Nani Chacon’s Whitney Biennial Sentinels Tell of Southwest Extraction, and Rematriation
Nani Chacon's steel gods at the Whitney Museum match Manhattan's skyline. Now she's bringing the project home to the Navajo Nation.
June 25, 2026
Nani Chacon's steel gods at the Whitney Museum match Manhattan's skyline. Now she's bringing the project home to the Navajo Nation.
Nancy Zastudil • June 25, 2026
Native artist James Luna bequeathed his most famous performance to protégé Erica Lord. On the eve of a rare reprise in Santa Fe, she recounts its fraught evolution.
Jordan Eddy • June 05, 2026
Feature2026 New Mexico Field GuideNew Mexico
Collectively governed by New Mexico’s nineteen Pueblos, the Albuquerque center marks its semicentennial as a “little pivot” between worlds.
Jordan Eddy • May 22, 2026
In the 1980s, Pueblo artist Jody Folwell jolted Santa Fe Indian Market with political ceramics. Amid her retrospective, she's already pushing toward the next sharp statement.
Camille LeFevre • April 07, 2026
Over six years, artist Cara Romero and curator Jami C. Powell resisted the art world’s rush to capitalize on Native art. Their show just arrived in Phoenix.
Erin Joyce • March 05, 2026
Institute of American Indian Arts leaders on turning the tides in their federal funding fight—and why it’s not over yet.
Erin Averill • August 26, 2025
While you’re in Santa Fe for Indian Market, don’t miss these Native art experiences featuring Cara Romero, Fritz Scholder, Diego Medina, and more.
Dan Ninham • August 12, 2025
In a David Bowie–inspired show in Scottsdale, Steven J. Yazzie and Erika Lynne Hanson confront earthly disillusionment through landscape-based abstraction.
Lynn Trimble • July 17, 2025
Travel2025 New Mexico Field Guide
The Couse-Sharp Historic Site invites visitors to step into the living legacy of Taos’s early art colony—and consider Taos Pueblo's influence on every brushstroke.
Rebekah Powers • May 23, 2025
Travel2025 New Mexico Field Guide
The Coronado Historic Site contains more than 2,000 years of history, pre-contact Puebloan murals, and impressive views of the Rio Grande and surrounding mountains.
Patrick Kikut • May 23, 2025
New Mexico's UNBOUND performance project builds on historical research about Indigenous slavery through intuitive "deep listening" between artists, ancestors, and community.
Rica Maestas • May 20, 2025
To address misleading historical photos of the Navajo Nation, Albuquerque's Maxwell Museum of Anthropology tapped Diné collaborators to fill in the gaps.
Ezekiel Acosta • April 22, 2025
Painter Eva Mirabal bequeathed a sealed wooden box to her son Jonathan Warm Day Coming. Its contents shaped his artistic trajectory.
Rebekah Powers • February 27, 2025
Mavasta Honyouti debuts sixteen remarkable panels bearing ancestral memories of the Native American boarding school system at Wheelwright Museum.
Olivia Amaya Ortiz • February 13, 2025
New Mexico–based artist Eric-Paul Riege chose Canal Street, a commercial thoroughfare and counterfeit market, to question notions of material value in his first New York solo exhibition.
Gabriella Angeleti • February 11, 2025
From fundraising to ceiling patches, here's how artist and curator Fawn Douglas cofounded Nuwu Art in downtown Las Vegas.
Gabriella Angeleti • January 23, 2025
New contemporary art centers in Dallas and Santa Fe, and other recent Southwest art news headlines.
Jordan Eddy • October 01, 2024
As Anna Tsouhlarakis presents an elaborate Northeastern rendition of The Native Guide Project, she looks back on the Southwestern roots of her artistic practice.
Erin Joyce • August 29, 2024
While you're in Santa Fe for Indian Market, don't miss these Native arts experiences at Container, Hecho a Mano, Museum of Indian Arts and Culture, and beyond.
Michael Abatemarco • August 13, 2024
With a nod to Andy Warhol's most raucous series, this Scottsdale show of contemporary Native art explodes expectations of medium and message.
Camille LeFevre • August 08, 2024
Meet the team behind the Santa Fe-based mural project that brought Jeffrey Gibson's Indigenous, queer dreamland to the Venice Biennale.
Jordan Eddy • July 09, 2024
Kathleen Wall's new installation merges art and community engagement, prompting deep reflection on place and Indigenous histories. On view at the Santa Fe Rail Trail through August 31, 2024.
Railyard Park Conservancy • June 11, 2024
The Town of Vail and artist Danielle SeeWalker saw very different messages in her painting G is for Genocide, sparking the cancellation of her long-planned residency.
Joshua Ware • May 17, 2024
The Native Guide Project by Colorado-based artist Anna Tsouhlarakis (Navajo, Creek, Greek) comprises twenty-three phrases on billboard vinyl and Instagram posts that counter stereotypes of Native people and Native art.
Lynn Trimble • May 10, 2023
Copyright © 2026 Southwest Contemporary