ReviewArizonaVol. 2 Flights of Fancy
Body/Magic: Liz Cohen
Body/Magic: Liz Cohen takes viewers inside the artist’s creative process while punctuating critical themes in her work, including transformation, labor, and personal agency.
April 30, 2021
ReviewArizonaVol. 2 Flights of Fancy
Body/Magic: Liz Cohen takes viewers inside the artist’s creative process while punctuating critical themes in her work, including transformation, labor, and personal agency.
Lynn Trimble • April 30, 2021
ReviewNew MexicoVol. 2 Flights of Fancy
May Stevens’s retrospective at SITE Santa Fe showcases a selection of her politically charged yet personal paintings and prints that display her ability to embody her conviction in a variety of styles and themes.
Asuri Ramanujan Krittika • April 30, 2021
ReviewTexasVol. 2 Flights of Fancy
Texas artist Xxavier Edward Carter uses the anonymized debris of financial transactions and sales pitches as his canvases for the debut exhibition at Cluley Projects.
Lyndsay Knecht • April 30, 2021
Desert X 2021 offers large-scale, photogenic works that, while politically charged, lack a distinct impact.
Lauren Tresp • April 27, 2021
Leon Polk Smith: Hiding in Plain Sight at the Heard Museum focuses on focuses on Smith's early works, hard-edge paintings, shaped canvases, and his deep connection to Native culture.
Steve Jansen • April 06, 2021
Frida Kahlo, Diego Rivera, and Mexican Modernism at the Albuquerque Museum includes a kaleidoscope of work from iconic Mexican artists.
Asuri Ramanujan Krittika • March 18, 2021
Topologies, Senga Nengudi’s retrospective currently on view at the Denver Art Museum, acts as a call-to-action: for marginalized bodies and beings to be seen in the world.
Joshua Ware • March 15, 2021
The Family Room exhibition at form & concept in Santa Fe, NM offers a much-needed sanctuary from the new global reality.
Angie Rizzo • March 10, 2021
Luis Jiménez: Motion and Emotion shows how the artist looked at the story of the American West through a Chicano perspective.
Asuri Ramanujan Krittika • March 04, 2021
OKLA, Ed Ruscha’s first solo exhibition in his home state Oklahoma, is more than just a homecoming parade for the artist, who is still making work at eighty-three years old.
Lyndsay Knecht • February 25, 2021
A look at iconic printmaker José Guadalupe Posada and Albuquerque Museum's current exhibition of his work.
Asuri Ramanujan Krittika • February 08, 2021
Elemental, Teresita Fernández's mid-career survey at Phoenix Art Museum elevates the intersections of history, culture, and materiality.
Lynn Trimble • February 08, 2021
Diego Rodriguez-Warner’s recent exhibition Horror Vacui offers a look beyond the immediate disarray and confusion in which we find ourselves.
Joshua Ware • February 08, 2021
The virtual-reality installation Carne y Arena, the brainchild of acclaimed director Alejandro G. Iñárritu, is an unforgettable twenty minutes of walking in migrants’ shoes at the U.S.-Mexico border.
Deborah Ross • January 18, 2021
Larger Than Memory includes works made by Indigenous artists from North America in the first two decades of this century.
Rembrandt Quiballo • September 17, 2020
The new Charlene Teters exhibition at Institute of American Indian Arts in Santa Fe challenges border policies in a time of mass migration.
Coco Picard • March 26, 2020
Esphyr Slobodkina: Six Decades of Groundbreaking Painting, Collage, and Sculpture at the LewAllen Galleries in Santa Fe is a window into twentieth-century abstract art by one of the movement’s early pioneers, Esphyr Slobodkina, a versatile and prolific New York artist. A cofounder of the American Abstract Artists group, she translated the concepts of European Modernism into American idiom.
Alejandro López • March 26, 2020
Indelible Ink displays pieces by nine multigenerational Native American printmaking women whose artwork stuns with originality, beauty, and color, while also illustrating the historical trauma that impacts Native people today.
Steve Jansen • March 26, 2020
Yōkai: Ghosts & Demons of Japan at the Museum of International Folk Art spotlights the Japanese folk art tradition of yōkai, which depicts paranormal beings such as ghosts, demons, and monsters in a variety of settings, ranging from traditional kabuki theater to Pokémon anime.
Steve Jansen • March 26, 2020
The provocative work of Francesca Woodman, an art photographer who took her life at only twenty-two, takes on new dimensions in Portrait of a Reputation, an exhibition at MCA Denver that combines Woodman’s experimental work from the late 1970s with candid photos of the artist by her friend, George Lange.
Deborah Ross • March 26, 2020
Chinati's special exhibition is like a conversation between Donald Judd and Barnett Newman, with work from both artists on view.
Briana Olson • March 26, 2020
We, The Masses: Here, the men—drawn in mind-blowing detail on palimpsest-free surfaces—engage in unhinged activity, ranging from gnawing on tree bark to fighting with one another. Some men hug en masse: they seem to know that O’Neil is about to hit the go button on the apocalypse...
Steve Jansen • January 28, 2020
Zahra Marwan’s exhibition at the Sanitary Tortilla Factory in Albuquerque pairs exquisite poetry with her illustrations, paintings on paper.
Asuri Ramanujan Krittika • January 28, 2020
The thirty-five featured artists have opted to use the disarming power of humor, parody, and satire to counter, transcend, and transform the oppression they have suffered.
Alejandro López • January 28, 2020
Martínez-Díaz is a visual artist who uses photography, video, design, and installation to create conceptual work focused on the hyper normalization of violence in Northern Mexican society.
Isadora Stowe • January 28, 2020
Rafael Lozano-Hemmer's most recent installation Border Turner in El Paso and Ciudad Juárez brings voice and person to the forefront.
Daisy Quezada • January 28, 2020
Labor: Motherhood and Art in 2020 in NMSU’s new art building fills its elegant spaces with imposing artwork, mostly photographs and installation work.These exhibitions put a spotlight on the idea of motherhood as a powerful but almost invisible force in life.
Asuri Ramanujan Krittika • March 26, 2020
Di Wae Powa: They Came Back, an exhibition which opened in the fall of 2019 at the Poeh Cultural Center, in partnership with the Smithsonian Institution’s National Museum of the American Indian (NMAI), is a step towards reconciling a muddy and violent history of colonialism in the Southwest.
Lillia McEnaney • January 28, 2020
Artist Sharbani Das Gupta's In/Sight, on view at the Roswell Museum and Art Center, examines current environmental and cultural conundrums and asks the viewer to do the same.
Joy Miller • January 28, 2020
Quiara Alegría Hudes’s Water by the Spoonful examines the results of trauma in people’s lives in this Pulitzer Prize-winning drama at Santa Fe's Teatro Paraguas.
Talia Pura • December 01, 2019
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