Experimental exPRESSion: Printmaking at IAIA, 1963–1980
IAIA’s Museum of Contemporary Native Arts showcases its student printmakers from the ‘60s and ‘70s in their explorations of form and psyche.
October 01, 2019
Visual Art
Sapira Cheuk: New Vessels, Unmade Structures
Globular figures seem to wiggle, tumble, float, or crawl across pieces of thick, white paper. Two particularly large sheets of paper cascade down from the ceiling at the center of the gallery. Sometimes they’re partially covered by a layer of clear film. About thirty smaller iterations occupy the walls. Here and there: a curled hand wearing what could be an elbow-length glove; firm, flexed ballet feet; sturdy legs in the air; and extra-long legs with powerful thighs...
October 01, 2019
To Survive on This Shore
To Survive on This Shore is the product of five years of research and travel across the U.S. The show pairs Dugan’s photographic portraits with Fabbre’s interviews with transgender and gender-nonconforming adults, all aged fifty or older. I’m drawn immediately to Duchess Milan, 69, Los Angeles, CA (2017). “I just know I’m me,” begins the text beside the photo. “I identify as Duchess.”
October 01, 2019
Its Honor Is Hereby Pledged: Gina Adams
Gina Adams considers herself an Indigenous-hybrid artist involved in a variety of craft-based work rooted in her heritage. Yet her commitment to art-making is equally matched by the extensive research she conducts in libraries, museums, and databases. Its Honor Is Hereby Pledged: Gina Adams is the product of Adams’s deep-dive into American history. It is a stunning collection of works intent on truth-telling, making it all the more relevant and poignant.
October 01, 2019
New Mexico Women: Virginia Dwan
Virginia Dwan, best known in the Southwest for her support of land art and artists, as well as the Dwan Light Sanctuary in Montezuma, New Mexico, boasts a career that reaches far beyond the desert. Originally from Minneapolis, Minnesota, Dwan got her start in Los Angeles with the Virginia Dwan Gallery, which eventually expanded to New York, where she represented artists like Robert Rauschenberg, Yves Klein, Sol LeWitt, Edward Kienholz, and many, many more. Dwan, the heiress of manufacturing conglomerate 3M, was able to take risks on challenging art. She played a major role in supporting some of the most definitive earthworks, such as Spiral Jetty by Robert Smithson, The Lightning Fields by Walter De Maria, Double Negative by Michael Heizer, and the still-in-progress Star Axis by Charles Ross. She is still a passionate supporter of the arts and speaks fondly of working with artists and being a part of the creative process.
August 30, 2019
Studio Visit: Ted Larsen
The tone of my studio visit with Santa Fe artist Ted Larsen was set early when he declared that he would likely be both circumspect and like a blowtorch when talking about his thoughts on his studio practice, life, and work. Now fifty-five, the trained painter has been showing his art since before he graduated college. By the time he was twenty-two, he had already exhibited at the Philadelphia Museum of Art, making big strides early on in a career that has now spanned decades.
August 28, 2019
southwestNET: Shizu Saldamando
Sashiko greets me as I enter the gallery for Shizu Saldamando’s show, held at SMOCA as part of southwestNET’s series showcasing mid-career Mexican and U.S. artists from the Southwest. Hushed and intimate, each work seems to demand all of one’s attention, a bid made more poignant by Saldamando’s insistence on portraying friends and family and, according to the wall text, “refus[ing] any notions of subjugation” in the artist-subject relationship. A multifaceted artist of Mexican American and Japanese American heritage, Saldamando focuses on “often-overlooked communities of color: punks, queers, activists, and artists.”
August 28, 2019
Rapheal Begay: Lest We Forget
Rapheal Begay is a Diné photographer and curator from Window Rock, Arizona, (the capital of the Navajo Nation) currently showing his work at Trapdoor Projects, near downtown Albuquerque. The medium is photography, but the methods are strikingly conceptual, requiring viewers to finish the work in their minds. His work evokes memories of family, as well as harshly beautiful landscapes and the animals who populate them—especially sheep—in the Navajo Nation.
August 28, 2019
Hung Liu: Catchers
Catchers helps us see into the past and, through the past, to recognize those we ignore in the present.
August 28, 2019
Weekday Detour: Street Art in Albuquerque
Briana Olson meditates on belonging as she tours the murals and street art of Albuquerque, New Mexico.
August 28, 2019
All Work and All Play: At Home with Artists Cannupa Hanska Luger and Ginger Dunnill
We took a seat at the table in the center of the warehouse-turned-home (turned-“work, brainstorming, and studio space”) where artists Cannupa Hanska Luger and Ginger Dunnill live in Glorieta, New Mexico. Taped to the kitchen cabinet was a wall-size paper schedule of impending deadlines for numerous projects. Every line was filled out, and notes were made in black marker, even in the margins. “Welcome to my life,” Dunnill laughed as, never skipping a beat, she outlined their individual projects—while the couple’s two children ran in one door and out the other...
August 28, 2019
Building the Legacy of Nancy Holt and Robert Smithson
Quietly, a new foundation has come into being in Santa Fe that promises to have a significant impact on art history and art-making, not just in the Southwest, but internationally. The Holt/Smithson Foundation (HSF) was literally willed into existence by artist Nancy Holt—creator of the massive concrete art installation, Sun Tunnels, in the Utah desert— who lived in Santa Fe the last two decades of her life, until her death in 2014.
July 30, 2019
Mira Burack: Sleeping between the Sun and the Moon
Mira Burack’s artwork on view at 516 Arts in Albuquerque evokes themes of rest, comfort, and home—with a dark underside.
July 29, 2019
Nina Elder: What Endures
"What Endures is, and is not, a question. It’s not incidental that I’m focused on the elemental details of my surroundings, that I want to take apart the anthropogenic landscape, break it down into its simplest ingredients. This act is central to Nina Elder’s process—and to the subjects of the featured work, which spans from 2011 to the present."
July 29, 2019
Jonathan Saiz in Denver
Denver artist Jonathan Saiz believes in the value of shock and surprise, as evidenced in two overlapping solo exhibitions. One is #WhatisUtopia, in which ten thousand miniature squares come together in a mosaic-like column given its own space at the Denver Art Museum. The second exhibition, at K Contemporary, is darker in tone, shocking you to attention with foreboding images.
July 29, 2019
Alicia Stewart: Unfinished . . .
"Several unfinished works in the show are naturally among the most heartbreaking. Unfinished . . . is a rare capsule of work created at the intersection of talent and years of great development. There is an adolescent fearlessness in these paintings, and Stewart allows viewers to see the remarkable efforts of a young artist making use of her rapidly expanding world. Unlike most eighteen-year-olds, the perspective Stewart applied to her work made magical use of a young life evidencing wisdom beyond her years."
July 29, 2019
Raven Chacon: Still Life No. 3
With Still Life No. 3, sound artist Raven Chacon (Diné) subverts the notion of the still life, immersing visitors in a layered, multimedia experience of the story of the Navajo people's emergence into this world at the surface of the earth.
July 29, 2019
[sponsored] Preview: Ian Kuali’i
The work that Kanaka Maoli (Native Hawaiian) and Apache artist Ian Kuali’i makes today is largely born out of a longstanding connection to the landscapes he has lived and worked in, as well as a sense that these different places each hold unique lessons for their inhabitants. As the Ronald and Susan Dubin Native Artist Fellow at the School for Advanced Research, Kuali’i is putting his talent to work to create intricate works of hand-cut paper, as well as an expansive earthwork on a slice of the center’s undeveloped acreage.
July 27, 2019
Studio Visit: Dorielle Caimi
Dorielle Caimi’s paintings have been described as absurd, humorous, truthful, and empowered. Those adjectives adequately describe Dorielle the painter, too, though I would add that she is extremely funny, smart as a whip, and masterful in her execution and rendering of the female figure. Both articulate and open in speaking about her work, Dorielle effectively integrates her emotional and physical experiences into her studio practice. Balancing expressive and brutally honest portrayals of the female form with jarring pop-surrealist color, animal characters, and cartoonish elements, she offers viewers something vibrant and complex.
July 26, 2019
Judy Chicago: The Birth Project from New Mexico Collections
Looking at a torn vagina in Judy Chicago’s Creation of the World: Needlepoint 1 (1985), I remember watching my ex-partner give birth to both of our boys at home. She had a tear that had to be sewn. I watched, and that is the extent of my experience with childbirth. I know, however, that men—which I’ll define as cis-gendered, penis-possessing humans—have a lot of opinions about what goes in and out of vaginas...
June 26, 2019
James Drake: Que Linda la Brisa
Thirty miles north of Ciudad Juárez, at an immigrant detention center in Chaparral, New Mexico, Johana Medina Leon, transgendered and from El Salvador, complains of chest pains. Days later, and a day after James Drake’s opening, Que Linda La Brisa, Leon dies on a hospital bed at Del Sol Medical Center in El Paso, Texas.
June 26, 2019
Gendron Jensen: Bidden
I immediately want to speak of devotion, but I will start with the work. The pencil drawings and lithographs by Gendron Jensen at 5. Gallery are gently wondrous. Titled Bidden, the solo exhibition features nine of Jensen’s works made between 1989 and 2015...
June 26, 2019
Judy Tuwaletstiwa: The Dream Life of Objects
The Dream Life of Objects is a big show. A selection of work that spans decades and media fills the entirety of the CCA Tank Garage Gallery. This solo show is described by the artist, Judy Tuwaletstiwa, as a “visual poem,” where pieces are asked and allowed to interact with and inform one another. Tuwaletstiwa invites us to experience her work as an “introspective” instead of a retrospective...
June 26, 2019
Studio Visit: Stuart Arends
Visiting Stuart Arends’s studio was no quick jaunt. We drove one and a half hours from Santa Fe to Willard, New Mexico, past the town, further down the highway, and just before a specified mile marker where we were to rendez-vous with the artist at an unmarked wire gate...
June 26, 2019
Whitney Biennial 2019
Often taken as a bellwether of U.S. artistic culture, the Whitney Biennial is renowned for its tendency to provoke political/aesthetic furor...
June 26, 2019
New Mexico Women: Jaune Quick-to-See Smith
When I asked Jaune Quick-to-See Smith (Salish member of the Confederated Salish and Kootenai Nation, Montana) how she came to call herself a cultural arts worker, her reply began with a short history of her tribe’s trading practices. “I come from a long line of Indian traders, not merchants who house goods but traders who pass resources from one place to another.”
June 26, 2019
Bauhaus Centennial: 1919-2019
One of the most influential members of the Bauhaus movement of the early twentieth century, herbert bayer (who preferred his name spelled in all lowercase and favored a unitary, stylized, and all-lowercase alphabet) believed in the seamless integration of fine art, decorative art, architecture, and graphic design...
May 24, 2019
[Sponsored] Contemporary Voices: Ken Price Preview
Starting this summer, the Georgia O’Keeffe Museum presents the innovative sculptures and works on paper of acclaimed artist Ken Price in conversation with the paintings of Georgia O’Keeffe as a part of the museum’s ongoing Contemporary Voices series...
May 24, 2019
Cauleen Smith: Give It or Leave It
Two years ago, I sat transfixed beside a memorial garden assembled within a gallery at the Frye Art Museum on Seattle’s First Hill. That installation, a feat in and of itself, might have scored my memory even were it not for what preceded it...
May 24, 2019
New Mexico Women: Lucy Lippard
Lucy Lippard changed what art writing could look like, and she continues to shift it with each book she writes. Hugely influential in the artworld of New York, beginning in the 1960s with the Art Workers Coalition and later Heresies Collective, her impact on New Mexico is equally prodigious...
May 24, 2019
