
The Publisher’s Picks: Southwest Contemporary’s Fall 2025 Art Guide
Just in time for cooler temps, SWC publisher and editor Lauren Tresp picks twenty-two must-see exhibitions across the Southwest.
October 14, 2025
Just in time for cooler temps, SWC publisher and editor Lauren Tresp picks twenty-two must-see exhibitions across the Southwest.
Lauren Tresp • October 14, 2025
Through LiDAR scans, UK-based studio ScanLAB Projects captured the Sonoran Desert in haunting detail, revealing a landscape on the brink.
Gabriella Angeleti • October 09, 2025
In his first museum exhibition, Burying Painting, James Perkins shows evanescent process- and land-based artworks "harvested" from the Atlantic Ocean and the Sonoran Desert.
Camille LeFevre • October 07, 2025
Artists pressure Judy Chicago to cancel exhibition in Tel Aviv, Gallup Arts rejects grant funding in protest of escalating censorship, and more top Southwest art news headlines for October 2025.
Erin Averill • October 02, 2025
From a courtroom to the Georgia O'Keeffe Museum, Native artists Mateo Romero and Jason Garcia are correcting the records.
Kimberly Suina Melwani • September 30, 2025
After five brain surgeries, Dallas-based Alicia Parham paints neurologically informed, otherworldly compositions in resilience.
Emma S. Ahmad • September 25, 2025
Gathering Place marks the first major reinstallation of the Colorado Springs Fine Arts Center at Colorado College in nearly a decade.
Colorado Springs Fine Arts Center at Colorado College • September 24, 2025
Arizona's art scene heats up when the weather cools down. Chart a fall road trip through every must-see show, festival, and art experience.
Lynn Trimble • September 23, 2025
As Trump “reviews” the Smithsonian and NEA rules shift, New Mexico arts groups are weighing whether to reject state grants tied to federal funding.
Lynn Trimble • September 18, 2025
In a single 1978 acquisition, the Museum of International Folk Art grew by 100,000 objects—and effectively adopted their fervent and eccentric collector.
Adele Oliveira • September 16, 2025
Discover multidisciplinary artist Tlacaelel's one-man performance "Yo Soy Joaquín" at Taos Center for the Arts, September 20-21, 2025.
Michael Gorman and Patricio Tlacaelel Trujillo y Fuentes • September 16, 2025
Change is afoot in the metro Phoenix gallery scene due to closures, mergers, and redevelopment plans.
Lynn Trimble • September 11, 2025
Catch Truth or Consequences's Second Saturday Art Hop, and the opening of RioBravoFineArt's Border Artists group exhibition, on September 13, 6-9 pm.
RioBravoFineArt • September 10, 2025
New Mexico–based artist Suzanne Sbarge's two-month residency in Ogden begins September 2025, featuring new collage and installation work exploring nature and consciousness, culminating in a solo exhibition November 7, 2025–January 11, 2026.
Ogden Contemporary Arts • September 09, 2025
FeatureNevadaVol. 12 Obsession
Michael Heizer’s City prompts considerations of obsession, scale, and legacy through the lens of land, labor, and the weight of inherited ambition.
Karla Lagunas • September 05, 2025
FeatureNew MexicoVol. 12 Obsession
Abstract painter Agnes Martin sought isolation in New Mexico to stoke her obsessive practice. She found vibrant community.
Jordan Eddy • September 05, 2025
FeatureNew MexicoVol. 12 Obsession
Three New Mexico–based artists—c marquez, Susan York, and Judy Tuwaletstiwa—reflect on their relationship with the material that has defined their practice.
Caitlin Lorraine Johnson • September 05, 2025
Artists Stephanie Leitch, Angela Ellsworth, and Nancy Rivera use materially obsessive processes to reflect on the mythos of Utah.
Scotti Hill • September 05, 2025
Studio VisitArizonaVol. 12 Obsession
Working in her Phoenix studio, artist Gloria Martinez-Granados creates works countering the nation’s anti-immigrant obsession.
Lynn Trimble • September 05, 2025
Studio VisitTexasVol. 12 Obsession
After years of building maze-like monuments to queer love, Texas-based painter Eli Ruhala is at a crossroads his practice.
Harrison Blake • September 05, 2025
From the EditorVol. 12 Obsession
Southwest Contemporary: OBSESSION foregrounds artistic fixations, revealing the loops, patterns, and intensities that define the Southwest’s cultural landscape.
Natalie Hegert • September 08, 2025
Lisa Frank, headquartered in Tucson, Arizona, offers up a rainbow-bedazzled mirror to the emptiness of the American dream.
Natalie Hegert • September 05, 2025
EssayColoradoVol. 12 Obsession
The republication of Robert Adams’s The New West evokes reflections on what it means to intimately know the subject of renowned photographs.
Kara Mason • September 05, 2025
InterviewTexasVol. 12 Obsession
Texas-based artist Erika Jaeggli on her first descent into a cave—and the all-consuming passion it unearthed.
Emma S. Ahmad • September 05, 2025
For Southwest Contemporary's Obsession issue, we asked arts leaders in our community about their current art obsessions.
Southwest Contemporary • September 05, 2025
Field ReportUtahVol. 12 Obsession
Beneath the glitz of Park City's skiing and film scenes, underground culture abounds—including a cowboy speakeasy, hidden Banksy murals, and subterranean scuba diving.
Ana Estrada • September 05, 2025
PhotographyTexasVol. 12 Obsession
Phoebe Shuman-Goodier’s photography marks her sculptural collaborations with her father, and a shared obsession with transforming a junkyard into art.
Natalie Hegert • September 05, 2025
In Southwest Contemporary Vol. 12: OBSESSION, curator and guest juror Rafael Fonseca finds a surprising scope and range of artistic obsessions.
Raphael Fonseca • September 05, 2025
For Cande Aguilar, the hand-painted signs of the Rio Grande Valley define contemporary painting more than museums do.
Nicholas Frank • September 05, 2025
ArtistsNew MexicoVol. 12 Obsession
Multimedia artist Luca Berkley (AKA Jack Lope, Jenn Deere, and Piper Pelligrini) critiques narratives surrounding white American ranching through cheeky yet reverent performance, online as well as on stage.
Rica Maestas • September 05, 2025
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