
Portfolio: Kristen Hatgi Sink
Photo Portfolio: Kristin Hatgi-Sink
March 27, 2019
Photo Portfolio: Kristin Hatgi-Sink
Angie Rizzo • March 27, 2019
Photos of Mexico from the 1970s to 2005 by Mexican photographer Graciela Iturbide bring a documentary impulse in touch with a poetic eye. Her photos are personal, yet immersive in cultures not her own; unafraid of the humorous, the strange, and the symbolic.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
Nicole Cuzilo's photos contemplate the role of fashion and appearance as mechanisms that historically and continually both celebrate and constrain women.
Lauren Tresp • January 30, 2019
The photos in Everyday People: The Photography of Clarence E. Redman at the Albuquerque Museum remind me of essayist Joan Didion’s ability to remove herself from her stories. In her recountings of discussions between Hollywood stars and their directors, she is completely absent from the room. Likewise, C.E. Redman’s photos, though mostly posed, have a way of disappearing the photographer and camera.
Robin Babb • January 30, 2019
Shots in the Dark is an exploration of the ambiguous space that takes shape in darkness. The thirty-two photographs spanning the gallery were all made at night by four Southwest-based photographers: Chris Colville, scott b. davis, Ken Rosenthal, and Mike Lundgren.
Kate Wood • January 30, 2019
Jesse Rieser’s photographic project Christmas in America: Happy Birthday Jesus is at first glance humorous and lighthearted. The garish colors and cartoonish settings allude to theme parks and the classic feature film A Christmas Story and perhaps to one’s own holiday memories...
Angie Rizzo • November 28, 2018
Quite literally, Mason constructs her photographs; each still captures a tableau that she builds outdoors. Found objects such as rocks, plastic tarps, or other photographs of hers layer her compositions. In Backyard Still Life (2017), a wrinkled sheet of silvery mylar is taped to a wall. The wall’s texture and curvature read as adobe, but its inky blackness belies easy recognition.
Chelsea Weathers • November 28, 2018
objet d’art, a high quality decorative object, or a curiosity for your cabinet, usually collectible; and femme fatale, a female stock character whose dangerous, seductive beauty and feminine wiles draw […]
Lauren Tresp • August 28, 2018
Sitting with Sage Paisner in his new gallery space, Foto Forum Santa Fe, I am met with the feeling that photography can create a sense of community, togetherness...
Hatty Nestor • July 30, 2018
Richard Levy Gallery: Confession: water freaks me out. Floods, hurricanes, waves of any size, hail, steam, swamps, melting glaciers, rising sea levels, snow—it doesn’t matter. And don’t get me started on modern plumbing or droughts, for that matter. Regardless of form...
Nancy Zastudil • June 28, 2018
Karen Miranda Rivadeneira, a Santa Fe–based artist by way of Ecuador and New York began laying the groundwork for her project, In the Mouth of the Mountain Jaguar Everybody is a Dancing Hummingbird, nearly eleven years ago when she first visited a small region of the...
Angie Rizzo • June 28, 2018
Laura Gilpin saw the landscape of the Southwest as a constitutive element of the human cultures that formed there. Among the few women artists who took active part in landscape photography in the early and mid-twentieth century, Gilpin’s photos stand out against the pristine...
Jenn Shapland • June 01, 2018
UNM Art Museum: The whir of air conditioning swells as viewers descend the stairs of the UNM Museum of Art into the cave-like rooms that contain Patrick Nagatani: A Survey of Early Photographs. Blonde wood chairs sit at the bottom of the staircase in the...
Maggie Grimason • June 01, 2018
25 years ago in the May 1993 issue of The Magazine:
Southwest Contemporary • May 01, 2018
It started with a disagreement between the photographer Wendy Young and a friend about Confederate monuments and whether or not they should be taken down. The conflict triggered an exploration into her beliefs, education, and roots in the American South. Young was raised in Pensacola, Florida, and recalls studying the Lost Cause...
Angie Rizzo • May 01, 2018
Images in Silver begins with a quote from famed French photographer Henri Cartier-Bresson. “Photographers deal in things which are continually vanishing,” it goes, “and when they have vanished, there is no contrivance on earth which can make them come back again.” Photography, then...
Maggie Grimason • May 01, 2018
UNM Art Museum: Meridel Rubenstein’s photographs brought me to the Bible, which I hadn’t read in earnest since I took a great books class in college. I probably don’t need to tell most people that the Book of Genesis is, at least from a literary perspective, a bit confusing and disorganized...
Chelsea Weathers • April 01, 2018
Foto Forum: “Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still,” Susan Sontag wrote in On Photography. Although she isn’t directly referencing prisons, they are continually a reality which is systematically...
Hatty Nestor • April 01, 2018
Light, shadow, and doors opened and closed are a few of the subjects of Santa Fe–based photographer Natalie Christensen. Informed by Carl Jung and a twenty-five-year career as a psychotherapist, Christensen looks for symbols in the Southwestern urban landscape that “reveal psychological...
Angie Rizzo • February 01, 2018
This series began lying in bed lazily photographing the clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los Alamos National Laboratory...
Southwest Contemporary • November 01, 2017
Christian Michael Filardo takes photographs constantly. A hand holds a switchblade near a blurry-socked leg; a drone floats in a twilit sky above a cholla cactus; soap suds cover the windows of a car. A tattooed arm, melted candles, broken glass, leafy houseplants, tainted concrete, dirt, cats, the back of a shaved head. An omnipresent flash ...
Chelsea Weathers and Clayton Porter • October 01, 2017
Tom Harjo’s Portraits from Standing Rock provide insight into an event that was difficult to see. Using still photography, he portrays the people, the emotions, the interactions, and the violence that law enforcement in South Dakota tried to shield from public view in 2016. Harjo’s...
Jenn Shapland • October 01, 2017
Review Santa Fe is the multifaceted flagship program of CENTER and is one of the premier juried [...]
Southwest Contemporary • October 01, 2017
In the new documentary that accompanies the exhibition Frida Kahlo:Her Photos, curated by Mexican photographer and historian Pablo Ortiz Monasterio, reference is made at the very beginning to Kahlo’s horrific accident at the age of eighteen. It was the dreadful collision of a bus with...
Diane Armitage • October 01, 2017
This is what happens when a photographer with a graphic design sensibility uses paper to make large-scale installation that ends up being a constructed photography series. [...]
Southwest Contemporary • September 01, 2017
Lannan Foundation: Roni Horn’s series of photographs of the river Thames—each one capturing a different texture of the opaque and oily water—creates a portrait of the river as if it were [...]
Diane Armitage • September 01, 2017
Jeremy was born in Albuquerque, NM, in 1994. His artistic journey began once he could scribble on the walls with crayons. At age 11, he picked up a skateboard and started a new personal adventure. [...]
• August 01, 2017
UNM Art Museum: The Arctic has for so long been defined by distance, both geographically and conceptually. Called the Far North because it is far from some perceived [...]
Jenn Shapland • August 01, 2017
Patina Gallery presents two exhibitions in celebration of the world premiere of The (R)evolution of Steve Jobs at the Santa Fe Opera on July 22, 2017. [...]
Southwest Contemporary • July 01, 2017
Donald Woodman’s photographic career spans over four decades including extensive work in the fields of commercial, scientific, and fine art photography [...]
Southwest Contemporary • June 01, 2017
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