A Hundred Years On, Surrealism’s Desert Dreamworlds Continue to Inspire
The desert—in all of its arid, minimalist, color-block permutations—permeates this selection of Surrealist artworks.
November 19, 2024
The desert—in all of its arid, minimalist, color-block permutations—permeates this selection of Surrealist artworks.
Camille LeFevre • November 19, 2024
Investors are finally redeveloping Evans School in Denver—and displacing nearly sixty artists from their low-cost studios in the process.
Madeleine Boyson • November 12, 2024
Tiffany Fairall, former chief curator of Mesa Contemporary Arts Museum in Arizona, sues the City of Mesa in the aftermath of censorship allegations.
Lynn Trimble • November 05, 2024
Black artists imagine radical futures through hope, healing, and history in Reclaiming Hope: Afrofuturist Visions.
Lynn Trimble • October 29, 2024
Cybele Lyle attempts, in confounding and curious ways, to queer desert landscapes in her current installation Cybele Lyle: Floating Seeds Make Deep Forms.
Camille LeFevre • October 17, 2024
The City of Santa Fe’s ArcGIS Storymaps, and its AR component, Ojos Diferentes, peel back the layers of Santa Fe history to tell underrepresented stories with new technologies.
Kimberly Suina Melwani • October 15, 2024
Don’t miss these essential art exhibitions across the Southwest for fall 2024, featuring major surveys, immersive installations, and artistic dialogues.
Natalie Hegert • October 02, 2024
Dario Robleto’s wide-ranging reach—in which the deepest interiors and most distant exteriors mix with popular culture and early analog media—is getting more articulate with each pass.
Hills Snyder • September 27, 2024
When the Lubbock City Council defunded a popular art event for promoting the “LGBT Agenda,” confirming fears of repressive drag bans in Texas, the art community got fired up.
Natalie Hegert • September 20, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
Mallery Quetawki paints cross-cultural translations that help bridge futures between Indigenous communities and science and medical professionals.
Sean J Patrick Carney • September 06, 2024
FeatureSouthwestVol. 10 Radical Futures
Science fiction authors have provided many visions of dystopian futures in the Southwest. Can architects help avert such disastrous outcomes?
Natalie Hegert • September 06, 2024
InterviewColoradoVol. 10 Radical Futures
Pamela Zoline speaks with Noah Travis Phillips about the Colorado Plateau, recent work, and the science that excites her.
Noah Travis Phillips • September 06, 2024
WritingsColoradoRadical Futures
Noah Travis Phillips’s more optimistic, queer, and contemporary “cover” of Pamela Zoline’s feminist collage sci-fi classic “The Heat Death of the Universe.”
Noah Travis Phillips • September 06, 2024
In Southwest Contemporary Vol. 10: Radical Futures, curator and conceptual artist Ian Breidenbach ruminates on creative agency and utopian praxis as the guest juror for this issue.
Ian Breidenbach • September 06, 2024
ArtistsTexasVol. 10 Radical Futures
Texas-based artist Bonny Leibowitz creates hybridized installations of natural and manufactured materials that reflect the impacts of isolation, environmental degradation, and human conflict.
Lynn Trimble • September 06, 2024
ArtistsTexasVol. 10 Radical Futures
Wills Brewer’s practice is rooted in research and documentation, emphasizing history at its most expansive, geologic scale.
Maggie Grimason • September 06, 2024
Teresa Hubbard and Alexander Birchler's colossal new video installation, Past Deposits from a Future Yet to Come, dramatically explores the archeological record of Austin's Waller Creek.
Gene Fowler • August 20, 2024
Tina Mion ventures into unexplored territory in her exhibition Departures, through death spoon sculptures and paintings about her brother’s death.
Camille LeFevre • August 13, 2024
California-based artist Carolina Aranibar-Fernández explores colonization, extraction, and exploitation in the Southwest in her exhibition Oleaje at Scottsdale Museum of Contemporary Art in Arizona.
Lynn Trimble • July 30, 2024
I Regret to Inform You: Rejected Public Art explores the process of applying to and proposing a public art project, while grappling with the ubiquity of rejection.
Joshua Ware • July 23, 2024
In the first exhibition to explore Harry Fonseca’s expressions of “queerness” through his beloved character Coyote, queer-Indigenous performativity takes center stage.
Camille LeFevre • July 16, 2024
"Biophilic design," which emulates the natural environment, is undoubtedly having a moment. So how does the Denver Art Museum’s latest design exhibition expand on this discourse?
Emma S. Ahmad • July 05, 2024
A new book from Hatje Cantz, The Snake and the Lightning: Aby Warburg's American Journey, enlivens the German art historian's trek to the Southwest in 1895-96.
Gene Fowler • June 14, 2024
In canvases and sculpture created during the last years of her life, Carmen Herrera, an under-sung hero of minimalism and abstraction, receives further attention.
Camille LeFevre • June 04, 2024
Feature2024 New Mexico Field GuideNew Mexico
Artist studio tours across New Mexico illustrate the enduring power of creative exchange—and give visitors an insider's view of the artistic process.
Maggie Grimason • May 24, 2024
Field Report2024 New Mexico Field GuideNew Mexico
"Come for the aliens, stay for the art!" sums up the compelling reasons to visit Roswell, New Mexico—a mecca for UFO culture and contemporary art.
Natalie Hegert • May 24, 2024
Daniel Hawkins's surreal, fifty-foot Desert Lighthouse is a glowing, perplexing beacon in the desolate Mojave Desert, on the site of ecological catastrophe.
Tyler Stallings • May 21, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Ángel Faz’s studio practice centers around observation and research, unearthing the shrouded history of the land and those who inhabit it.
Emma S. Ahmad • April 26, 2024
Copyright © 2024 Southwest Contemporary
Site by Think All Day
369 Montezuma Ave, #258
Santa Fe, NM, 87501
info@southwestcontemporary.com
505-424-7641