Work in Progress with Shawn Skabelund
Flagstaff-based artist Shawn Skabelund returns to the storm-swept ravine that birthed his latest show—and explains what a squirrel stick is—in an intrepid studio visit.
September 26, 2024
Articles
Film and Aboriginal Paintings at Nevada Museum of Art Celebrate the Ngurrara People’s Successful Land Reclamation
The U.S. debut of a documentary by Tuan Andrew Nguyen potently combines with the museum's recent gift of Aboriginal paintings in We Were Lost in Our Country.
September 24, 2024
Immersive Exhibitions Redefine Art and Language at MOCA Tucson
Graves for the Rain and 500 Places at Once blend sound, performance, and poetry engaging visitors in ecological narratives. On view through February 16, 2025.
September 24, 2024
Turning up the Heat: Inside the Controversy Sparked by Drag, Censorship, and Public Funding in a West Texas City
When the Lubbock City Council defunded a popular art event for promoting the “LGBT Agenda,” confirming fears of repressive drag bans in Texas, the art community got fired up.
September 20, 2024
Mourn the Dead, Fight for the Living: How Should Salt Lake City’s Fleet Block Murals Be Commemorated?
The artists and families tied to soon-to-be-demolished Salt Lake City murals depicting people slain by police diverge on how best to preserve their legacy.
September 19, 2024
ArtistsTexasVol. 10 Radical Futures
Angel Cabrales: Radical Futures
El Paso-based artist Angel Cabrales's series The Uncolonized: Axihuical revolves around a futuristic parallel universe in which Europeans never colonized the Western Hemisphere.
September 06, 2024
16th Annual Santa Fe Studio Tour
More than 100 local artists will open their studios on September 21–22 and 28–29, 11 am-5 pm, at various locations across Santa Fe.
September 18, 2024
ArtistsNew MexicoVol. 10 Radical Futures
Manuel Alejandro Rodríguez-Delgado: Radical Futures
Roswell-based Manuel Alejandro Rodríguez-Delgado treads the line between artist and inventor, exploring themes of displacement, identity, and alternative futures.
September 06, 2024
How Do We Remember? How Do We Forget? In Memory Explores Remembrance Through Body and Mind
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
September 17, 2024
ReviewColoradoVol. 10 Radical Futures
Sweeping Aerials and Intimate Portraits Trace Industrial Damage in Fazal Sheikh’s Thirst / Exposure / In Place
Anchored by imagery from Bears Ears National Monument, Fazal Sheikh's exhibition at the Denver Art Museum explores the dichotomy of beauty and destruction in the Southwest.
September 06, 2024
The Youth are Our Future: the Hamrah Arts Club Brings Refugee Youth Together on a Journey of Self-Expression
The Hamrah Arts Club, founded by artist Nazafarin Lotfi, uses art and creative expression to foster solidarity between refugee and asylum-seeking communities for youth in Tucson.
September 13, 2024
ReviewTexasVol. 10 Radical Futures
Einar and Jamex de la Torre Sneak a Call to Action into Their Apocalyptic Party in Upward Mobility
The de la Torre Brothers deliver a feast for the eyes—and warnings for the future—in their witty and maximalist exhibition at McNay Art Museum.
September 06, 2024
Longtime New Yorker Paulina Ho Suddenly Started Painting—and Pining for—the Southwest
Santa Fe-based designer and artist Paulina Ho’s work tilts reality to find pleasure in the everyday absurdities of her new Southwestern environs.
September 12, 2024
ReviewArizonaVol. 10 Radical Futures
Feminist Theory and a Family Trucking Business Inform Fay Ray’s New Visions of the Borderlands in PORTALS
PORTALS at the Museum of Contemporary Art Tucson in Arizona features new works by California-based artist Fay Ray, who imagines radical futures in the Sonoran Desert and Southwest borderlands.
September 06, 2024
Land Forms, The Paintings of Robert R. Compton at James Compton Gallery
Experience the vibrant landscape paintings this September in Santa Fe. On view September 13–29, 2024.
September 11, 2024
ReviewNew MexicoVol. 10 Radical Futures
Trying to See the Constellations for the Stars in Vladem Contemporary’s Dizzying Exhibition Off-Center
Off-Center at Vladem Contemporary is a three-decade survey of New Mexico art with myriad bright spots—but how are they connected?
September 06, 2024
A Double Prism Materializes on Canyon Road through REDHORN and When The Earth Was Young
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
September 10, 2024
FeatureArizonaVol. 10 Radical Futures
The Ants of Biosphere 2
Seeking fresh hope in the 20th-century futurisms of Arizona architectural marvels Biosphere 2, Taliesin West, and Arcosanti.
September 06, 2024
ReviewUtahVol. 10 Radical Futures
Asserting the Humanity Behind Border Politics through Play and PDA at the Kimball Center
In the Shadow of the Wall at the Kimball Art Center offers poignant and playful perspectives on the border wall, beyond political controversy.
September 06, 2024
FEMA Artworks: Climate Resiliency, Photography and Storytelling at Ogden Contemporary Arts
At Ogden Contemporary Arts, artists share stories of resilience in the face of climate change. On view through October 13, 2024, in Ogden, Utah.
August 21, 2024
Concurrent Exhibitions at the UMFA Highlight Impressionism and Photography’s Mutual Influence
Together, Blue Grass, Green Skies and Photo-Secession present a unique dialogue between painting and photography in new Salt Lake City exhibitions. On view through December 29, 2024.
September 10, 2024
FeatureNevadaVol. 10 Radical Futures
Emily Budd Breaks the Mold: Founder of the Foundry Project Aluminati
Emily Budd, founder of Aluminati, challenges the norms of monument-making, advocating for diversity and inclusion in public art.
September 06, 2024
Past Deposits from a Future Yet to Come: A Sweeping Saga of Everyday Objects in Austin’s Waterloo Park
Teresa Hubbard and Alexander Birchler's colossal new video installation, Past Deposits from a Future Yet to Come, dramatically explores the archeological record of Austin's Waller Creek.
August 20, 2024
Fires Fires
"Fires Fires" is a personal essay by Caitlin Lorraine Johnson about the effect of global uncertainty on the small scale of a life.
September 06, 2024
InterviewNew MexicoVol. 10 Radical Futures
“Can I Sit With You?”: Interview with a Piñon
In an experimental sound artwork, an art and ecology research collective talks with an elder piñon pine about the future and other arboreal concerns.
September 06, 2024
In Woven from the Center, Native Baskets Bear Capitalist Marks—but Cradle Sovereign Values
Surface-level market forces are no match for ancestral traditions in veteran ethnologist Diane Dittemore’s new basketry book Woven from the Center.
August 16, 2024
FeatureNew MexicoVol. 10 Radical Futures
Virgil Ortiz: Historical Memory, Indigenous Futurisms, and the Art of Storytelling in 2180
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
September 06, 2024
EssayTexasVol. 10 Radical Futures
Farewell to Giants: The Uncertain Futures of Two Crumbling Land Art Works
Jon Revett compares and contrasts two monumental works of art, Amarillo Ramp and Cadillac Ranch, and discusses their possible futures.
September 06, 2024
A Market Cosmology: Five Indigenous Exhibitions and Events to Enrich Your SWAIA Indian Market Experience
While you're in Santa Fe for Indian Market, don't miss these Native arts experiences at Container, Hecho a Mano, Museum of Indian Arts and Culture, and beyond.
August 13, 2024
InterviewColoradoVol. 10 Radical Futures
“I don’t think there’s going to be any future that’s not radical”: an interview with Pamela Zoline
Pamela Zoline speaks with Noah Travis Phillips about the Colorado Plateau, recent work, and the science that excites her.
September 06, 2024
