Land Forms, The Paintings of Robert R. Compton at James Compton Gallery
Experience the vibrant landscape paintings this September in Santa Fe. On view September 13–29, 2024.
September 11, 2024
Experience the vibrant landscape paintings this September in Santa Fe. On view September 13–29, 2024.
James Compton Gallery • September 11, 2024
ReviewNew MexicoVol. 10 Radical Futures
Off-Center at Vladem Contemporary is a three-decade survey of New Mexico art with myriad bright spots—but how are they connected?
Jordan Eddy • September 06, 2024
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
Erin Averill • September 10, 2024
FeatureArizonaVol. 10 Radical Futures
Seeking fresh hope in the 20th-century futurisms of Arizona architectural marvels Biosphere 2, Taliesin West, and Arcosanti.
Jordan Eddy • September 06, 2024
ReviewUtahVol. 10 Radical Futures
In the Shadow of the Wall at the Kimball Art Center offers poignant and playful perspectives on the border wall, beyond political controversy.
Ana Estrada • September 06, 2024
At Ogden Contemporary Arts, artists share stories of resilience in the face of climate change. On view through October 13, 2024, in Ogden, Utah.
Ogden Contemporary Arts • August 21, 2024
Together, Blue Grass, Green Skies and Photo-Secession present a unique dialogue between painting and photography in new Salt Lake City exhibitions. On view through December 29, 2024.
Utah Museum of Fine Arts • September 10, 2024
FeatureNevadaVol. 10 Radical Futures
Emily Budd, founder of Aluminati, challenges the norms of monument-making, advocating for diversity and inclusion in public art.
Karla Lagunas • September 06, 2024
Teresa Hubbard and Alexander Birchler's colossal new video installation, Past Deposits from a Future Yet to Come, dramatically explores the archeological record of Austin's Waller Creek.
Gene Fowler • August 20, 2024
"Fires Fires" is a personal essay by Caitlin Lorraine Johnson about the effect of global uncertainty on the small scale of a life.
Caitlin Lorraine Johnson • September 06, 2024
InterviewNew MexicoVol. 10 Radical Futures
In an experimental sound artwork, an art and ecology research collective talks with an elder piñon pine about the future and other arboreal concerns.
The Submergence Collective • September 06, 2024
Surface-level market forces are no match for ancestral traditions in veteran ethnologist Diane Dittemore’s new basketry book Woven from the Center.
Jordan Eddy • August 16, 2024
FeatureNew MexicoVol. 10 Radical Futures
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
Lillia McEnaney • September 06, 2024
EssayTexasVol. 10 Radical Futures
Jon Revett compares and contrasts two monumental works of art, Amarillo Ramp and Cadillac Ranch, and discusses their possible futures.
Jon Revett • September 06, 2024
While you're in Santa Fe for Indian Market, don't miss these Native arts experiences at Container, Hecho a Mano, Museum of Indian Arts and Culture, and beyond.
Michael Abatemarco • August 13, 2024
InterviewColoradoVol. 10 Radical Futures
Pamela Zoline speaks with Noah Travis Phillips about the Colorado Plateau, recent work, and the science that excites her.
Noah Travis Phillips • September 06, 2024
Southwest Contemporary owner and publisher Lauren Tresp reflects on our five-year anniversary—and all of the work that is still to come.
Lauren Tresp • September 03, 2024
Tina Mion ventures into unexplored territory in her exhibition Departures, through death spoon sculptures and paintings about her brother’s death.
Camille LeFevre • August 13, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
Mallery Quetawki paints cross-cultural translations that help bridge futures between Indigenous communities and science and medical professionals.
Sean J Patrick Carney • September 06, 2024
WritingsColoradoRadical Futures
Noah Travis Phillips’s more optimistic, queer, and contemporary “cover” of Pamela Zoline’s feminist collage sci-fi classic “The Heat Death of the Universe.”
Noah Travis Phillips • September 06, 2024
Experience Danielle Orchard's profound sense of storytelling at the Tamarind Institute in Albuquerque. An opening reception and curator tour will take place on Friday, August 23.
Tamarind Institute • August 13, 2024
In Southwest Contemporary Vol. 10: Radical Futures, curator and conceptual artist Ian Breidenbach ruminates on creative agency and utopian praxis as the guest juror for this issue.
Ian Breidenbach • September 06, 2024
Diné artist joins fight to close uranium hauling loophole on the Navajo Nation, and more Southwest art news headlines for September 2024.
Jordan Eddy • August 30, 2024
Inside Southwest ContemporaryNew Mexico
Southwest Contemporary announces Critical Commons 2024: Santa Fe, the fourth iteration of our annual initiative to cultivate creative and critical discourse with a range of events.
Southwest Contemporary • August 09, 2024
ArtistsTexasVol. 10 Radical Futures
Texas-based artist Bonny Leibowitz creates hybridized installations of natural and manufactured materials that reflect the impacts of isolation, environmental degradation, and human conflict.
Lynn Trimble • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
In bold pop culture style, Santa Clara Pueblo artist Jason Garcia envisions Native futures by challenging narratives that have always kept us in the past.
Kimberly Suina Melwani • September 06, 2024
The large-scale prison art show Between the Lines grew from an interactive display focused on trust building with impacted communities.
Kathryne Lim • August 09, 2024
ArtistsNevadaVol. 10 Radical Futures
Las Vegas-based artist Nancy Good blends AI-generated imagery with handcrafted process in a new series of cyborgian self-portraits.
Justin Duyao • September 06, 2024
As Anna Tsouhlarakis presents an elaborate Northeastern rendition of The Native Guide Project, she looks back on the Southwestern roots of her artistic practice.
Erin Joyce • August 29, 2024
With a nod to Andy Warhol's most raucous series, this Scottsdale show of contemporary Native art explodes expectations of medium and message.
Camille LeFevre • August 08, 2024
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