
Layli Long Soldier: WHEREAS
At the heart of Layli Long Soldier’s WHEREAS lie two apologies. One comes from the poet’s father for his drinking and his absence during her childhood. This apology, [...]
August 01, 2017
At the heart of Layli Long Soldier’s WHEREAS lie two apologies. One comes from the poet’s father for his drinking and his absence during her childhood. This apology, [...]
Jenn Shapland • August 01, 2017
Something I Need You To Know debuted on Wednesday, November 9, 2016, the day after the United States presidential election. During the opening reception, visitors staggered through the hallways of Santa Fe [...]
Jordan Eddy • February 01, 2017
A recent exhibition at one of Santa Fe's truly contemporary galleries conveyed a tenet of what makes an art space in Santa Fe “contemporary” in the first place. The word is largely misused—by myself and [...]
Kathryn M Davis • February 01, 2017
The Tamarind Institute has been operating since 1960; in 1970, Albuquerque became its home base. It is hard to imagine American printmaking, certainly lithography, before its existence when artists who [...]
Megan Schultz • February 01, 2017
I don’t know if I will ever hear the world ‘moonlight’ again without thinking of the wondrous movie that came out to great acclaim in 2016. Moonlight is a masterpiece of understated filmic construction, [...]
Diane Armitage • February 01, 2017
Paula Castillo is a priestess of postmodern metallurgy, recombining the scrap and detritus of Industry into abstract sculptures that quietly reckon with earth and man. A metallurgist only in a poetic, alchemical [...]
Clayton Porter and Lauren Tresp • February 01, 2017
The music plays. Suddenly the words feel right. It makes perfect sense. The Norse god Odin is crossing a rainbow bridge into the castle in heaven. That's one way of reading it at least. The recording switches off. Discussion resumes. A college professor hovers over a giant textbook...
Maxwell Lucas • February 01, 2017
After we finished talking, Nina mentioned that she had to work on a pair of moccasins: she’d started them, then halfway through changed her mind about the [...]
Alicia Inez Guzmán • August 01, 2017
UNM Art Museum: The Arctic has for so long been defined by distance, both geographically and conceptually. Called the Far North because it is far from some perceived [...]
Jenn Shapland • August 01, 2017
Peters Projects: Upon entering Kent Monkman’s solo exhibition, resist the temptation to revel in the raucous party raging across monumental canvases in the [...]
Jordan Eddy • August 01, 2017
Artist Jimmie Durham is not Cherokee, and that’s a fact. Indigenous tribes in the United States act as sovereign nations that determine their own citizenship, and Durham’s [...]
Jordan Eddy • August 01, 2017
Originally from Northern California, Mariah moved to Santa Fe to attend the Santa Fe University of Art and Design and graduated in May 2017 with a Bachelor of Fine Arts in [...]
• August 01, 2017
516 Arts: About 35 percent of the world’s food crops and 75 percent of the flowering plants depend on [...]
Southwest Contemporary • August 01, 2017
Tansey Contemporary: Melinda Rosenberg creates sculpture using wood that ranges from new to found to recycled [...]
Southwest Contemporary • August 01, 2017
IAIA MoCNA: It's like seeing an afterimage. Though you blink, a vision continues to persist even after the original ceases. Over time, these images and afterimages layer upon one another, like sediment refusing to settle[...]
Alicia Inez Guzmán • August 01, 2017
The newly acquired work at the Thoma Foundation, by such artists as computer pioneer Vera Molnar, Alan Rath, Steina Vasulka, and Guillermo Galindo, unfolds in so many technological and conceptual directions [...]
Diane Armitage • August 01, 2017
Daniel Bohnhorst lives in Santa Fe. He works at op.cit. books and the Violin Shop of Santa Fe. [...]
Daniel Bohnhorst • August 01, 2017
He was lost. He’d been lost for years but had refused to admit it. Now he had no choice [...]
Joshua Baer • August 01, 2017
Jeremy was born in Albuquerque, NM, in 1994. His artistic journey began once he could scribble on the walls with crayons. At age 11, he picked up a skateboard and started a new personal adventure. [...]
• August 01, 2017
form & concept: I went to Rebecca Rutstein’s Fault Lines expecting to see in her paintings a comment, a reflection, or a transformation of the [...]
Jenn Shapland • August 01, 2017
What’s a story hustler, you ask? It’s a phrase that came up at the spring SFAI140. Mi’Jan, who spoke of love that night, also spoke of being a story hustler. The word hustler, however you want to cast it, typically conjures questionable intent, shady means for shady ends. It can refer to making money on and off the books, working in formal and informal economies. On the streets a hustler sells [...]
Alicia Inez Guzmán • August 01, 2017
The lifeblood of Tom Joyce’s work is iron, from the molecular to the colossal. Iron, by mass, is the most common element on Earth, and it plays a role in the cosmos, our blood, industry, weaponry, perhaps even our memory. Joyce is quick to point out the material’s associative dexterity, [...]
Clayton Porter and Lauren Tresp • August 01, 2017
Welcome to August! In our last issue, we celebrated THE Magazine's 25th anniversary and our new website launch. This month we hit another milestone with a new addition to [...]
Lauren Tresp • August 01, 2017
Studio Visit: Nicola López uses printmaking, drawing, collage, and large-scale installation to create work that explores the physical and psychological experience of the contemporary city [...]
Clayton Porter and Lauren Tresp • July 01, 2017
IAIA Museum of Contemporary Native Arts: Claire Vaye Watkins set her 2015 novel Gold Fame Citrus in a not-so-distant future, in the aftermath of a disastrous event: the entire western United States has been engulfed by a massive sand dune [...]
Chelsea Weathers • July 01, 2017
To most of us, indigo is just blue jeans, a commonplace commodity of global fashion. But to devotees of organic indigo like Aboubakar Fofana, a veteran of the Santa Fe International Folk Art Market, it is an evocative color whose handmade variations are evidence of ancient dyeing traditions worthy of a lifetime of study [...]
Keith Recker • July 01, 2017
Los Angeles to New York: Dwan Gallery, 1959–1971 is a bold and illuminating exhibition in honor of Virginia Dwan and is now at the Los Angeles County Museum of Art (LACMA) [...]
Diane Armitage • July 01, 2017
Whitney Museum of American Art: At first I noticed the smell, earthy almost. Then there was shade and a flush of coolness. I had entered Rafa Esparza’s Figure/Ground: Beyond the White Field [...]
Alicia Inez Guzmán • July 01, 2017
Los Angeles County Museum of Art: Kerry James Marshall has said of his childhood, “You can’t be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters, and not feel like you’ve got some kind of social responsibility. [...]
Chelsea Weathers • July 01, 2017
While she was planning Views by Women Artists, a massive collaborative exhibition in 1982 during the annual College Art Association conference, Sabra Moore’s own show, Pieced [...]
Jenn Shapland • July 01, 2017
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