Jeannie Ortiz: Living Histories
ArtistsNew MexicoVol. 9 Living Histories
Jeannie Ortiz's fiber art practice in her ancestral desert homeland around Truth or Consequences, New Mexico, helps her fill in the gaps in her family's history.
ArtistsNew MexicoVol. 9 Living Histories
Jeannie Ortiz's fiber art practice in her ancestral desert homeland around Truth or Consequences, New Mexico, helps her fill in the gaps in her family's history. By Lauren Tresp
ArtistsVol. 9 Living Histories
Santa Fe-based artist Chaz John's (Winnebago Tribe of Nebraska, Mississippi Band Choctaw, European) latest works explore the characters, stories, and archetypes that crisscross generations and cultures. By Lauren Tresp
In 2023, Southwest Contemporary published 300 original articles by seventy-five contributors across eight states about contemporary art in the Southwest. These are readers' ten favorite stories of the year. By Lauren Tresp
Southwest Contemporary gives the arts community the focused attention, critical engagement, and depth of storytelling that no other publication can provide to the Southwest region. By Lauren Tresp
From contemporary Korean photography to a time-spanning collection of Andean fiber arts and a bubbling biennial on the U.S.-Mexico border, let these exhibitions across the Southwest be bright lights on these short, dark days. By Lauren Tresp
From the EditorVol. 8 Medium + Support
Southwest Contemporary publisher Lauren Tresp discusses the publication's role in the arts ecosystem of the Southwest—including some behind-the-scenes work building networks and sharing resources. By Lauren Tresp
In the Santa Fe Opera’s 2023 staging of Pelléas et Mélisande, director Netia Jones’s contemporary aesthetics renew Debussy’s mystifying Symbolist opera for present-day audiences. By Lauren Tresp
Travel2023 New Mexico Field Guide
WNMU Museum in Silver City, New Mexico, occupies a historic building and houses one of the largest collections of Mimbres pottery and artifacts in the world, as well as other prehistoric Southwestern pottery and artifacts. By Lauren Tresp
Southwest Contemporary publisher Lauren Tresp's guide to museum and gallery exhibitions to see across the Southwest this spring. By Lauren Tresp
Lauren Tresp, publisher and editor, looks back at 2022, a year of growth, engagement, and relationship-building for Southwest Contemporary. By Lauren Tresp
Documenta 15, the globally significant quinquennial, was both an exercise in decentralized curation with a focus on the Global South and a show riddled with unrelenting controversies. By Lauren Tresp
New MexicoReviewVol. 6 Rooted: Poetics of Place
Wo/Manhouse 2022 reconsiders the relationship between gender and domestic spaces on the fiftieth anniversary of the seminal feminist installation Womanhouse in Belen, New Mexico. By Lauren Tresp
Southwest Contemporary's 2022 reader survey results are in. Here is what we've learned so far. Plus, meet the feline members of our team. By Lauren Tresp
ArtistsColoradoVol. 5 Collectivity + Collaboration
Cherish Marquez is a Denver-based artist who uses videos, animations, still images, and installations, to animate the subtleties of desert life near the U.S.-Mexico border. By Lauren Tresp
We’re back with a staff contribution of the 5×5! This week, SWC’s publisher Lauren Tresp shares her top five picks for horror and poetry. By Lauren Tresp
From the EditorVol. 4 Winter 2021
Southwest Contemporary Vol. 4 travels across the region to meet artists, brewers, climate-change activists, and DIY-ers to have in-depth conversations about significant and inspiring issues. By Lauren Tresp
From Land Art in Nevada to abstraction in Denver, from demons in Dallas to the legacy of Elaine Horwitch in Santa Fe: visit ten art exhibitions across the Southwest before summer ends. By Lauren Tresp
Vol. 3 Inhale ExhaleArizonaArtists
Artist Sara Hubbs creates blown-glass sculptures that examine concepts of value, temporality, and care. By Lauren Tresp
Lauren Tresp takes over the 5x5 this week with her five picks of things she's been reading, listening to, watching, or otherwise inspired by. By Lauren Tresp
From the EditorVol. 2 Flights of Fancy
Welcome to Southwest Contemporary Vol. 2, Flights of Fancy. This issue explores the complexities involved in defining—and staying tethered to—what’s “real." By Lauren Tresp
Desert X 2021 offers large-scale, photogenic works that, while politically charged, lack a distinct impact. By Lauren Tresp
Take a look at Spring 2021 art exhibitions coming to museums throughout the Southwest. By Lauren Tresp
SWC Vol. 1: Bodies//Boundaries is the first publication of a new journey and an expanded mission: to bring curated, critical arts and culture publishing to the American Southwest, in print and online. By Lauren Tresp
Vol. 1 Bodies//BoundariesArizona
Phoenix artist Saskia Jordá’s practice engages in an iterative mapping and remapping to explore concepts of cultural identity, bodies in space, and sense of place. By Lauren Tresp
From the EditorInside Southwest ContemporaryNews
Whether you've valued our content over the last 28 years, or the last 28 days, now is the time we need your help the most. By Lauren Tresp
The inaugural Field Guide—a guidebook to arts and culture across northern New Mexico —drops in print and online on July 31! To receive an issue delivered to your door, you can pre-order a copy now from our online store. By Lauren Tresp
“It’s really brought home to me the way in which literature can connect us to each other and foster and express our shared humanity. Our experiences in this country might be specific, but through art we can interrogate universal truths about what it means to be human. This is why it’s so important for our arts, culture and society to be inclusive of everyone.” By Daisy Geoffrey and Lauren Tresp
After careful consideration, and much initial heartbreak, I have decided that Southwest Contemporary will publish one final print edition this year: our new Field Guide publication. We will suspend print publication of The Magazine for the remainder of 2020, with strong and sincere plans to return to print in 2021. By Lauren Tresp
In an effort to bring multiple perspectives into conversation, Friends of Architecture Santa Fe has organized an in-depth series of public discussions termed “ReVisioning History” to take place May through December this year. Each installment of the ReVisioning History series will bring together a group of architects, planners, allied design professionals, and policymakers to make expert presentations, engage in panel discussions, hold Q&A sessions, and structured visioning exercises. By Lauren Tresp
The current state of virtual exhibitions is rather disappointing, but there are a few promising gems out there in the cacophonous landscape of the net. In this essay, Lauren Tresp tries to make some sense of the noise of art online. By Lauren Tresp
Southwest Contemporary will continue to serve our community by sharing information, resources, and connections, and supporting arts businesses, organizations, and artists as best we can during this time. However, we need you, our readers and community members, to help us weather this storm. By Lauren Tresp
Welcome to the Artists Issue, featuring 12 New Mexico Artists to Know Now, a readership survey, new features, and a new calendar. By Lauren Tresp
FeatureNew Mexico Artists to Know Now
All year long we share the stories of artists from across our state, but this special issue is our way of focusing on a sample of some of the premier talent continuously emerging from New Mexico. These are artists whose works are shaping the landscape of contemporary art in the Southwest. By Lauren Tresp
This issue taps into contemporary craft. It wasn’t intentionally a choice informed by the season, but it feels right to contemplate our own crafts at the end of the year—a season of endings, reflections, and new opportunities. We approached this topic from many different angles, from traditional craft to craft and tech. By Lauren Tresp
Have coffee with Tom Leech, Curator at The Press at the Palace of the Governors. By Lauren Tresp
I love print. I love words on a physical page held in my hands. I love the texture of paper and the smell of old books. I love interesting editorial design that creates an experience greater than the sum of its parts. If you’ve ever been to Southwest Contemporary’s offices, you may have seen my collection of independent magazines from around the world, which is always growing (here’s an open invitation to come say hi and take a look!). By Lauren Tresp
This month we embrace our new name and traverse the southwest from Silver City, New Mexico, to Scottsdale, Arizona. In our features, we visit the studio of Santa Fe artist Ted Larsen, whose work we are honored to present as this issue’s cover art. Briana Olson takes us on a day tour of some of Albuquerque’s incredible murals. Rachel Preston Prinz gives us the lowdown on the art, architecture, and natural glories in and around Silver City, New Mexico. Maggie Grimason goes deep with artists Ginger Dunnill and Cannupa Hanska Luger at their Glorieta, New Mexico home, to talk about their individual and collaborative practices spanning art, life, community, and family. By Lauren Tresp
Welcome to the next chapter of The Magazine! In July, the beginning of The Magazine’s 28th year, I launched a new business: Southwest Contemporary. (If you missed this launch, sign up for our newsletter at the bottom of this page!) Southwest Contemporary is a new art media company that will serve as an umbrella over The Magazine while also carving out room for this company to evolve and grow. By Lauren Tresp
The month of July introduces a season of sequels and new beginnings to The Magazine! On the cusp of The Magazine’s 28th year, I am excited to introduce you to […] By Lauren Tresp
"If there is a goal to sustain yourself as an artist, then innovation is a big part of that. Traditions have to change with the times, because artists are the chroniclers of our times." By Lauren Tresp
I am thrilled to usher The Magazine into its 28th year with this issue: Volume 28, Issue 1. I have some very exciting announcements that will be made in just a couple of weeks about the future of The Magazine and new offerings to look forward to, so please make sure you are signed up on our email list if you are not already! By Lauren Tresp
For a monthly magazine, it can be difficult to capture a theme throughout an entire issue. So much of our content is deliberately eclectic, covers a span of disciplines, and is a mix between in-depth and topical coverage. I’m delighted, therefore, that our “Landscapes” issue came together rather organically... By Lauren Tresp
Tasting notes with: Kenneth Francis. Occupation: Landscape architect. Venue: Geronimo bar, Santa Fe. (Next stop: Paloma patio.) Drinking: Hendrix Martini. By Lauren Tresp
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