antigravity device for you.’” He’s talking through the joys and difficulties of translating artistic visions to brick and mortar...
June 28, 2018
If an object you hold dear could speak, what would it say? Would it talk about the circumstances of its making, who it came into contact with, or where it’s traveled? You see, objects are born into the world, moving about from place to place. Sometimes they are passed...
June 29, 2018
The Screen cinema on the former SFUAD campus, which closed in April, came “back to life” this month via a “new initiative between the City of Santa Fe and the CCA.” […]
July 17, 2018
Welcome to Volume 27, Issue 1 of The Magazine! We are welcoming summer...
June 30, 2018
“I suppose in some ways I’m always trying to achieve the impossible.” Jonathan Winkle, the newly appointed director of Performance Santa Fe ignores his coffee while enthusiastically explaining how he books the perfect season roster. “I want a balance between artistically...
June 01, 2018
Every now and then modern societies erupt in what Noam Chomsky calls “outbreaks of democracy.” These can take many forms, from political revolution to resistance, and various art movements can be viewed as versions of such outbreaks. Eventually, outbreaks are suppressed...
June 01, 2018
Futurition Santa Fe is a collaborative effort to bring awareness to a number of events taking place across several Santa Fe institutions and businesses that involve the intersections of art, science, and technology. The primary participants include Santa Fe Institute, Currents New Media, the Thoma Foundation (Art House), form & concept...
June 01, 2018
The Harwood Museum of Art in Taos is gearing up for a large-scale exhibition of local luminary Larry Bell’s work. The show, titled Hocus, Focus and 12, is curated by Gus Foster, Taos photographer and Bell’s friend and collaborator. Highlights of the exhibition...
June 01, 2018
Laura Gilpin saw the landscape of the Southwest as a constitutive element of the human cultures that formed there. Among the few women artists who took active part in landscape photography in the early and mid-twentieth century, Gilpin’s photos stand out against the pristine...
June 01, 2018
Mayeur Projects: Stuart Arends is fond of saying that he lives in the middle of nowhere. Ever hear of Willard, New Mexico? The landscape around the artist’s house is austere, almost barren, with a view of some mountains off in the distance. He is “off the grid and under the radar”...
June 01, 2018
Nathaniel Tarn (b. 1928, Paris) is an American poet, essayist, anthropologist, and translator. He emigrated to the United States in 1970 and taught at several American universities, primarily Rutgers, where he was a professor from 1972 until 1985. He has lived outside of Santa Fe, New Mexico since his retirement from Rutgers...
May 29, 2018
Soon after moving to northern New Mexico, almost seven years ago, and after doing a welter of studio visits, I noted the number of exceptional draftspersons in the area and pulled together a proposal for a show of drawings by artists who live in the general area of Taos...
June 01, 2018
National Hispanic Cultural Center: Identity. It’s one of those words, concepts, ways of making sense of the world and ourselves that could fill volumes. Indeed, volumes of stories: self-made, inherited, or, in many instances, projected. Identity is that way...
June 01, 2018
Museum of International Folk Art: On the wall of Crafting Memory: The Art of Community in Peru reads a statement describing the Peruvian capital’s thriving artistic communities: “Popular arts in Lima are all about remixing.” Moving through the show, it becomes clear that...
June 01, 2018
UNM Art Museum: The whir of air conditioning swells as viewers descend the stairs of the UNM Museum of Art into the cave-like rooms that contain Patrick Nagatani: A Survey of Early Photographs. Blonde wood chairs sit at the bottom of the staircase in the...
June 01, 2018
A good liar works elements of truth into his lies. A great liar uses big lies to make his small lies more credible. These day, there are liars everywhere you go, even in the wine world. Why would anyone lie about wine? To sell you wines you don’t want. The good news?...
June 01, 2018
