Portfolio: Inga Hendrickson
Inga Hendrickson is a Santa Fe-based photographer. She creates colorful still lifes that are simultaneously beautiful and grotesque
January 28, 2020
Inga Hendrickson is a Santa Fe-based photographer. She creates colorful still lifes that are simultaneously beautiful and grotesque
Angie Rizzo • January 28, 2020
FeatureNew Mexico Artists to Know Now
“My photos illustrate the blood pumping through Albuquerque,” Frank Blazquez told the Guardian in 2018. The portraits—largely captured along the east-west belt of Central Avenue—capture human faces, yes, but each carries a story in and of itself.
Maggie Grimason • January 28, 2020
In Outside the Castle (2019), Atmus the deer sits on a lawn outside Disney’s Cinderella Castle. Atmus is a fur-suit. The person inside is Tommy Bruce. The lawn is artificial. And the castle is an image. Bruce is a furry. He goes to conventions, participates in online discussions, and documents the community. His also takes self-portraits in his fur-suit.
Matthew Irwin • December 01, 2019
Wilson began CIPX in 2012 with the support of the New Mexico Museum of Art and has photographed internationally, adding to the prolific body of work. Over time, the project and Wilson’s intentions have evolved. Today, he speaks about the ritual of portraiture and questions how it fits into contemporary culture. Some traditions that were once a rite of passage for families and individuals have become part of the past.
Angie Rizzo • October 01, 2019
Sama Alshaibi, a Tucson, Arizona–based photographer, is a Palestinian-Iraqi who originally came to the United States as a refugee from Iraq. Her mother’s family are also refugees from Jaffa, a historic port city that was fought over and ultimately became part of Israel in 1948. The families that lived there were forced to leave quickly, and many left behind family keepsakes such as family photo albums. Alshaibi’s family have few photographs from their time in Palestine.
Angie Rizzo • July 29, 2019
Melanie Walker is an artist based in Boulder, Colorado. She works nearly equally in the worlds of photography and public art, with each realm informing the other...
Angie Rizzo • May 24, 2019
Jasper is the first book from photographer Matthew Genitempo. While the images were made in the Ozarks, they recall an atmosphere of rural America more than they reflect a specific place. The name Jasper, too, has a particular generality...
Sarah Bradley • March 27, 2019
Photo Portfolio: Kristin Hatgi-Sink
Angie Rizzo • March 27, 2019
Photos of Mexico from the 1970s to 2005 by Mexican photographer Graciela Iturbide bring a documentary impulse in touch with a poetic eye. Her photos are personal, yet immersive in cultures not her own; unafraid of the humorous, the strange, and the symbolic.
Jenn Shapland • January 30, 2019
New Mexico Artists to Know Now
Nicole Cuzilo's photos contemplate the role of fashion and appearance as mechanisms that historically and continually both celebrate and constrain women.
Lauren Tresp • January 30, 2019
The photos in Everyday People: The Photography of Clarence E. Redman at the Albuquerque Museum remind me of essayist Joan Didion’s ability to remove herself from her stories. In her recountings of discussions between Hollywood stars and their directors, she is completely absent from the room. Likewise, C.E. Redman’s photos, though mostly posed, have a way of disappearing the photographer and camera.
Robin Babb • January 30, 2019
Shots in the Dark is an exploration of the ambiguous space that takes shape in darkness. The thirty-two photographs spanning the gallery were all made at night by four Southwest-based photographers: Chris Colville, scott b. davis, Ken Rosenthal, and Mike Lundgren.
Kate Wood • January 30, 2019
Jesse Rieser’s photographic project Christmas in America: Happy Birthday Jesus is at first glance humorous and lighthearted. The garish colors and cartoonish settings allude to theme parks and the classic feature film A Christmas Story and perhaps to one’s own holiday memories...
Angie Rizzo • November 28, 2018
Quite literally, Mason constructs her photographs; each still captures a tableau that she builds outdoors. Found objects such as rocks, plastic tarps, or other photographs of hers layer her compositions. In Backyard Still Life (2017), a wrinkled sheet of silvery mylar is taped to a wall. The wall’s texture and curvature read as adobe, but its inky blackness belies easy recognition.
Chelsea Weathers • November 28, 2018
objet d’art, a high quality decorative object, or a curiosity for your cabinet, usually collectible; and femme fatale, a female stock character whose dangerous, seductive beauty and feminine wiles draw […]
Lauren Tresp • August 28, 2018
Sitting with Sage Paisner in his new gallery space, Foto Forum Santa Fe, I am met with the feeling that photography can create a sense of community, togetherness...
Hatty Nestor • July 30, 2018
Richard Levy Gallery: Confession: water freaks me out. Floods, hurricanes, waves of any size, hail, steam, swamps, melting glaciers, rising sea levels, snow—it doesn’t matter. And don’t get me started on modern plumbing or droughts, for that matter. Regardless of form...
Nancy Zastudil • June 28, 2018
Karen Miranda Rivadeneira, a Santa Fe–based artist by way of Ecuador and New York began laying the groundwork for her project, In the Mouth of the Mountain Jaguar Everybody is a Dancing Hummingbird, nearly eleven years ago when she first visited a small region of the...
Angie Rizzo • June 28, 2018
Laura Gilpin saw the landscape of the Southwest as a constitutive element of the human cultures that formed there. Among the few women artists who took active part in landscape photography in the early and mid-twentieth century, Gilpin’s photos stand out against the pristine...
Jenn Shapland • June 01, 2018
UNM Art Museum: The whir of air conditioning swells as viewers descend the stairs of the UNM Museum of Art into the cave-like rooms that contain Patrick Nagatani: A Survey of Early Photographs. Blonde wood chairs sit at the bottom of the staircase in the...
Maggie Grimason • June 01, 2018
25 years ago in the May 1993 issue of The Magazine:
Southwest Contemporary • May 01, 2018
It started with a disagreement between the photographer Wendy Young and a friend about Confederate monuments and whether or not they should be taken down. The conflict triggered an exploration into her beliefs, education, and roots in the American South. Young was raised in Pensacola, Florida, and recalls studying the Lost Cause...
Angie Rizzo • May 01, 2018
Images in Silver begins with a quote from famed French photographer Henri Cartier-Bresson. “Photographers deal in things which are continually vanishing,” it goes, “and when they have vanished, there is no contrivance on earth which can make them come back again.” Photography, then...
Maggie Grimason • May 01, 2018
UNM Art Museum: Meridel Rubenstein’s photographs brought me to the Bible, which I hadn’t read in earnest since I took a great books class in college. I probably don’t need to tell most people that the Book of Genesis is, at least from a literary perspective, a bit confusing and disorganized...
Chelsea Weathers • April 01, 2018
Foto Forum: “Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still,” Susan Sontag wrote in On Photography. Although she isn’t directly referencing prisons, they are continually a reality which is systematically...
Hatty Nestor • April 01, 2018
Light, shadow, and doors opened and closed are a few of the subjects of Santa Fe–based photographer Natalie Christensen. Informed by Carl Jung and a twenty-five-year career as a psychotherapist, Christensen looks for symbols in the Southwestern urban landscape that “reveal psychological...
Angie Rizzo • February 01, 2018
This series began lying in bed lazily photographing the clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los Alamos National Laboratory...
Southwest Contemporary • November 01, 2017
Christian Michael Filardo takes photographs constantly. A hand holds a switchblade near a blurry-socked leg; a drone floats in a twilit sky above a cholla cactus; soap suds cover the windows of a car. A tattooed arm, melted candles, broken glass, leafy houseplants, tainted concrete, dirt, cats, the back of a shaved head. An omnipresent flash ...
Chelsea Weathers and Clayton Porter • October 01, 2017
Tom Harjo’s Portraits from Standing Rock provide insight into an event that was difficult to see. Using still photography, he portrays the people, the emotions, the interactions, and the violence that law enforcement in South Dakota tried to shield from public view in 2016. Harjo’s...
Jenn Shapland • October 01, 2017
Review Santa Fe is the multifaceted flagship program of CENTER and is one of the premier juried [...]
Southwest Contemporary • October 01, 2017
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