Nov 01
With its script by Santa Fean Annie Lux, The Portable Dorothy Parker is almost as good as being a fly on the wall while one of the most popular writers and oft-quoted wits of the early twentieth century holds forth. It also serves as an excellent example that good art gets ...
Oct 01
Tom Harjo’s Portraits from Standing Rock provide insight into an event that was difficult to see. Using still photography, he portrays the people, the emotions, the interactions, and the violence that law enforcement in South Dakota tried to shield from public view in 2016. Harjo’s...
Oct 01
The thick metal door swung shut behind me, and the momentum of its thud closed off the thrum of traffic from Coal Avenue, quieting the world inside the gallery. In the small exhibition space of Sanitary Tortilla Factory, machinery began to whirr, set off by the movement of my body in...
Oct 01
In the new documentary that accompanies the exhibition Frida Kahlo:Her Photos, curated by Mexican photographer and historian Pablo Ortiz Monasterio, reference is made at the very beginning to Kahlo’s horrific accident at the age of eighteen. It was the dreadful collision of a bus with...
Oct 01
The box can be a thing and an idea, sometimes diffuse, other times quite literally bounded. To think outside of one is a ready adage, one of those sayings that’s so overused it’s actually lost most of its ability to make a point. But when I think about the box in this exhibition...
Oct 01
The bees have proven themselves remarkably commodifiable, not only through the products they manufacture that humans enjoy, like honey and beeswax, but also as a pattern, a motif, a caricature. The market loves a stripe found in nature. If panda bears are the symbol of neoliberal...
Dec 01
What does it mean to represent someone else? Must we only endeavor to represent stories and people with whom we also identify? Of course not—but recent debates in art and literary circles reflect a growing sense of [...]
Sep 01
En route from one Southwest Arts Oasis to another, determined to see the works of Doris Cross (1907-1994) in Marfa and carrying a friend's artwork in our trunk, we passed through the heart of darkness [...]
Sep 01
Lannan Foundation: Roni Horn’s series of photographs of the river Thames—each one capturing a different texture of the opaque and oily water—creates a portrait of the river as if it were [...]
Sep 01
Sep 01
Complex patterns unfold for the viewer and richly reward time spent looking in Quilts of Southwest China. The curation of this show, which includes textiles dated from 1900 to contemporary times, expands our [...]
Sep 01
Tansey Contemporary: In her solo exhibition of geometric wall sculptures, Melinda Rosenberg’s lines are not always her own. The Columbus, Ohio, artist’s work is a collaboration with designers [...]
Sep 01
IAIA Museum of Contemporary Native Arts: A single visit to the Institute of American Indian Arts' Museum of Contemporary Native Arts is enough to prompt wonder at why those visits are not more frequent [...]
Feb 01
Mary Dezember: Still Howling: When I walked in to Mary Dezember’s reading for Still Howling, upstairs from the plaza in a snug gallery space run by Strangers Collective, the poet came up to me and immediately connected me with something I’d written, something about women, she said...
Sep 01
Peters Projects: Is it possible for an artist to exhaust the format of the self-portrait? Or are we better off asking the opposite question: are artists’ reflections on their own likeness ever enough to fully describe depth of character, change over time, or one’s psyche?...
Feb 01
Something I Need You To Know debuted on Wednesday, November 9, 2016, the day after the United States presidential election. During the opening reception, visitors staggered through the hallways of Santa Fe [...]
Feb 01
A recent exhibition at one of Santa Fe's truly contemporary galleries conveyed a tenet of what makes an art space in Santa Fe “contemporary” in the first place. The word is largely misused—by myself and [...]
Aug 01
UNM Art Museum: The Arctic has for so long been defined by distance, both geographically and conceptually. Called the Far North because it is far from some perceived [...]
Aug 01
Peters Projects: Upon entering Kent Monkman’s solo exhibition, resist the temptation to revel in the raucous party raging across monumental canvases in the [...]
Aug 01
IAIA MoCNA: It's like seeing an afterimage. Though you blink, a vision continues to persist even after the original ceases. Over time, these images and afterimages layer upon one another, like sediment refusing to settle[...]
Aug 01
The newly acquired work at the Thoma Foundation, by such artists as computer pioneer Vera Molnar, Alan Rath, Steina Vasulka, and Guillermo Galindo, unfolds in so many technological and conceptual directions [...]
Aug 01
form & concept: I went to Rebecca Rutstein’s Fault Lines expecting to see in her paintings a comment, a reflection, or a transformation of the [...]
Jul 01
IAIA Museum of Contemporary Native Arts: Claire Vaye Watkins set her 2015 novel Gold Fame Citrus in a not-so-distant future, in the aftermath of a disastrous event: the entire western United States has been engulfed by a massive sand dune [...]
Jul 01
Whitney Museum of American Art: At first I noticed the smell, earthy almost. Then there was shade and a flush of coolness. I had entered Rafa Esparza’s Figure/Ground: Beyond the White Field [...]
Jul 01
Mayeur Projects: I imagine them as children: O’Bryan on the sidewalk, rubbing the concrete with chalk, while Ross sits in the grass and fries ants with a magnifying glass. This comes to me only after [...]
Jul 01
Freeform Art Space: Freeform Art Space is what you’d call “off the beaten path.” Way off the beaten path. Not only is it off of Cerrillos Road past Siler, but the only individuals likely to stumble into [...]
Jun 01
No Land Gallery: There is one segment in the episodic Bayeux Tapestry—the famous 230-foot long textile (ca. 1070-1080) that depicts the Battle of Hastings in 1066 [...]
Jun 01
Center for Contemporary Arts: In the early 1970s I worked on a radio show at KPFA in Berkeley called Unlearning to Not Speak. It was a historical moment when educated, middle-class, Western women articulated how we had been silenced [...]
Jun 01
Jun 01
5. Gallery:
Jun 01
Art.i.fact Gallery: Fukuda Chiyo-ni’s famous haiku bloomed from the mists of Edo Period Japan to inspire Ilona Pachler’s solo exhibition [...]
Apr 01
David Richard Gallery: The Park Place Gallery is probably not as prominent as it should be in the art-historical canon. Founded in 1962 by nine artists working in New York City, many of whom were recent West Coast transplants, the gallery’s program was decidedly anti-dogmatic [...]
Apr 01
The Women’s International Study Center (WISC) and form + concept gallery collaborated to present a lecture by Chad Alligood, curator at the Crystal Bridges Museum of American Art [...]
Apr 01
Center for Contemporary Arts: How do you sum up a solo exhibition? You could measure it in studio hours, or leagues of thought. Jill O’Bryan counted Mapping Resonance in breaths [...]
Apr 01
Museum of Indian Arts and Culture: By altering technology humans alter their perceptions. By altering our perceptions we alter our minds, our thoughtways. Euro Medicine exploits aboriginal ethno-botanies [...]
Apr 01
Sanitary Tortilla Factory: In the foothills of the Sandia Mountains, among the tufts of brush, cacti, and tangles of hiking paths and winding mountain-bike trails, sits the Embudo Dam, just one of the many flood-control structures that exist throughout the neighborhoods of Albuquerque [...]
Apr 01
