July 2018
Welcome to Volume 27, Issue 1 of The Magazine! We are welcoming summer...
June 30, 2018
Articles
New Feet On An Old Stage
“I suppose in some ways I’m always trying to achieve the impossible.” Jonathan Winkle, the newly appointed director of Performance Santa Fe ignores his coffee while enthusiastically explaining how he books the perfect season roster. “I want a balance between artistically...
June 01, 2018
Anonymous: Icons, Hackers, and the Carnivalesque
Every now and then modern societies erupt in what Noam Chomsky calls “outbreaks of democracy.” These can take many forms, from political revolution to resistance, and various art movements can be viewed as versions of such outbreaks. Eventually, outbreaks are suppressed...
June 01, 2018
Futurition Santa Fe
Futurition Santa Fe is a collaborative effort to bring awareness to a number of events taking place across several Santa Fe institutions and businesses that involve the intersections of art, science, and technology. The primary participants include Santa Fe Institute, Currents New Media, the Thoma Foundation (Art House), form & concept...
June 01, 2018
Larry Bell: Hocus, Focus and 12
The Harwood Museum of Art in Taos is gearing up for a large-scale exhibition of local luminary Larry Bell’s work. The show, titled Hocus, Focus and 12, is curated by Gus Foster, Taos photographer and Bell’s friend and collaborator. Highlights of the exhibition...
June 01, 2018
Laura Gilpin
Laura Gilpin saw the landscape of the Southwest as a constitutive element of the human cultures that formed there. Among the few women artists who took active part in landscape photography in the early and mid-twentieth century, Gilpin’s photos stand out against the pristine...
June 01, 2018
Stuart Arends: Tin Man, Slabs, and My Father’s House
Mayeur Projects: Stuart Arends is fond of saying that he lives in the middle of nowhere. Ever hear of Willard, New Mexico? The landscape around the artist’s house is austere, almost barren, with a view of some mountains off in the distance. He is “off the grid and under the radar”...
June 01, 2018
Two Poems from Gondwana
Nathaniel Tarn (b. 1928, Paris) is an American poet, essayist, anthropologist, and translator. He emigrated to the United States in 1970 and taught at several American universities, primarily Rutgers, where he was a professor from 1972 until 1985. He has lived outside of Santa Fe, New Mexico since his retirement from Rutgers...
May 29, 2018
Taos: 1960s-Present
Soon after moving to northern New Mexico, almost seven years ago, and after doing a welter of studio visits, I noted the number of exceptional draftspersons in the area and pulled together a proposal for a show of drawings by artists who live in the general area of Taos...
June 01, 2018
Because It’s Time: Unraveling Race and Place in NM
National Hispanic Cultural Center: Identity. It’s one of those words, concepts, ways of making sense of the world and ourselves that could fill volumes. Indeed, volumes of stories: self-made, inherited, or, in many instances, projected. Identity is that way...
June 01, 2018
Crafting Memory: The Art of Community in Peru
Museum of International Folk Art: On the wall of Crafting Memory: The Art of Community in Peru reads a statement describing the Peruvian capital’s thriving artistic communities: “Popular arts in Lima are all about remixing.” Moving through the show, it becomes clear that...
June 01, 2018
Patrick Nagatani: A Survey of Early Photographs
UNM Art Museum: The whir of air conditioning swells as viewers descend the stairs of the UNM Museum of Art into the cave-like rooms that contain Patrick Nagatani: A Survey of Early Photographs. Blonde wood chairs sit at the bottom of the staircase in the...
June 01, 2018
The 2009 Domaine Tempier Bandol Rouge And The Ten Biggest Lies About Wine
A good liar works elements of truth into his lies. A great liar uses big lies to make his small lies more credible. These day, there are liars everywhere you go, even in the wine world. Why would anyone lie about wine? To sell you wines you don’t want. The good news?...
June 01, 2018
Nikesha Breeze: Within This Skin
Harwood Museum of Art: Late in the process of making artwork for her solo exhibition, Within This Skin, Nikesha Breeze started a series of ceramic and oxide wall sculptures titled Written in Water. She calls the works “death masks,” and each coppery visage was...
June 01, 2018
Shane Tolbert
“This rock formation is forty million years old.” Shane Tolbert is guiding me through a narrow passage whose walls contain countless miniscule pebbles and stones—remnants of a mudslide caused by a rush of prehistoric water that cut through the area around the Colorado...
June 01, 2018
June 2018
Welcome to another issue of The Magazine! This issue is anchored by a number of diverse features that span painting, art travel, performance, and more: Clayton Porter and Chelsea Weathers made the trek up to El Rito to visit the studio of Shane Tolbert for the “Studio Visit...
June 01, 2018
The Third Annual Oasis Festival
The third annual Oasis Festival, a youth-led, free event will take place on Saturday, May 26, from 5:30pm-10pm in the Railyard Plaza. New York based electronic-pop duo Overcoats will headline the event supported by local teen musicians and DJs, as well as performances from local...
May 25, 2018
Michael Hedges: In Bloom
David Richard Gallery: Michael Hedges is a painter based near Chicago. He is youngish, what we might call “mid-career,” and I would suggest that he’s an artist to watch as he continues making art over the years. In Bloom consists of fifteen oil paintings whose style and...
May 10, 2018
Gloria Graham
Spending a morning with Gloria Graham in her drawing studio is like being in the world's most inspiring chemistry class. She speaks with sheer awe about the structures and movements of molecular particles, telling personal anecdotes about carbon and silicon, acting out the effects...
May 01, 2018
Interview with Colson Whitehead
In the late '80s and early '90s, Pulitzer Prize- and National Book Award-winning novelist Colson Whitehead and New Yorker Poetry Editor Kevin Young were a couple of kids at Harvard. They became friends long before either had a writing career to speak of, but in Whitehead's words...
May 01, 2018
Wendy Young: A Long and Slow Surrender
It started with a disagreement between the photographer Wendy Young and a friend about Confederate monuments and whether or not they should be taken down. The conflict triggered an exploration into her beliefs, education, and roots in the American South. Young was raised in Pensacola, Florida, and recalls studying the Lost Cause...
May 01, 2018
Agueda Salazar Martínez
In a video taken in 1995, Agueda Martínez stands at her loom wearing a long floral dress, an apron, and a faded baseball cap with the logo of a local café. She works the threads quickly with both hands, tapping out a rhythm on the treadles below. She is 97 years old...
May 01, 2018
Field Report: Naoshima
For us the journey to Naoshima, the art island of Japan in the Seto Inland Sea, will necessarily be long. You’ll have taken a plane or two or three, a Shinkansen, a train, a bus, a ferry, a shuttle. You’ll have overcome the inevitable travel dramas of buying the right...
June 02, 2018
H2O
“I got tired of auditioning for lame parts,” said Santa Fe actress Jessica Haring at an intimate living room preview for H2O this spring. Last year, she read Jane Martin’s one-act, two-character play from 2015 and knew its female protagonist, Deborah Elling...
May 01, 2018
Soul of a Nation: Art in the Age of Black Power
In a recent interview in Artforum, the artist Howardena Pindell recalls her first efforts toward protesting the oppressive and exclusionary practices of art institutions in the 1970s: “Because I was a curator at the Museum of Modern Art in New York, I needed to remain anonymous, so...
May 01, 2018
Young Curators Present: Guises
Since 2000, SITE Santa Fe’s Young Curators program has given high school students the opportunity to plan every step of a museum exhibition. Students from across New Mexico meet weekly to plan an exhibition theme, create calls for artwork, jury submissions, and install...
May 01, 2018
Jane Lackey: Shifting Pulse
Central Features Contemporary Art: The term shibui refers to a particular aesthetic in Japanese art, and it can mean a variety of things that are like spokes on a wheel organized around a central core of perceptions: simplicity, unobtrusive beauty, a spare elegance, and implicity...
May 01, 2018
Shaelin Jornigan: Home Whispers and Jazmyn Crosby: Eggs in the Rain, Eggs on the Floor
Orpheum Community Hub: A narrow entrance and hallway separates two exhibition spaces in downtown Albuquerque’s Orpheum Community Hub, a building that features classrooms, art spaces, and more, as well as offices for the Homewise Albuquerque Homeownership Center. Word is that...
May 01, 2018
Albuquerque Museum Photo Archives Collection: Images in Silver
Images in Silver begins with a quote from famed French photographer Henri Cartier-Bresson. “Photographers deal in things which are continually vanishing,” it goes, “and when they have vanished, there is no contrivance on earth which can make them come back again.” Photography, then...
May 01, 2018
Work by Women
Harwood Museum of Art: On the walls of major museums, only five percent of artwork is by women. The Harwood Museum flips this number in its current exhibition: there’s a small display featuring some men upstairs, but most of the institution’s galleries are devoted to Work...
May 01, 2018
