
Feature2024 New Mexico Field GuideNew Mexico
Trash, Trinkets, and Thingamabobs: Exploring Roadside Attractions in New Mexico
An eclectic guide to New Mexico's so-called outsider art monuments made from all sorts of oddities.
May 24, 2024
Feature2024 New Mexico Field GuideNew Mexico
An eclectic guide to New Mexico's so-called outsider art monuments made from all sorts of oddities.
Jess Ziegenfuss • May 24, 2024
Essay2024 New Mexico Field GuideNew Mexico
August 2024 will usher in one hundred years of setting Zozobra ablaze—a ceremony of fire, redemption, and the incineration of Santa Fe’s gloom.
Emily Arntsen • May 24, 2024
Prolific DIY arts organization the Holland Project takes its community-oriented message to the streets.
Aleina Grace Edwards • May 23, 2024
The Other Side of the Tracks, a group exhibition that explores the history of the Western railroad, is on view at Ogden Contemporary Arts through July 14, and then travels to RedLine Contemporary Art Center and 516 Arts.
Ogden Contemporary Arts • May 22, 2024
Daniel Hawkins's surreal, fifty-foot Desert Lighthouse is a glowing, perplexing beacon in the desolate Mojave Desert, on the site of ecological catastrophe.
Tyler Stallings • May 21, 2024
Lavish and rugged residency opportunities abound in Arizona, California, Colorado, Nevada, New Mexico, Utah, and Wyoming.
Jordan Eddy • May 21, 2024
The Town of Vail and artist Danielle SeeWalker saw very different messages in her painting G is for Genocide, sparking the cancellation of her long-planned residency.
Joshua Ware • May 17, 2024
From the EditorInside Southwest ContemporarySouthwest
Our new editorial director, who joined SWC on April 22, looks back on a challenging decade of arts journalism—and ahead with an ambitious editorial vision.
Jordan Eddy • May 17, 2024
In Oracle Bones from Red Butte Press, a writer and an artist wander the Utah wilderness to discern the future. Then it comes true.
Camille LeFevre • May 15, 2024
Granary Arts's Critical Ground advances a bold idea: in the Southwest arts community, the center shouldn't hold.
Bianca Velasquez • May 14, 2024
From the EditorInside Southwest ContemporarySouthwest
This spring, Southwest Contemporary welcomes a new editorial director and four new board members, along with award wins, open calls for our next issue, and an opportunity to win $10,000 in funding for emerging media.
Lauren Tresp • May 10, 2024
Inside Southwest ContemporarySouthwest
Southwest Contemporary scores honors from the Society of Professional Journalists and New Mexico Press Women, for stories and designs reflecting the range of the publication's regional arts coverage.
Southwest Contemporary • May 10, 2024
RioBravoFineArt announces new artist exhibitions in Truth or Consequences, New Mexico, for spring 2024.
RioBravoFineArt • May 08, 2024
Phoenix-based artist Annie Lopez's brilliant blue dress forms—tailored from cyanotypes on tamale paper—embody personal, familial, and cultural histories.
Lynn Trimble • May 08, 2024
Cowboy cosplay, broken Spanish, and Indigenous erasure haunt Sagebrush and Solitude, Maynard Dixon's Western retrospective at the Nevada Museum of Art.
Delaney Uronen • May 06, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Catch up on recent art news headlines in the Southwest region, including people on the move, grants, and more.
Erin Averill • May 01, 2024
Carried by the rails that their ancestors laid, rode, or resisted, nine artists challenge dominant histories of the Transcontinental Railroad in this multi-venue exhibition.
Ana Estrada • April 30, 2024
Uncover the hidden stories of the Women of the Rails through an illustrative mural project at Railyard Park in Santa Fe, on view through July 31, 2024.
Railyard Park Conservancy • April 30, 2024
Ángel Faz’s studio practice centers around observation and research, unearthing the shrouded history of the land and those who inhabit it.
Emma S. Ahmad • April 26, 2024
Inside Southwest ContemporarySouthwest
Southwest Contemporary is entreating its readers to stop, take a moment, and imagine what a new world could hold.
Southwest Contemporary • April 25, 2024
The Biocrust Project reveals the importance of protecting the desert’s biocrust in the face of climate change in an immersive collaboration between art and science.
Ana Estrada • April 25, 2024
Sam Scott: Deep Nature is on view through Saturday, May 18, with an artist talk on Saturday, May 11, at Pie Projects in Santa Fe.
Pie Projects • April 24, 2024
Vladem Contemporary at the New Mexico Museum of Art announces their annual Window Box Project Open Call for artists. Applications are open now through May 5, 2024.
New Mexico Museum of Art • April 23, 2024
The Bombay Beach Biennale along Southern California’s Salton Sea is an insurgent arts festival and ongoing ecological discourse.
Aleina Grace Edwards • April 23, 2024
Cj Hendry's Public Pool delights some and confounds others, as it celebrates Las Vegas pool party culture while ignoring serious realities of PVC manufacturing, drought, and the wealth divide.
Nancy Good • April 19, 2024
Photographer Maria Nancy Thomas and poet Rashaad Thomas, a creative couple based in South Phoenix, are using their work to explore a region brimming with the histories of marginalized communities.
Lynn Trimble • April 18, 2024
Diné artist, writer, and educator Brendan Basham approaches writing as he does life: as a process of transformation.
Aleina Grace Edwards • April 16, 2024
In Performing Self at the Boulder Museum of Contemporary Art, seven multidisciplinary artists expand the concept of performance art with works that are extremely personal, even courageous.
Deborah Ross • April 15, 2024
Do muralists have a legal right to keep their work from being altered or whitewashed? Experts and artists in the Southwest discuss artist contracts and the Visual Artists Rights Act.
Lynn Trimble • April 11, 2024
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