
Help us Raise $7,500 During our Year-End Fundraiser
Become a member or make a donation during the month of December and double your impact for arts journalism. Plus, two new resources for SWC Members!
December 01, 2024
Become a member or make a donation during the month of December and double your impact for arts journalism. Plus, two new resources for SWC Members!
Lauren Tresp • December 01, 2024
The School of Art at ASU advances generative art practices driven by research, ideas, and effective public engagement. Attend an info session on December 6, 2024, and apply by January 15, 2025.
Arizona State University School of Art • November 22, 2024
Paisley Rekdal will read selections from West: A Translation with live guidance from the audience in a powerful, informative, and cathartic experience at 516 Words on Thursday, December 5, in Albuquerque.
516 Arts • November 20, 2024
Salt Lines: Exploring Climate, Environment, and the Saline Influx examines the past, present, and future of salt in the global landscape through the work of duo Hylozoic/Desires, photographer David Maisel, and poet and photographer Alexandra Fuller.
Southern Utah Museum of Art • November 19, 2024
Keshet Dance Company's latest work features eight choreographers delving into the nature and of questioning, free will and destiny, and our potential to create change.
Keshet Dance and Center for the Arts • November 06, 2024
Akin helps families commemorate their ancestry in the form of custom-designed books using memorabilia, genealogical discoveries, and all-inclusive design know-how.
Akin • October 24, 2024
FeatureNew MexicoVol. 10 Radical Futures
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
Lillia McEnaney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
In bold pop culture style, Santa Clara Pueblo artist Jason Garcia envisions Native futures by challenging narratives that have always kept us in the past.
Kimberly Suina Melwani • September 06, 2024
"Fires Fires" is a personal essay by Caitlin Lorraine Johnson about the effect of global uncertainty on the small scale of a life.
Caitlin Lorraine Johnson • September 06, 2024
ReviewArizonaVol. 10 Radical Futures
PORTALS at the Museum of Contemporary Art Tucson in Arizona features new works by California-based artist Fay Ray, who imagines radical futures in the Sonoran Desert and Southwest borderlands.
Lynn Trimble • September 06, 2024
Southwest Contemporary owner and publisher Lauren Tresp reflects on our five-year anniversary—and all of the work that is still to come.
Lauren Tresp • September 03, 2024
Discover your next opportunity with our latest roundup of Southwest artist residencies in Colorado, Nevada, New Mexico, Texas, and Wyoming, with deadlines in September, October, and November 2024.
Southwest Contemporary • August 22, 2024
Inside Southwest ContemporaryNew Mexico
Southwest Contemporary announces Critical Commons 2024: Santa Fe, the fourth iteration of our annual initiative to cultivate creative and critical discourse with a range of events.
Southwest Contemporary • August 09, 2024
Sponsored2024 New Mexico Field GuideNew Mexico
Santa Fe–based artist Jarrett West creates large-scale ceramic stonework sculptures that evoke the drama of nature and the organic architecture of New Mexico.
Tierra Mar Gallery • May 24, 2024
Essay2024 New Mexico Field GuideNew Mexico
August 2024 will usher in one hundred years of setting Zozobra ablaze—a ceremony of fire, redemption, and the incineration of Santa Fe’s gloom.
Emily Arntsen • May 24, 2024
From the EditorInside Southwest ContemporarySouthwest
This spring, Southwest Contemporary welcomes a new editorial director and four new board members, along with award wins, open calls for our next issue, and an opportunity to win $10,000 in funding for emerging media.
Lauren Tresp • May 10, 2024
ArtistsVol. 9 Living Histories
In Southwest Contemporary Vol. 9: Living Histories, guest juror Kalyn Fay Barnoski reflects on the ten featured artists and how they engage with cultural, community, or familial histories.
Kalyn Fay Barnoski • March 01, 2024
Studio VisitNew MexicoVol. 9 Living Histories
Delilah Montoya, a Chicana artist based in Albuquerque, turns a mestizaje lens on documentary photography and the representation of women.
Nancy Zastudil • March 01, 2024
ArtistsNew MexicoVol. 9 Living Histories
Jeannie Ortiz's fiber art practice in her ancestral desert homeland around Truth or Consequences, New Mexico, helps her fill in the gaps in her family's history.
Lauren Tresp • March 01, 2024
ArtistsNew MexicoVol. 9 Living Histories
Tamara Burgh's (Swede, Iñupiaq-Kawerak) art practice is undergirded by questions about what Indigeneity means to the artist and how to move into the future carrying the freight of a weighty past.
Maggie Grimason • March 01, 2024
ReviewNevadaVol. 9 Living Histories
The Emotional Show's consideration of sentiment and inner sensation has become pronounced in relevance following the terrifying December 6 shooting on the UNLV campus.
Brent Holmes • March 01, 2024
ArtistsNew MexicoVol. 9 Living Histories
Assyrian Irish artist Esther Elia constructs contemporary diasporic visions of ancient legacies through an ever-evolving array of media.
Maggie Grimason • March 01, 2024
ArtistsColoradoVol. 9 Living Histories
The project Re:Peat by artist Anne Yoncha explores peatlands as time capsules of the geological past and environmental futures.
Joshua Ware • March 01, 2024
ReviewArizonaVol. 9 Living Histories
Amalia Mesa-Bains, renowned for altar-style installations that helped bring Chicana art into the mainstream, recently had a retrospective exhibition at the Phoenix Art Museum.
Lynn Trimble • March 01, 2024
ArtistsArizonaVol. 9 Living Histories
Marlowe Katoney (Diné) draws on personal experience and Navajo, street, and popular culture to create weavings and paintings that defy conventional notions of beauty and Indigenous art.
Lynn Trimble • March 01, 2024
EssayUtahVol. 9 Living Histories
In this essay, nicholas b jacobsen braids together ongoing histories of Mormon and U.S. settler colonialism and genocide against Nuwu and Diné peoples at Pipe Spring National Monument and Lake Powell.
nicholas b jacobsen • March 01, 2024
ArtistsVol. 9 Living Histories
Santa Fe-based artist Chaz John's (Winnebago Tribe of Nebraska, Mississippi Band Choctaw, European) latest works explore the characters, stories, and archetypes that crisscross generations and cultures.
Lauren Tresp • March 01, 2024
FeatureNevadaVol. 9 Living Histories
Brent Holmes finds kinship in the Barton Brothers, two early, unsung homesteaders to Nevada, through the shared experience of being Black in the American West.
Brent Holmes • March 01, 2024
ReviewNew MexicoVol. 9 Living Histories
Out West: Gay and Lesbian Artists in the Southwest 1900–1969 at the New Mexico Museum of Art collects work by and about queer artists working in New Mexico.
Robin Babb • March 01, 2024
ArtistsTexasVol. 9 Living Histories
Andrew Ina's multi-media artwork delves into diasporic memory and displacement, using his family's photographs documenting their lives in Lebanon and the United States.
Natalie Hegert • March 01, 2024
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