The latest series from Albuquerque artist Caitlin Carcerano is centered on the locus of self-care and vulnerability: the bathtub.
The Support Albuquerque Gift Guide features an eclectic mix from Albuquerque’s vibrant scene of makers and doers.
Writer and dancer Marlee Grace explores the practice of returning (again and again) to center in her new book.
New Mexico arts organizations bring us together in the era of social distancing.
Nora Wendl applies diverse talents to equally diverse examinations of place, of being a woman moving through the world, and the “poetics of inhabiting things.” Her recent cycles of work examine the Farnsworth House in Illinois—an iconic glass and steel International-Style house.
“The intention of this work is to honor vulnerability, impermanence, and cycles of life on our planet,” c marquez says of their work, which includes two-dimensional pieces, sculpture, installation, and the results of a daily sketchbook practice.
Currently residing in Albuquerque where they are pursuing an MFA in photography, MK began the recent series The Pain Is Just an Annoyance Now as members of their family began to pass away and they witnessed the grief of their mother. These losses spurred an exploration of the complications of family relationships, as well as obscured histories through the physical remnants of the past that shore up the present—family photo albums.
The shapes of Andrea Pichaida’s sculptural works in clay are at once spare and suggestive, their lines and colors inspired by nature, their content speaking to experience both personal and universal.
“My photos illustrate the blood pumping through Albuquerque,” Frank Blazquez told the Guardian in 2018. The portraits—largely captured along the east-west belt of Central Avenue—capture human faces, yes, but each carries a story in and of itself.
As ABQ Zine Fest 9 approaches, we take a look at how print media has endured and the spaces that are building culture through the celebration of zines, books, and comics.
We took a seat at the table in the center of the warehouse-turned-home (turned-“work, brainstorming, and studio space”) where artists Cannupa Hanska Luger and Ginger Dunnill live in Glorieta, New Mexico. Taped to the kitchen cabinet was a wall-size paper schedule of impending deadlines for numerous projects.
Every line was filled out, and notes were made in black marker, even in the margins. “Welcome to my life,” Dunnill laughed as, never skipping a beat, she outlined their individual projects—while the couple’s two children ran in one door and out the other…
The work that Kanaka Maoli (Native Hawaiian) and Apache artist Ian Kuali’i makes today is largely born out of a longstanding connection to the landscapes he has lived and worked in, as well as a sense that these different places each hold unique lessons for their inhabitants. As the Ronald and Susan Dubin Native Artist Fellow at the School for Advanced Research, Kuali’i is putting his talent to work to create intricate works of hand-cut paper, as well as an expansive earthwork on a slice of the center’s undeveloped acreage.