Work in Progress with Zac Travis
AI tools just hit the mainstream, but Albuquerque-based artist Zac Travis has been messing with them for years—in trippy, analog ways.
October 03, 2024
AI tools just hit the mainstream, but Albuquerque-based artist Zac Travis has been messing with them for years—in trippy, analog ways.
Delaney Hoffman • October 03, 2024
Don’t miss these essential art exhibitions across the Southwest for fall 2024, featuring major surveys, immersive installations, and artistic dialogues.
Natalie Hegert • October 02, 2024
New contemporary art centers in Dallas and Santa Fe, and other recent Southwest art news headlines.
Jordan Eddy • October 01, 2024
Dario Robleto’s wide-ranging reach—in which the deepest interiors and most distant exteriors mix with popular culture and early analog media—is getting more articulate with each pass.
Hills Snyder • September 27, 2024
Flagstaff-based artist Shawn Skabelund returns to the storm-swept ravine that birthed his latest show—and explains what a squirrel stick is—in an intrepid studio visit.
Camille LeFevre • September 26, 2024
The U.S. debut of a documentary by Tuan Andrew Nguyen potently combines with the museum's recent gift of Aboriginal paintings in We Were Lost in Our Country.
Gabriella Angeleti • September 24, 2024
Graves for the Rain and 500 Places at Once blend sound, performance, and poetry engaging visitors in ecological narratives. On view through February 16, 2025.
Museum of Contemporary Art Tucson • September 24, 2024
When the Lubbock City Council defunded a popular art event for promoting the “LGBT Agenda,” confirming fears of repressive drag bans in Texas, the art community got fired up.
Natalie Hegert • September 20, 2024
The artists and families tied to soon-to-be-demolished Salt Lake City murals depicting people slain by police diverge on how best to preserve their legacy.
Scotti Hill • September 19, 2024
More than 100 local artists will open their studios on September 21–22 and 28–29, 11 am-5 pm, at various locations across Santa Fe.
Santa Fe Studio Arts Collective • September 18, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
The Hamrah Arts Club, founded by artist Nazafarin Lotfi, uses art and creative expression to foster solidarity between refugee and asylum-seeking communities for youth in Tucson.
Lara Schoorl • September 13, 2024
Santa Fe-based designer and artist Paulina Ho’s work tilts reality to find pleasure in the everyday absurdities of her new Southwestern environs.
Daisy Geoffrey • September 12, 2024
Experience the vibrant landscape paintings this September in Santa Fe. On view September 13–29, 2024.
James Compton Gallery • September 11, 2024
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
Erin Averill • September 10, 2024
Together, Blue Grass, Green Skies and Photo-Secession present a unique dialogue between painting and photography in new Salt Lake City exhibitions. On view through December 29, 2024.
Utah Museum of Fine Arts • September 10, 2024
FeatureNew MexicoVol. 10 Radical Futures
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
Lillia McEnaney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
Mallery Quetawki paints cross-cultural translations that help bridge futures between Indigenous communities and science and medical professionals.
Sean J Patrick Carney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
In bold pop culture style, Santa Clara Pueblo artist Jason Garcia envisions Native futures by challenging narratives that have always kept us in the past.
Kimberly Suina Melwani • September 06, 2024
Studio VisitColoradoVol. 10 Radical Futures
It's Halloween everyday and outsiders rule the streets in hypersaturated paintings by Denver suburbanite Lydia Andrew Farrell.
Ray Mark Rinaldi • September 06, 2024
FeatureUtahVol. 10 Radical Futures
At the Mars Desert Research Station near Hanksville, Utah, scientists conduct experiments as if they are on the Red Planet, the only caveat being that they aren’t.
Emily Arntsen • September 06, 2024
FeatureSouthwestVol. 10 Radical Futures
Science fiction authors have provided many visions of dystopian futures in the Southwest. Can architects help avert such disastrous outcomes?
Natalie Hegert • September 06, 2024
FeatureArizonaVol. 10 Radical Futures
Seeking fresh hope in the 20th-century futurisms of Arizona architectural marvels Biosphere 2, Taliesin West, and Arcosanti.
Jordan Eddy • September 06, 2024
FeatureNevadaVol. 10 Radical Futures
Emily Budd, founder of Aluminati, challenges the norms of monument-making, advocating for diversity and inclusion in public art.
Karla Lagunas • September 06, 2024
"Fires Fires" is a personal essay by Caitlin Lorraine Johnson about the effect of global uncertainty on the small scale of a life.
Caitlin Lorraine Johnson • September 06, 2024
EssayTexasVol. 10 Radical Futures
Jon Revett compares and contrasts two monumental works of art, Amarillo Ramp and Cadillac Ranch, and discusses their possible futures.
Jon Revett • September 06, 2024
InterviewColoradoVol. 10 Radical Futures
Pamela Zoline speaks with Noah Travis Phillips about the Colorado Plateau, recent work, and the science that excites her.
Noah Travis Phillips • September 06, 2024
WritingsColoradoRadical Futures
Noah Travis Phillips’s more optimistic, queer, and contemporary “cover” of Pamela Zoline’s feminist collage sci-fi classic “The Heat Death of the Universe.”
Noah Travis Phillips • September 06, 2024
In Southwest Contemporary Vol. 10: Radical Futures, curator and conceptual artist Ian Breidenbach ruminates on creative agency and utopian praxis as the guest juror for this issue.
Ian Breidenbach • September 06, 2024
ArtistsTexasVol. 10 Radical Futures
Texas-based artist Bonny Leibowitz creates hybridized installations of natural and manufactured materials that reflect the impacts of isolation, environmental degradation, and human conflict.
Lynn Trimble • September 06, 2024
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