
EssayNew MexicoVol. 5 Collectivity + Collaboration
A Risk Taker
This autofiction short revisits an outpatient surgery and the drive home through the lens of health, marriage, and fantasy.
February 25, 2022
EssayNew MexicoVol. 5 Collectivity + Collaboration
This autofiction short revisits an outpatient surgery and the drive home through the lens of health, marriage, and fantasy.
Hannah Dean • February 25, 2022
ReviewTexasVol. 5 Collectivity + Collaboration
At The Contemporary Austin’s Crit Group Reunion, a generic and disjointed overview muted the spirit of what’s happening now in the city.
Lyndsay Knecht • February 25, 2022
ArtistsNew MexicoVol. 5 Collectivity + Collaboration
Friends of the Orphan Signs is a collaborative art organization that works with community members to bring their voices to empty billboards and signs in Albuquerque.
Daisy Geoffrey • February 25, 2022
ArtistsNew MexicoVol. 5 Collectivity + Collaboration
Amanda Rowan's multimedia performance project Place Setting collaborates with the narrative and artifacts of three generations of women at the Acequia Madre House in Santa Fe.
Southwest Contemporary • February 25, 2022
ArtistsTexasVol. 5 Collectivity + Collaboration
Collaborative works by Ghislaine Fremaux and Lando Valdez concern the sensuality of grief, the medicalized subject, the experience of surgical intervention, desire, and the concomitance of all of these.
Southwest Contemporary • February 25, 2022
EssaySouthwestVol. 5 Collectivity + Collaboration
Art critic Darren Jones on the ways artists lead the way in matters of social progress, in our Collectivity + Collaboration themed issue.
Darren Jones • February 25, 2022
Studio VisitUtahVol. 4 Winter 2021
New work by Jaclyn Wright explores the contentious space of the Utah desert and how the ideology of ‘rugged individualism’ has visually manifested itself.
Natalie Hegert • October 29, 2021
San Antonio artist Michael Menchaca’s Artpace exhibition, The 1836 Project, is an immersive video installation employing poppy animation to take aim at “the colonial fantasies of the Texas creation myth.”
Bryan Rindfuss • October 29, 2021
Studio VisitArizonaVol. 4 Winter 2021
Raised in the borderlands, Phoenix-based artist Diana Calderón uses materials from Mexico and the U.S. to investigate her ancestral roots and immigrant experience while exploring both physical and spiritual borders.
Lynn Trimble • October 29, 2021
ReviewArizonaVol. 4 Winter 2021
A retrospective of German-American female photographer Marion Palfi at the Phoenix Art Museum, the first major exhibition since her 1978 death, places her towards the top of social research photographers.
Steve Jansen • October 29, 2021
ReviewColoradoVol. 4 Winter 2021
Armor, a group exhibition at the Center for Visual Art in Denver, explored physical and metaphorical barriers in the art-making process.
Deborah Ross • October 29, 2021
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