In the face of today’s sociopolitical climate, New Mexico museum practitioners plan for a brighter, more equitable future.
Currently, New Mexico ranks 50th in the US for self-response to the 2020 census. Each individual who is counted in the census brings in $37,500 for the state over the course of 10 years.
A monument to Union soldiers who fought in the Civil War against “savage” Indians is now the site of a community art project organized by the Santa Fe Arts and Culture Department, in which city residents are invited to “create messages of reconciliation.”
516 Arts in Albuquerque, a partner in the Regional Regranting Program of The Andy Warhol Foundation for the Visual Arts through its Fulcrum Fund, pivoted its 2020 grantmaking to provide emergency relief to 66 artists and thirteen artist-driven visual arts spaces experiencing economic instability during the COVID-19 pandemic.
“It’s really brought home to me the way in which literature can connect us to each other and foster and express our shared humanity. Our experiences in this country might be specific, but through art we can interrogate universal truths about what it means to be human. This is why it’s so important for our arts, culture and society to be inclusive of everyone.”
Farm & Table is an Albuquerque restaurant with a strong ethos grounded in local food and sustainable practices. Like many in the food and beverage industry, Farm & Table was heavily affected by the COVID-19 restrictions. The week we spoke, the restaurant was fully reopening to the public for the first time since March. We spoke with Cherie Montoya, owner of Farm & Table.
In New Mexico, twelve organizations are the recipients of NEA grants totaling $1,007,000. Among them, Wise Fool New Mexico received an Art Works award of $30,000 for circus arts training and performances. SITE Santa Fe received $20,000 for a major retrospective exhibition of work by Brazilian artist Regina Silveira.
Keith Grosbeck and Leland Chapin work in marketing at the Poeh Cultural Center in Pojoaque, NM. In response to the COVID-19 pandemic, the Poeh swiftly organized a Facebook group called the Native Artist Marketplace, where Native artists are invited to sell their work. At the time of publication, the group has over 1,500 members. As part of their efforts, the Poeh has offered their team’s knowledge and experience to help artists in their community make the transition to selling their artwork online.
After careful consideration, and much initial heartbreak, I have decided that Southwest Contemporary will publish one final print edition this year: our new Field Guide publication. We will suspend print publication of The Magazine for the remainder of 2020, with strong and sincere plans to return to print in 2021.
In an effort to bring multiple perspectives into conversation, Friends of Architecture Santa Fe has organized an in-depth series of public discussions termed “ReVisioning History” to take place May through December this year. Each installment of the ReVisioning History series will bring together a group of architects, planners, allied design professionals, and policymakers to make expert presentations, engage in panel discussions, hold Q&A sessions, and structured visioning exercises.
Southwest Contemporary has compiled a list of resources that may be useful to our community members at this time. This list will be updated as new information and new resources become available. Check out the most recent updates as of May 20!
Richard Levy Gallery presents New Work: Paintings, Drawings, and Sculpture, a solo exhibition of colorful minimal pieces by Jeff Kellar. He creates beautiful surfaces through the application of many layers of acrylic resin and clay pigment onto paper, aluminum panels, and woodblocks. Each layer is methodically sanded and buffed leaving the surface smooth and modulated. Playing with illusion, ambiguity, and space, Kellar uses these ultra-flat surfaces to form dimensional compositions.
The Weekly 5x5 is Southwest Contemporary's weekly email newsletter with our top five picks of things to do for the next five days. At least that's what it was until our to-dos became homebound during the COVID-19 pandemic. We're now sharing five things to enjoy from home, and this week we are focused on creative activities for kids in quarantine captivity.
This exhibition is the culmination of Tonee Harbert's first nine months at the Roswell Artist-in-Residence program. A photography exhibition that shows the southeast New Mexico landscape with surreal and melancholy beauty, and is relevant during the pandemic, showing an absence of people, while referencing marks of humanity on the landscape.
"Uncharted” is a new interview series created in light of the COVID-19 pandemic. This week, we catch up with Merry Scully, Head of Curatorial Affairs at the New Mexico Museum of Art about working from home, translating the work of the museum to the web, and her hopeful outlook.
"Uncharted" is a new interview series created in light of the COVID-19 pandemic. First up, we're talking to Pauline Kamiyama, Director of the Santa Fe Arts and Culture Department, to see how the Department is navigating this unprecedented health crisis and how it is working to serve the rest of the community.
Southwest Contemporary will continue to serve our community by sharing information, resources, and connections, and supporting arts businesses, organizations, and artists as best we can during this time. However, we need you, our readers and community members, to help us weather this storm.
We know many artists, arts professionals, arts and culture organizations are in difficult situations now and facing uncertain futures in the coming months. Southwest Contemporary has compiled a list of resources that may be useful to our community members at this time. This list will be updated as new information and new resources become available.
Amidst this unprecedented time of change across the globe, we're tracking arts-related closures and postponements locally and nationally. In this post you'll also find resources for artists. For the most updated information, please contact each venue individually. Stay tuned for more from us on ways to enjoy the beauty of art—its release, its expression, its embodiment of joy—from wherever you may be.
As we approach a new year and a new decade, we're looking for light. And frankly, there's no better place to turn than all of you - our readers and community members who make these conversations around art and culture in the southwest possible. So we want to know: What's lighting you up as we head into 2020?
This issue taps into contemporary craft. It wasn’t intentionally a choice informed by the season, but it feels right to contemplate our own crafts at the end of the year—a season of endings, reflections, and new opportunities. We approached this topic from many different angles, from traditional craft to craft and tech.
The role of a midwife is a powerful one. She is a guide through one of the most life-changing events a person can have, welcoming a new child into the world. How one enters the world matters. Birth experiences can have effects that ripple throughout a person’s life, impacting their family and community.
I love print. I love words on a physical page held in my hands. I love the texture of paper and the smell of old books. I love interesting editorial design that creates an experience greater than the sum of its parts. If you’ve ever been to Southwest Contemporary’s offices, you may have seen my collection of independent magazines from around the world, which is always growing (here’s an open invitation to come say hi and take a look!).
As ABQ Zine Fest 9 approaches, we take a look at how print media has endured and the spaces that are building culture through the celebration of zines, books, and comics.
We took a seat at the table in the center of the warehouse-turned-home (turned-“work, brainstorming, and studio space”) where artists Cannupa Hanska Luger and Ginger Dunnill live in Glorieta, New Mexico. Taped to the kitchen cabinet was a wall-size paper schedule of impending deadlines for numerous projects. Every line was filled out, and notes were made in black marker, even in the margins. “Welcome to my life,” Dunnill laughed as, never skipping a beat, she outlined their individual projects—while the couple’s two children ran in one door and out the other...
This month we embrace our new name and traverse the southwest from Silver City, New Mexico, to Scottsdale, Arizona. In our features, we visit the studio of Santa Fe artist Ted Larsen, whose work we are honored to present as this issue’s cover art. Briana Olson takes us on a day tour of some of Albuquerque’s incredible murals. Rachel Preston Prinz gives us the lowdown on the art, architecture, and natural glories in and around Silver City, New Mexico. Maggie Grimason goes deep with artists Ginger Dunnill and Cannupa Hanska Luger at their Glorieta, New Mexico home, to talk about their individual and collaborative practices spanning art, life, community, and family.
Have a beer with Matie Fricker, owner of the only queer-woman-owned sex shop in Albuquerque: Self Serve Sexuality Resource Center.
Quietly, a new foundation has come into being in Santa Fe that promises to have a significant impact on art history and art-making, not just in the Southwest, but internationally. The Holt/Smithson Foundation (HSF) was literally willed into existence by artist Nancy Holt—creator of the massive concrete art installation, Sun Tunnels, in the Utah desert— who lived in Santa Fe the last two decades of her life, until her death in 2014.
Genetic diversity is important in plants for the same reason it’s important in humans and animals: a shallower gene pool means more vulnerability to disease and mutation and less adaptability to environmental change. Throughout human history, farmers have benefitted from plants’ ability to evolve over time by carefully selecting seeds from their harvest to plant for next year based on drought tolerance, disease resistance, productivity, or other desirable traits. This long partnership between growers and seeds has created countless unique plant phenotypes, many of which are now extinct or going that way.